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Aug 28th
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Arts, Entertainment, Dining, Calendar

Theater

Henry IV visits Santa Cruz

Henry IV visits Santa Cruz

The theater season ends with a spectacular version of ‘Henry IV, Part 1’
In an instant everything changes: the dusky convivial sounds of an expectant audience give way to the blare of trumpets and the martial din of running boots as a troop of young men pours onto the stage to circle it, stamping their wooden staffs with a shout. Enter the king.

Thus Shakespeare Santa Cruz and its audience join an unbroken line of four centuries to perform and hear the tale of a crown taken in rebellion, nearly lost in pride, then won in just battle; of a wastrel who becomes worthy of his noble heritage, and of a dazzling hothead who burns too bright.  Shakespeare’s most popular play during his lifetime, the story behind “Henry IV, Part 1” was as familiar to Elizabethans as the Kennedy story is to modern Americans.  But for today’s theatergoers, Shakespeare’s “History Plays” are burdened with obscure references whose significance eludes us.  As written, the opening scene of “Henry IV,” wherein the king and his confidants converse at length about incidents and characters we haven’t met and do not yet understand, threatens theatrical death upon arrival in the 21st century.

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A&E

An Afternoon at the Smart Museum

An Afternoon at the Smart Museum

A legion of dark-haired, jeans-clad, slender teenaged people with attentive attitudes walked past me as I stood over the “Touch Table,” pulling apart and re-attaching objects using miter, dovetail and lap joints.

A few of the young visitors from Nigata, Japan, took my place around the “Touch Table” after I moved on, and, laughing, attached the objects in unintended ways. Meanwhile, I listened to a video of woodworker Michael Singer explaining his technique for joining irregular shapes while I perused a case of tools displayed below. An unfinished chair, a prototype by Om Anand, held a small sign explaining what a prototype is, challenging the viewer to find the finished chair and to notice the changes.

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A&E

Perfect Blends

Perfect Blends

First Friday Art venues pair with local wineries for August Wine Walk
Art and wine. Has a nice ring to it, doesn't it? The folks at the First Friday Art Walk think so, too. To spice up this month's midsummer edition of the popular event (taking place this Friday, Aug. 5), FFAW joins forces with a slate of Santa Cruz vintners to present the August Wine Walk, where art patrons will be able to sample local wines at select FFAW venues around town.

It's a perfect blend, according to First Friday spokesman (and tireless local arts advocate) Chip. Citing our "extraordinary arts community and community of arts supporters," and our region's "unique ... winegrowers and wine enthusiasts," Chip calls the event "exciting in that it is pairing our great art venues with these amazing wineries."

As usual, you'll find work by local artists (painting, sculpture, photography, fabric, ceramics, woodworking), in a staggering variety of venues countywide—cafes, beauty salons, banks, shops and boutiques, from the Eastside to the Westside, Louden Nelson Center to Squid Row Alley, Pleasure Point to Davenport. Designated art galleries, like the Santa Cruz Art League, Felix Kulpa, MichaelAngelo, Artisans, and the Museum of Art & History also participate in the festivities. All venues are open to the public from 5 to 9 p.m., and admission to the Art Walk venues, as always, is free.In addition, this month, more than 20 local wineries will be pouring samples of their finest varieties at select Art Walk venues. The Wine Walk venues are concentrated downtown and on the Westside for easy pedestrian access. Free shuttle service will be available from The Santa Cruz Experience to ferry participants between the two neighborhoods.

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Literature

Sharky Waters

Sharky Waters

Author Juliet Eilperin takes readers on a global journey into the hidden world of sharks
While interviewing commercial fishermen in New England, she heard the phrase that would become the title of her new book. “They referred to sharks as ‘demon fish,’” says Juliet Eilperin, speaking over the telephone from her office at The Washington Post, where she works as the national environmental reporter. “I thought it was an interesting commentary on how humans view sharks. It tapped into a human’s first reaction—although the book is trying to get beyond that first reaction.”

Eilperin’s book, “Demon Fish: Travels Through the Hidden World of Sharks,” does just that—it takes readers on a journey beyond their assumptions about this predator of the seas, circumnavigating the globe to illuminate humanity’s complex relationship with an animal that is at the same time both feared and revered.

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Theater

The History of Henry

The History of Henry

Shakespeare Santa Cruz closes its summer season with a production of ‘Henry IV, Part I’
Shakespeare Santa Cruz Artistic Director Marco Barricelli and dramaturg Michael Warren can be found in a darkly lit office on the UC Santa Cruz campus conversing about Shakespeare. Both men are more than knowledgeable on the subject; most importantly, however, are their respective skills in transferring this knowledge to the milieu of the stage.

The conversation quickly turns to “Henry IV, Part I,” the final show in this summer’s Shakespeare Santa Cruz season. It’s a play Warren believes to be the most popular play of Shakespeare’s time. When asked why, he points to the fact that Shakespeare’s first folio alludes to the popularity of “Henry IV.”

Barricelli chimes in about the character of Falstaff in “Henry IV.” He explains that the play acquires its popularity from that character.

