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Apr 26th
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Theatre

A&E - Theater

Family Feudal

Family Feudal

SSC delivers vibrant and riotous 'Lion In Winter'
If you've never seen the fabled 1968 film, The Lion In Winter, well, that's a shame. But it means you'll have the pleasure of discovering the witty James Goldman play on which it's based for the first time in the vibrant new production from Shakespeare Santa Cruz. Still, even if you know the film and/or play well, can recite the dialogue like the Pledge of Allegiance, it only means you'll get an extra kick from the infusion of vitality this delicious SSC production brings to the material.

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A&E - Theater

Come Hear The Music Play

Come Hear The Music Play

‘Cabaret,’ one of the hottest musicals of all time, hits Cabrillo Stage
Since American Musical Theatre of San Jose closed its doors in 2008, Cabrillo Stage has had some large shoes to fill. But with a brand new performance space at Crocker Theater and a young company of actors that is determined to bring Broadway to Santa Cruz, they are more than up to the task.

And so are the 25-year-old leads of this summer’s “Cabaret” at Cabrillo Stage. Aptos High School graduate Briana Michaud and Big Apple veteran Roddy Kennedy are prepared to wow even the least musically inclined theatergoer come July 23 when “Cabaret” opens.

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A&E - Theater

Time For ‘Love’

Time For ‘Love’

Shakespeare Santa Cruz delivers ‘Love’s Labor’s Lost’ Adler_Marion
People always say you should never mix business with pleasure. But Shakespeare Santa Cruz director Scott Wentworth and his leading lady onstage and in life, actress Marion Adler, could not disagree more.

After nearly 24 years of marriage, the Stratford, Ontario natives will head up the production of “Love’s Labor’s Lost,” opening July 24 at UC Santa Cruz’ Festival Glen. While theatergoers will recognize Wentworth for his role as Nick Bottom in last season’s “A Midsummer Night’s Dream” or Brutus in “Julius Caesar,” this year he will work solely behind the scenes as director, giving Adler her chance in the spotlight as the Princess of France.

Known as Shakespeare’s most modern comedy, the play centers on King Ferdinand of Navarre and his three noble lords who have sworn off women in favor of their studies. As you can imagine, that plan flies out the door as soon as the Princess of France arrives with her entourage of beautiful young women, and the drooling men fall head over heels in love.

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A&E - Theater

Americana Bandstand

Americana Bandstand

Cabrillo Stage gets in the groove with exuberant 'Swing'
Movie musicals of the 1930s liked to advertise themselves as “All Singing! All Dancing!” to let Depression-weary audiences know they were in for a good time. In much the same spirit we get “Swing,” the second offering in this year's expanded Cabrillo Stage summer musical theater season. All singing, all dancing, “Swing” is a lively, uptempo production without dialogue, plot or story, whose energetic ensemble sings and dances its way through more than two dozen classic big-band numbers from the ’30s and ’40s.

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A&E - Theater

Swing’s Mood

Swing’s MoodBrace yourself—something big is set to ignite Cabrillo Stage
Back in the ’90s it found new life again—the swing movement had a revival and swept across the nation. And from there, it hasn’t lost steam. Hence, a musical titled “Swing” opened on Broadway in 1999 and played at the St. James Theater through 2001. It also enjoyed a national tour, and now the beloved musical will find a new home with a new cast at Cabrillo Stage this summer. The show, which is more of a revue than a plot-based performance, runs from June 25-July 18 in the junior college’s new Crocker Theater. Expect a smashing good time since this project is being directed by one of Cabrillo Stage’s favorites, Janie Scott, who is also providing choreography on the show as well.
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A&E - Theater

Chills in ‘Change’

Chills in ‘Change’

Round two of Cabrillo’s hit still sizzles
It is no wonder that audience popular demand brings this uplifting glance at the human "relationship" back to the Cabrillo Stage for a second season. “I Love you, You're Perfect ... Now Change,” sparked mirth from curtain to close on opening night, June 18. The dynamic cast of four—Max Bennett-Parker, Nicolas Ceglio, Sarah Stein and Ariel Buck— carried out roles that ranged radically in age and complexity. The small cast tackled more than 40 different parts altogether in the two-hour outing, ranging from awkward twentysomething daters, to an elderly couple that meets at a funeral. So, it’s official—this show is still a hit.

