Santa Cruz’s own Otayo Dubb brings blue collar hip-hop to the Lagoon

he name Otayo Dubb—a moniker taken from the Swahili term for “ambush”—connotes the effect of the rapper’s blue collar hip-hop style. Straddling the underground hemispheres of street and conscious hip-hop, Dubb’s musical ambush is a bumping meditation on the struggles and joys of everyday working-class people.

Though born in Oakland, Calif., Dubb was raised by two working-class jazz musicians on the west side of Santa Cruz. His hunger for rhythm was established before birth, as his mother, an avid musician of Caribbean and West African influence, played congas while pregnant with him.

Pixies’ Joey Santiago on the making of an alt-rock classic

Doolittle, arguably the definitive album by the Boston-based alternative rock band the Pixies, hasn’t just stayed fresh over time—it’s actually gotten better. Or so it would seem from two different Rolling Stone reviews of the album: Somewhere between 1989 and 2002, Doolittle apparently went from merely being an above-average effort (three-and-a-half-stars) to being a proto-grunge Sergeant Pepper’s (five stars). The record has only improved since then. In 2003, NME magazine named it the second-greatest album in history, and in 2005, it landed smack-dab in the middle of Rolling Stone’s 500 Greatest Albums of All Time list.

Rich Robinson’s dad is dying. And his newborn son, Bleu, is a mere three months old. Experiencing grief and happiness simultaneously has become a strange constant in Robinson’s life. At 25, he had everything: as a member of the blues-rock outfit The Black Crowes, Robinson was in a “comfortable state” financially, married to a beautiful wife, and playing shows around the world.

But even at the peak of the Crowes’ popularity in the early- to mid-’90s, something was off. “I was living this life that was askew,” says Robinson, now 42. “My relationships with the people that were supposed to be my closest seemed damaged. My marriage was not a good fit for either of us and we weren’t facing up to that. Though I love my brother [Chris, co-founder of The Black Crowes], the fact that my working environment can be challenging has been well-chronicled. Nothing was working like it should have been, but by many people’s standards, it was a dream come true.”

San Diego blues/rock duo Little Hurricane rips its way into the music scene

Little Hurricane—the volatile yet smooth rock duo headed to The Crepe Place Thursday—plays what they refer to as “dirty blues”: “We say it’s blues, but it’s dirty with distortion and a little bit of grunge,” explains lead guitarist and vocalist Anthony Catalano (a.k.a. Tone). “I was in a rock band in high school and some of college, and there’s some influence from that. We try to bring a lot of extra energy when we play live.”

True to his word, Catalano blazes huge guitar riffs—with or without a slide, over the complex rhythms and alluring vocals of his rocking female accomplice, drummer Celeste Spina (a.k.a. CC). Though the band has been together for only a short time—forming in January of 2010—they’ve already earned acclaim in their hometown of San Diego, winning Best Alternative Band, and both Album of the Year, and Best Alternative Album with their debut effort Homewrecker, at the 21st annual San Diego Music Awards.

Jay Farrar channels Kerouac, reaches the heart of America

While most musicians tour to promote new albums, Jay Farrar is taking his act cross-country for the same reason Jack Kerouac and the Beat Generation hitchhiked the heartland: Farrar is in love with America.

A native of Belleville, Ill., Farrar became infatuated with the country at a young age: “In order for you to get anywhere, you have to drive through a big chunk of it,” he says. And like most young men, he found Kerouac in his early teens. “Here’s a method: just go out there and create and experience life,” he says of the writer. “That’s essentially what most people in bands do.”

While Kerouac was making-over Proust and Wolfe, Farrar was channeling Woodie Guthrie and The Byrds with early ’90s alt-country pioneers Uncle Tupelo. “It felt inspirational [to create something new], but we were conscious of the fact that we were drawing from other bands that had been over similar territory before,” he says. “The inspirational process is a chain.”

The talented teens of the Santa Cruz County Youth Symphony express themselves in orchestral music

"There’s a storm picking up,” Nathaniel Berman says from a podium at the front of the classroom. Suddenly a sea of violin bows start bobbing in the air and the bottom floor of Georgiana Bruce Kirby Preparatory School fills with the thundering sound of 33 instruments.

Using maritime analogies, Berman, a UCSC alumnus with a master’s degree in conducting, leads the Santa Cruz County Youth Symphony through Felix Mendelssohn’s “Hebrides Overture,” one of three orchestral pieces that the Youth Symphony will perform on Nov. 6 at the UCSC Music Center Recital Hall.