Santa Cruz Good Times

Wednesday
May 27th
Text size
  • Increase font size
  • Default font size
  • Decrease font size

Rising From the Ashes

music_RyanAdamsRyan Adams invokes the past in his latest effort, ‘Ashes & Fire’

Ryan Adams doesn’t always make it easy to be a Ryan Adams fan. After capturing indie souls with Heartbreaker in 2000, and then the world’s attention with 2001’s Gold, the 36-year-old North Carolina native has been playing Russian roulette with his musical style.

From honky-tonk, to a sci-fi metal concept album, to a few hip-hop tracks released on his website, Adams has wandered far from the alt-country genre he helped establish with his band, Whiskeytown, in the mid- to late-’90s. His prolificacy was legendary, averaging 1.3 albums a year. Then came a few books of poetry, followed by the announcement that he had sworn off touring altogether and was moving to the south of France with his new wife Mandy Moore.

Thankfully, the singer-songwriter has broken his word on touring, and his latest effort, Ashes & Fire, is a throwback to vintage Adams, full of all the heartbreak and acoustic guitar that made Elton John call him “a beautiful songwriter.” Fans rejoice: the prodigal son returns to the Rio Theatre on Oct. 17, as part of a sold-out series of solo dates on the West Coast.

Ashes & Fire opens uncharacteristically: instead of stomping out a shit-kicker first track, rife with cigarette smoke and pigeon-toed cowboy boots, Adams gives you the feeling you’ve stumbled into a deserted Nashville bar with “Dirty Rain,” a ballad remembering—but not longing for—a past love. For fans, it’s an invitation to fall back in love with the genius behind “When the Stars Go Blue,” as he croons: “Last time I was here you were waiting/ You ain’t waiting anymore.”

Throughout the album, Adams revisits the wide-open spaces of acoustic sound, augmented with organ and fresh string arrangements, explored on Gold. “I was ready to make some quieter music for a while,” he says.

To achieve that sound, Adams teamed up with producer Glyn Johns, known for his work with The Beatles and Bob Dylan. Tom Petty and the Heartbreakers keyboardist Benmont Tench and singer Norah Jones also lend their talents to the album. But whether or not Ashes & Fire will launch the superstardom so many believe Adams is destined for, fame doesn’t hold the same appeal it once did. “It would have been interesting,” he says. “But I don't write a song with that in mind. I write a song to be a better song—200,000 sales is an honest living.”

Songwriting helps keep Adams grounded, as he pens musical tales of the places he’s been. “I'd been a lonely person all my life, [so] I'd go to these places in the evening,” Adams says of the bars he’d frequent in New York, Nashville, and Los Angeles. “I liked the warmth of that environment, and everyone who had problems, they just disappeared.” Adams revisits these locations on his first single, “Lucky Now,” where he recalls black bags of trash in the snow, a city of neon, and how “the lights will draw you in/ And the dark will take you down/ And the night will break your heart/ But only if you’re lucky now.”

But it’s been 11 years since Heartbreaker, and Adams is no longer an inconsolable twenty-something. His signature longing is apparent in the closing track, “I Love You But I Don’t Know What to Say,” as he sings, “When the night is silent and we seem so far away/ Oh I love you but I don’t know what to say,” yet it’s a longing soothed. “It felt good to ask, ‘What am I really capable of?’” he says. “I’m hearing that and it’s shocking. I’m glad that it’s translating.”


Ryan Adams plays a SOLD OUT show at 8 p.m. Monday, Oct. 17, at the Rio Theatre, 1205 Soquel Ave., Santa Cruz. Tickets are $36. For more information, call 423-8209. Photo: DavidBlack

Comments (0)Add Comment

Write comment
smaller | bigger

busy
 

Share this on your social networks

Bookmark and Share

Share this

Bookmark and Share

 

Ocean Odyssey

Sailing the high seas from Santa Cruz to French Polynesia, Sally-Christine Rodgers documents the trials, tribulations and joys of exploring the world by boat

 

Gemini Festival of Goodwill, World Invocation Day

This entire week is a preparation by the New Group of World Servers (NGWS) for the June full moon (Tuesday) and to welcome the Forces of Reconstruction, great outer planetary forces streaming into the Earth at the Gemini Solar Festival. The Gemini Festival at the June full moon is called the Festival of Goodwill and World Invocation Day (recitation of the Great Invocation, the mantram of direction for humanity, hourly around the world). During the (12 degrees) Gemini festival, the Wesak blessing of the will-to-good is released and radiated (Gemini distributes) to humanity. When the will-to-good is received, humanity is then able to radiate goodwill to each other and to the kingdoms. The Gemini Festival is the third of the Three Spring Festivals (triangle of Force), setting the spiritual template and resources for Earth for the rest of the year (‘til next spring). This festival recognizes the true spirit of humanity—aspiring toward and seeking the will of God, dedicated to right human relation. At the full moon, the Divine nature of humanity is recognized. Christ stands with humanity, leader of his people, “the Eldest in a great family of brothers” (Romans VIII, 29.) Each year at the Gemini festival, Christ preaches the last sermon of Buddha, His brother, a sermon calling forth human and spiritual unity, represented by an outflow of love (work of the Christ) and wisdom (work of the Buddha). The forces of reconstruction stream in during the Festival, ushering in an era of pronounced creative activity, rebuilding the tangible world on new creative lines. This necessitates the total destruction of the old forms no longer useful for the new world era. Everyone is invited. Join us everyone for this Festival of Goodwill by reciting the Great Invocation.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Bombs Away

‘Good Kill’ is Andrew Niccol’s didactic, sometimes wishy-washy liberal movie about the drone strikes
Sign up for Good Times weekly newsletter
Get the latest news, events

RSS Feed Burner

 Subscribe in a reader

Latest Comments

 

The Main Avant

Jozseph Schultz caters New Music Works’ 35th annual Avant Garden Party, plus brews for a cause

 

What will Santa Cruz be like in the future?

 society that is more awakened and realizes its own value and the beauty of the stunning Earth. Marguerite Clifford, Felton, Nutrition Health Care

 

Chesebro Wines

Piedras Blancas-Roussanne 2011

 

Real Thai Kitchen

Ratana Bowden on why Thai cuisine isn’t as spicy as everyone thinks