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Sep 03rd
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Literature

A&E - Literature

The Poems of Lola Haskins

The Poems  of Lola Haskins

Editor’s note: This week’s Poetry Corner features Lola Haskins, who divides her time between Florida and Yorkshire, England. “Still, the Mountain,” her ninth book of poems, won a medal in the 2010 Florida Book Awards. Her 10th, “The Grace to Leave,” will be published by Anhinga Press in 2012. Ms. Haskins loves coming to Santa Cruz.

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A&E - Literature

Holiday Book Pics

Holiday Book Pics

Kat Bailey’s Gift Book List:

Bi-Rite Market’s Eat Good Food by Sam Mogannam and Dabney Gough

Nightwoods by Charles Frazier

The Illumination by Kevin Brockmeier

The Borrower by Rebecca Makkai

Wild Comfort: The Solace of Nature by Kathleen Dean Moore

Everything Beautiful Began After by Simon Van Booy

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A&E - Literature

The Poems of Marvin Bell

The Poems of Marvin Bell

Editor’s note: This week’s Poetry Corner features the work of Marvin Bell. As the author of 23 books of poetry and essays, he has been called an insider who thinks like an outsider, and his writing has been called “ambitious without pretension.” His latest books are “Vertigo: The Living Dead Man Poems” (Copper Canyon); “Whiteout,” a collaboration with the photographer Nathan Lyons, (Lodima); and a children's book with illustrations by Chris Raschka, “A Primer about the Flag” (Candlewick). His poems, his teaching, and his columns in The American Poetry Review, “Homage to the Runner,” have influenced generations of poets.

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A&E - Literature

Of Pups & Poetry

Of Pups & Poetry

Robert Sward’s new collection spans a lifetime of dogs, loves, losses and poetry

When asked how his poetry has changed throughout his six-decade writing career, award-winning poet Robert Sward replies, “I haven’t changed. I’m still writing about dogs.”
Indeed, his recently released collection, “New and Selected Poems 1957-2011,” is animated with the various canine companions that have graced Sward’s life. And his voice throughout the collection remains relatively unchanged, with a plainspoken, natural language that draws on the American idiom—as well as a quirky sense of humor.

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A&E - Literature

Post-Modern Family

Post-Modern FamilyLocal author Thad Nodine views modern life in wry, compassionate 'Touch and Go'

There may be none so blind as those who will not see, as the old adage goes. But in Santa Cruz, author Thad Nodine's bracing debut novel, "Touch And Go" (Unbridled Books), there is also no one more perceptive than the blind narrator/protagonist, Kevin Layne. In a patchwork, largely dysfunctional, post-modern family related by need, not blood, on an ill-conceived cross-country road trip, blind Kevin is the one with the surest grasp on (and empathy for) the desires and compulsions that motivate the others' actions—motivations they often keep hidden, even from themselves.

It takes a certain amount of audacity—not to mention skill—for a sighted author to write an entire novel from a blind character's, er, viewpoint. For one thing, there are no elaborate visual descriptions to fall back on—interiors, city streets, the changing landscape on the road, not even the characters' faces. None of which daunts Nodine, who makes a vivid sensory feast out of everyday activities as Kevin relates his experience of the physical world. ("Footsteps spat across concrete at odd angles. A stroller nearly clipped me ... I blustered across alcoves as the heels of my Western boots echoed the recesses.") From Kevin's perspective, Nodine's descriptions of the other characters are so alive—the emotional pitch of voices, how a shoulder or elbow feels to the touch, a fleeting scent of perfume, or sweat, or chlorine, fidgety hands, intimate confessions—the reader may not even realize he doesn't know what they actually look like.

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You Are What You Post

Online personality algorithms put astrological profiles to shame, but UCSC psychologists are raising questions about sharing personal data

 

Venus Direct, Mercury Retro Soon, Honoring Our Labors

As Burning Man (nine days, Aug. 30-Sept. 7 in the sign of Virgo) burns in the hot white desert sands, a petal of the rose created by retrograde Venus and the twelve-petaled Sun in Virgo’s petals unfold. All of us are on the burning ground (Leo) in the womb (cave of the heart) of the mother (Virgo), gestating for humanity once again (each year) a new state of consciousness. Both Virgo and Cancer, feminine (receptive energies) signs, are from our last solar system (Pleiades). When humanity first appeared on Earth we were nurtured by the mother, a matriarchy of energies (on islands in the Pacific). Eve, Isis and Mary are part of the lineages of our ancient Mother. Overseen by the Pleiades, the Earth (matter, mater, the mother) in that last solar system was imbued with intelligence (Ray 3). As we move toward autumn, another mother, Ceres realizes she has mere weeks left with her beloved daughter, Persephone. Persimmon and pomegranate trees prepare for autumn, their colors signs of hope as the light each day continues to dim. Sunday, Venus in Leo turns stationary direct, yet continues in her shadow until Oct. 9 (when retrograde Mercury turns direct). Slowly our newly assessed values emerge from the Venus retrograde. We thought in Venus retro how to use our resources more effectively. Mercury retrogrades Sept. 17. Monday is Labor Day. Let us honor the labor of everyone, all life a “labor.” Let us honor Labor Day and all those who have “served” (labored for) us this past year. We honor their labors. We honor the labor of our parents, those who have loved us. We honor our own labors, too. We are all in service, we are all laboring. We are all valuable.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Girl Gone Wild

’70s SF recalled in raw, poignant ‘Diary of a Teenage Girl’
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