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Out On The Streets

music_themorningbendersThe Morning Benders find success and homelessness
If you want to learn what it was like for The Morning Benders’ Chris Chu to work with co-producer Chris Taylor (of Grizzly Bear fame) on the band’s 2010 album, Big Echo, you can refer to, well, pretty much any other interview with Chris Chu. Just how many times has that topic come up?

“I guess I couldn’t tell you because I’ve lost count,” says the vocalist and frontman. “I might say over 100 times.”

If nothing else, having to answer the same question over and over is evidence that The Morning Benders—coming to the Rio Theatre on Friday, Oct. 15—are moving up in the indie world. Yet success is a relative thing in the post-Napster generation, as the band’s grueling touring schedule would suggest.

“We ended up leaving for tour in March, finding out over the course of March that we would be touring for six or seven consecutive tours and that we wouldn’t be home at all,” explains Chu. “So we kind of gave up our apartments, and lived solely on the road. So we are kind of homeless, actually, at the moment.”

Incidentally, the band had attempted to relocate to Brooklyn from Berkeley, where three of its four current members attended Cal. And for sure, Chu seems like the kind of guy many Santa Cruzans may have met before; a Southern Californian who moved to Berkeley for school, often coming south on weekends for friends at UC Santa Cruz. But just how did someone turn to music for a career, despite attending such a competitive campus?

“I was skipping classes to work on songs or play shows and be in a band,” Chu explains. “Before long I knew that’s what I wanted to do, and songwriting became more and more natural and more and more gratifying for me, so I felt that was what I had to do.”

Still, New York is a far-flung place from the California coast, and Chu admits that having the band establish itself outside of a traditional music hub (Gilman Street nonwithstanding) was probably advantageous. In Brooklyn, for every Grizzly Bear or Dirty Projectors there are hundreds of bands which never make it out of the borough.

“It’s positive and negative, to have that kind of passion and drive and enthusiasm,” says Chu. “It challenges people, and people are really working hard out here, I love it, I find it very inspiring. But at the same time it can be kind of cutthroat, because there are so many bands, and so many shows all the time, it’s hard to distinguish yourself, and it’s hard to win over the attention of the press people and tastemakers that are here, because there are only so many of them.”

Perhaps this is why Big Echo, the band’s sophomore album, feels like it wasn’t informed by any one specific locale or time period. Rather, The Morning Benders have become something of a Renaissance band, adept at capturing the diversity of sound under the ‘indie rock’ halo, while refusing to forgo hooks.

“Especially with Big Echo, our idea going into it was to try and embrace sounds from all over the place, not just geographically but timelines as well, the ’70s, ’80s, ’90s and present,” says Chu. “So when I listen to Big Echo I hear all these sounds coming from all these different places, and our hope was that it didn’t feel too rooted in California or New York or anything because it took from so many different places. And all the parts were juxtaposed in such random ways, our hope was that it would kind of make its own space, so that when you listen to it, it kind of transports you to this strange other world.”


The Morning Benders perform at 8 p.m. Friday, Oct. 15, at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. Tickets are $12 in advance, $15 at the door. For more information, call 423-8209.

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Heart Me Up

In defense of Valentine’s Day

 

“be(ing) of love (a little) more careful”—e.e. cummings

Wednesday (Feb. 10) is Ash Wednesday, when Lent begins. Friday (Feb. 12) is Lincoln’s 207th birthday. Sunday is Valentine’s Day. On Ash Wednesday, with foreheads marked with a cross of ashes, we hear the words, “From dust thou art and unto dust thou shalt return.” Reminding us that our bodies, made of matter, will remain here on Earth when we are called back. It is our Soul that will take us home again. Lent offers us 40 days and nights of purification in preparation for the Resurrection (Easter) festival (an initiation) and for the Three Spring Festivals (at the time of the full moon)—Aries, Taurus, Gemini. The New Group of World Servers have been preparing since Winter Solstice. The number 40 is significant. The Christ (Pisces World Teacher) was in the desert for 40 days and 40 nights prior to His three-year ministry. The purpose of this desert exile was to prepare his Archangel (light) body to withstand the pressures of the Earth plane (form and matter). We, too, in our intentional purifications and prayers during the 40 days of Lent, prepare ourselves (physical body, emotions, lower mind) to receive and be able to withstand the irradiation of will, love/wisdom and light streaming into the Earth at spring equinox, Easter, and the Three Spiritual Festivals. What is Lent? The Anglo-Saxon word, lencten, comes from an ancient spring festival, agricultural rites marking the transition between winter and summer. The seasons reflect changes in nature (physical world) and humanity responds with social festivals of gratitude and of renewal. There is a purification process, prayerfulness in nature and in humanity in preparation for a great flow of spiritual energies during springtime. Valentine’s Day: Aquarius Sun, Taurus moon. Let us offer gifts of comfort, ease, harmony, beauty and satisfaction. Things chocolate and golden. Venus and Taurus things.

 

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