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A&E

Gender Journey Revisted

Gender Journey RevistedLocal photographer Jana Marcus nabbed as a keynote speaker at major transgender conference. How she's making a wider dent with her award-winning work ‘Transfigurations’

Six years ago, local photographer Jana Marcus turned heads with her photography exhibit “Transfigurations: The Making of a Man,"  a stunning if not illuminating body of work that explored (and exposed) the journey of transgender men through vivid photographs and commentary from its subjects. The work was critically praised and went on to become an award-winning work that eventually included transgender women.
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A&E

Sword Play

Sword Play

SSC's 'Three Musketeers' a palpable hit.

En garde! Prepare for serious roistering in “The Three Musketeers,” the second production of Shakespeare Santa Cruz's 30th Anniversary season. Adapted from Alexandre Dumas' evergreen swashbuckling classic, it's beautifully staged by director Art Manke outdoors in the Sinsheimer-Stanley Festival Glen. In this dynamic production, plots are hatched, troths are plighted, honor is impugned and defended, wars are fought, and swords are crossed at every opportunity. If it all feels a bit breathless, it's still rousing good fun.

Dumas' picaresque novel was first published in serial format in 1844. This new adaptation by playwrights Linda Alper, Douglas Langworthy, and Penny Metropulos (commissioned for the Oregon Shakespeare Festival in 1999) is impressive in its fidelity to the breadth of Dumas' novel. Plot-furthering climaxes chase each other across the stage at breakneck speed. Manke keeps the action fleet and fluid, in and out of the many compartments, balconies, terraces, draperies, and stairwells of Michael Ganio's formidable set. Some incidents feel rushed, but it's worth noting that director Richard Lester needed two feature-length films to tell the same story this adaptation covers in a fast couple of hours.

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Theater

Double Your Fun

Double Your Fun

SSC scores with Scheie's 'Comedy of Errors' reboot


Longtime local theatergoers may remember Danny Scheie's original staging of “The Comedy of Errors” as possibly the single funniest production ever mounted at Shakespeare Santa Cruz. Premiered in the 1988 season and encored in 1993, it made full use of the outdoor Festival Glen, including a bicycle-built-for-four that came roaring down the hillside, and a massive upstage wall with Laugh-In style open-and-shut windows that turned Shakespeare's frolicsome early comedy about two sets of twins, mistaken identities, and male-female relations into a literal slamming-door farce.

In celebration of SSC's 30th Anniversary season, Scheie returns with a lively reboot of “The Comedy of Errors.” Although scaled back for the indoor Mainstage with John Iacovelli's single, functional wall and a couple of chairs for a set, and eight intrepid performers handling some 20 speaking parts, this “Comedy” retains all of the laughs.

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Theater

Hairspray—Extra Firm Hold

Hairspray—Extra Firm Hold

Cabrillo Stage turns up the volume

Santa Cruz, we have a problem. The capacity of Cabrillo’s Crocker Theater is 523, and there are 13 performances of Cabrillo Stage’s smash hit production of “Hairspray” left on the calendar. You do the math—and then get yourself a ticket, stat.

Last weekend’s opening of the Tony Award- winning musical played to a full house, one that squealed with bobby sox enthusiasm, laughed at every gag, whether over the top or nuanced, and rose to their feet en masse—for a standing ovation, and to dance along with the talented cast during curtain call.

“Hairspray” is a coming-of-age story. In this cleverly written show, the story is set in 1962 and the setting is segregated Baltimore and its local televised teen sock hop, The Corny Collins Show. This show within a show (one of my favorite devices) features The Nicest Kids in Town, and once a month —Negro Day. This subtle hint in the second song of the show alerts us to the savvy subterfuge ahead.

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A&E

Balancing on the Brink at Felix Kulpa

Balancing on the Brink at Felix Kulpa

In a black-on-black topography delineated only by texture, a thick viscous muck marches upward at an angle within a deep steel frame. This tarry density contrasts with the reflective, burnished darkness beyond, suggesting a dangerous precipice looming against shining sky. Carved deep within the tarry cliff, small oblong chambers are scribed with lines suggesting growing seeds. A small cluster of metal type floats above the dark horizon like seeds just released in the wind in an untitled work by Michelle Stitz.

Stitz in her most ambitious and successful works seems to seek that dangerous fulcrum between profoundly minimal and disturbingly unresolved. Just a hair more clear, linear or prescriptive and they could become prettily prosaic, but with any less information, could seem empty of content. That’s a slender hair upon which to hang a reputation and Stitz runs right up to that hairsbreadth, and balances right there, on the precipice.

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The Meaning of ‘LIFE’

With a new documentary film about his work, and huge exhibits on both coasts, acclaimed Santa Cruz nature photographer Frans Lanting is having a landmark year. But his crusade for conservation doesn’t leave much time for looking back

 

Seasons of Opportunity

Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of August 28

Santa Cruz area movie theaters >
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Land of Plenty

Farm to Fork benefit dinner for UCSC’s Agroecology Center, plus a zippy salsa from Teresa’s Salsa that loves every food it meets

 

If you knew you had one week to live, what would you do?

Make peace with myself, which would allow me to be at peace with others. Diane Fisher, Santa Cruz, Network Engineer

 

Comanche Cellars

Michael Simons, owner and winemaker of Comanche Cellars, once had a trusted steed called Comanche, which was part of his paper route and his rodeo circuit, from the tender age of 10. In memory of this beautiful horse, he named his winery Comanche, and Comanche’s shoes grace the label of each handcrafted bottle.

 

Cantine Winepub

Aptos wine and tapas spot keeps it casual