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A&E - Theater

Time Changes Everything

Time Changes Everything

Cabrillo Stage launches its summer season with the return of ‘I Love You, You’re Perfect, Now Change’
Last summer it debuted to sold-out performances and audiences couldn’t get enough. So what better way to satiate theatergoers than to bring it back? That’s what Cabrillo Stage is doing this summer with its return performance of “I Love You, You’re Perfect, Now Change!” The comedic musical centers around four different actors who take on a multitude of roles and personalities in a display of various relationships that cover an enormous age span. For any actor it’d be a tough challenge to tackle such a script, but for the four actors who starred in last year’s production, they’re getting a second chance to mix things up, try new approaches, and perform in the play all over again.

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A&E - Theater

Good Times at Cabrillo Stage, WIN Tickets

Good Times at Cabrillo Stage, WIN TicketsEvery Thursday night this summer is Good Times Thursdays at Cabrillo Stage!
Enter for a chance to win two tickets to Cabrillo Stage's hot summer line-up of shows!

To enter Register for a Good Times online account.  With your account you can log in to GoodTimesSantaCruz.com for web-exclusive content, post community Calendar events and receive the Tomorrow's Good Times Today events preview email every wednesday. (you can unsubscribe any time).

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A&E - Theater

‘RENT’ Rises to the Occasion

‘RENT’ Rises to the Occasion

New local theater company debuts popular play
A group of young thespians brings death, disease, poverty, and sexual taboo to Santa Cruz at the end of April via their debut performance of the film and Broadway sensation, “RENT.”

“RENT” flutters into town on the wings of Phoenix Rising, a nascent theater group branching off of the local Kids on Broadway children’s theater group. The group was created to give young adults a space to perform that was attached to Kids on Broadway but branched away from the label of “children’s theater.” “RENT,” a Pulitzer Prize-winning rock opera written by Jonathan Larson and based on Giacomo Puccini’s opera “La Boheme,” is littered with inarguably deep, heavy, adult, and mature content. The plot outlines one year in the life of a group of young bohemians struggling with love, loss, and AIDS in modern day New York.

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A&E - Theater

Doctor’s Orders

Doctor’s Orders

Christopher Durang’s witty work hits the Actors’ Theatre

Theater director Gerry Gerringer sits in a tiny office, and we talk, like therapist to patient, which is ironic, since he’s directing a play about such things, with Christopher Durang’s “Beyond Therapy,” opening up at the Actors’ Theatre on Feb. 25 and running through March 19.

“It's really a clever, funny script,” Gerringer says. “It was kind of a play for its time, and now as time has elapsed since the ’80s when it was written, it becomes kind of a satire that’s relevant today. Though all of the characters in some ways have their strangeness, the two therapists who are in this play are so out there and eccentric that it's almost going beyond therapy to think that they can help these people. Comedy is very therapeutic. I think humor connects people and provides access to dialogue about different political issues. Laughter is one of the best things you can do on a regular basis.”

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We Can Rebuild You

A look back at how downtown Santa Cruz recovered from the 1989 earthquake

 

International Earth Day—Mother Earth Day

Every April 22, humanity celebrates International Mother Earth Day and Earth Day. As more than a billion people participate in Earth Day activities every year, Earth Day has become the world’s largest civic observance. The massive concern to build right relations between humanity and the living being we call Earth is evidence of humanity’s love of the Mother. In 2009, the United Nations General Assembly proclaimed April 22 International Mother Earth Day, with a significant resolution affirming “the interdependence existing among human beings, other living species (the kingdoms—mineral, plant, animal and human) and the planet itself, the Earth which we all inhabit.” The Earth is our home. Celebrating Earth Day helps us define new emerging processes (economic, social, political) focused on the well-being of the kingdoms. Through these, humanity seeks to raise the quality of life, foster equality and begin to establish right relations with the Earth. We dedicate ourselves to bringing forth balance and a relationship of harmony with all of nature. Learn about planting a billion trees (the Canopy Project); participate in 1.5 billion acts of green. Disassociation (toward Earth) is no longer viable. We lose our connection to life itself. Participation is viable—an anchor, refuge and service for all of life on Earth. Visit earthday.org; harmonywithnatureun.org; and un.org/en/events/motherearthday for more information. From Farmers Almanac, “On Earth Day, enjoy the tonic of fresh air, contact with the soil, companionship with nature! Go barefooted. Walk through woods, find wildflowers and green moss. Remain outside, no matter the weather!” Nature, Earth’s most balanced kingdom, heals us. The New Group of World Servers is preparing for the May 3 Wesak Buddha Taurus solar festival. We prepare through asking for and offering forgiveness. Forgiveness purifies and like nature, heals.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Mission Critical

How reading Lisa Jensen’s reviews taught me to love film
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Munch

East Coast meets West Coast in new meat lover’s paradise