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Oct 23rd
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Features

beer STELLA

Music - Features

Once a Junkie…

Once a Junkie…

Coming out of a cold winter with Cowboy Junkies’ Michael Timmins

The title The Wilderness does a fine job of conveying the stark tone of the Canadian alt-folk/rock group Cowboy Junkies’ newest release, whose dominant themes are loss, loneliness and desperation. Much of the album’s somber feel can be chalked up to the state of confusion that the band’s guitarist and chief songwriter, Michael Timmins, recently found himself in as he grappled with relationship, family and aging issues.
As Timmins puts it, The Wilderness is about being at a point in life “where you look up, and you realize that you’re at a place of great beauty in some ways, but also a place which can be a little bit frightening. You’re a little bit lost: You never really expected to find yourself here, and you don’t really know where you are.”

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Music - Features

Don't Think, Just Play

Don't Think, Just Play

Inspiration comes natural to folk-soul strummer Sean Hayes

Looking back, Sean Hayes says he worked on the title track of his latest album, Before We Turn To Dust, for about eight years.
The lyric, "You may spend all of your money before you turn to dust, but you will never spend all of your love," had been bouncing around in his head for close to a decade, the singer-songwriter says. It would crop up in his mind from time to time, but Hayes never really knew what the line meant until his first son was born.

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Music - Features

The Chameleon

The Chameleon

Stephanie Schneiderman’s music may be ever-changing, but her message remains constant

Whether she is performing with the Portland, Ore.-based indie pop-rock band Dirty Martini or going solo—as she will on Thursday at Don Quixote’s—Stephanie Schneiderman is constantly evolving as an artist.

“I’m always trying to do something that’s different for me, even if I can’t speak to it being different or not for anybody else,” Schneiderman says.

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Music - Features

It Comes in Waves

It Comes in Waves

The splendor of Spiritualized’s limitless space rock is in its relentless and familiar flow

Wow! It’s like you’re next door now,” Jason Pierce says, after a series of inaudible phone calls. Though the London-based frontman for Spiritualized is pleased that we’re finally able to connect, he claims, “I liked it when we couldn’t hear each other. There was so much room for error before.”

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Music - Features

Wingin’ It

Wingin’ It

Antsy McClain and his Flamingoheads get national attention with PBS concert series

Antsy McClain is a Santa Cruz success story, which is all the more intriguing as McClain is a Nashville, Tenn. resident. For years now, McClain has been regaling Santa Cruz with musical tales of his life in a fictitious trailer park called Pine View Heights, and it looks like McClain might soon be able to afford a double-wide. His humorous, catchy songs, along with his band, The Trailer Park Troubadours, will be the center of one episode of a new PBS series entitled Sierra Stages, which will feature national music acts—including Tommy Emmanuel, Roy Rogers, Blame Sally, and more—performing in venues around Northern California.

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Music - Features

Fringe Folk

Fringe Folk

Janis Ian: still a voice for the marginalized

As the 18th-century writer Jonathan Swift once observed, “When a true genius appears, you can know him by this sign: that all the dunces are in a confederacy against him.” Gender bias aside, that statement rang especially true in the mid-’60s, when the racial tension of the times voiced itself through a 14-year-old folk singer/songwriter with a genius-level IQ. Sung from the perspective of a white girl being condemned for having a black boyfriend, Janis Ian’s song “Society’s Child” earned its precocious young composer numerous death threats. Strangers spit in her food at restaurants, tripped her at concerts and sent her copious amounts of hate mail, sometimes placing razor blades in the envelopes to make her cut her fingers. One especially enterprising dunce (or perhaps a confederacy of them) even burned down an Atlanta radio station for playing “Society’s Child.”

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Santa Cruz Restaurant Week

A huge part of Santa Cruz Restaurant Week has always been about offering a great dining experience for an affordable price. For some locals, the $25 flat-rate cost has provided the opportunity (or the excuse!) to try new spots, and indulge in Santa Cruz fine dining in a way they might have thought too pricey before.

 

Scorpio Sun, New Moon Eclipse, Mercury Direct

The Sun enters Scorpio’s mysteries Thursday under a new moon and partial solar eclipse (something essential has come to an end, its purpose completed). In Scorpio we harbor secrets, are devoted to something deep, dark and hidden. Sometimes it’s ourselves. We can bring great suspect to our assessment of others. Scorpio is the scorpion, the serpent and the eagle—three levels of development. As the serpent we take shelter in our beliefs. Sometimes we bite (or sting). The eagle vanquishes old beliefs through its sharp intellect, soaring high in the air, seeking to understand through perspective. Understanding releases us from the bondage of fear. The eagle is like the mother soothing feelings of mistrust, offering protection. Knowledge does this, too.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Docs Without Borders

United Nations Association Film Festival showcases documentaries from around the globe
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Back Porch

Austin Kaye on backyard dinners and why it’s his favorite time of year to be a chef

 

What’s the most outrageous situation you ever saw at a restaurant?

Damani Thomas, Santa Cruz, Chef/Owner

 

Wine Lust

The Spanish Godello grape, plus arancinis, tender butter lettuce and pork schnitzel at Soif

 

What artist or artists participating in the encore weekend of Open Studios should not be missed?

Santa Cruz | Teacher