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Oct 31st
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Theatre

A&E - Theater

Growing Pains

Growing Pains

A young man and a state come of age in ‘Oklahoma!’

La Cage Aux Folles”—the first of three Cabrillo Stage musicals to grace Crocker Theater this summer—transported audiences to the south of France. But beginning this weekend, audiences will journey to the prairies of the American South for Richard Rodgers’ and Oscar Hammerstein’s 1943 landmark musical, “Oklahoma!” The play tells a story of young love and growth that mirrors the historical marriage of Oklahoma with the United States in 1907.

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A&E - Theater

Uncaged and Uninhibited

Uncaged and Uninhibited

Dance, diversity shine in Cabrillo's fizzy ‘La Cage Aux Folles'

In celebration of the end of DOMA, and the repeal of Proposition 8, Cabrillo Stage launches its 2013 summer musical season with a lavish, light-hearted production of “La Cage Aux Folles.” Based on the groundbreaking 1978 French film comedy, one of the earliest depictions in modern pop culture of a sympathetic gay couple in a long-term domestic relationship, the show was first produced in 1983 with a book by Harvey Fierstein and music and lyrics by the legendary Jerry Herman.

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A&E - Theater

Fringe Females

Fringe Females

Funny and fierce comediennes on a mission to split sides at the Santa Cruz Fringe Festival

From thespians to burlesque dancers, spoken wordsmiths to circus performers, the second annual Santa Cruz Fringe Festival will push the envelope with 200 short art performances of all shapes and sizes from July 11-20. Roughly 40 acts will delight and bedazzle at a collection of downtown venues, including Motion Pacific, The Tannery and Center Stage, throughout the week.

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A&E - Theater

Fab, Frothy and Fun

Fab, Frothy and Fun

Cabrillo Stage’s summer season opens with flashy, yet heartfelt ‘La Cage Aux Folles’

La Cage Aux Folles” debuted as a French play in 1973, was made into a film in 1978, and was adapted into a musical in the U.S. in 1983. In 1997, it was reproduced as a comedy film—sans the music—titled The Birdcage, starring Robin Williams, Nathan Lane and Gene Hackman. And on July 12, local audiences will have an opportunity to see the play re-imagined once again, this time by Cabrillo Stage.

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A&E - Theater

Far from Heaven

Far from Heaven

Veteran solo performer revisits childhood trauma in ambitious one-man show

When an 8-year-old Mark Kenward and his family moved from Normal, Il., to Nantucket, Mass., they did so with quintessentially great expectations. “My parents moved us to an island with all the dreams you would expect of people moving to an island,” remembers the now-adult Kenward over three decades later. “Dreams of spending summer afternoons on the beach, and just having this life that’s away from the chaos of the mainland.”

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A&E - Theater

In the Moment

In the Moment

Area theater troupes gear up for annual Santa Cruz Improv Fest

There’s one story that I must tell you, and I always quote this,” says Gerry Orton, who begins telling a story about Keith Johnstone, a pioneer of improvisational theater. “He was in San Francisco, and I was taking a workshop from him—this was several years ago—and on the evening of a performance while he was there, he was interviewed on stage by a teacher of improv. The teacher said, ‘Keith, why do you still do it after all these years? Why do you still travel the world and teach?’ And his answer was, ‘Because I still don’t understand it.’” Orton lets out a knowing laugh. “And that’s so true.”

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A&E - Theater

A Pinteresque Pairing

A Pinteresque Pairing

Two local theater companies collaborate to produce two one-act plays by the late playwright Harold Pinter

If what isn’t said speaks louder than what is said, then Harold Pinter’s work shouts volumes. And to explore the voluminous meaning between the late playwright’s lines, two local theater companies have banded together this season.

Jewel Theatre Company, in collaboration with Shakespeare Santa Cruz, presents two one-act plays by Pinter: “One for the Road” and “The Lover.” The show opens on Friday, April 26 at Center Stage in Santa Cruz. There will be one discount preview showing on Thursday, April 25.

Marco Barricelli, artistic director of Shakespeare Santa Cruz, is directing “One for the Road” and Julie James, artistic director of Jewel Theatre Company, is directing “The Lover”—marking the first time that the two companies have come together to collaborate on a production. Featured performers include James, Mike Ryan and Paul Whitworth.

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A&E - Theater

"Beach Blanket Babylon' (Still) Sizzles

Iconic San Francisco revue continues to improve with age

There are very few theatrical productions that make it to middle-age. Thankfully, “Beach Blanket Babylon,” which turns 39 this summer, is one of them. In fact, the revered San Francisco spectacle is the country’s longest-running revues.

That’s a terrific testament to the legacy that the late- Steve Silver left behind. Silver launched “BBB” back in the ’70s and the show immediately turned heads with its show-stopping musical parodies and clever plot—a whiny Snow White desperately searching for a Prince Charming. That may have been enough to lure audiences in initially, but Silver and his creative team went a step beyond, always updating the show by infusing it with a delicious gluttony of current events.

This is evident in the revue's latest incarnation—a nonstop powerhouse of sheer brilliance that majestically surfs the peculiar waves of pop culture, scoops up as many headline-grabbers as it can and feasts on their absurdities.

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A&E - Theater

Channeling Casals

Channeling Casals

Israeli musician Amit Peled brings famous cello to Aptos

Amit Peled has many blessings in his life. He’s an accomplished cellist and conductor, and has performed in top venues throughout the world. At 28, he became the youngest professor at Johns Hopkins University in Baltimore, where he and his wife are raising three children. And twice in his life, once when he was a boy and again as a man, his life’s path was altered by a man he never met: the preeminent cellist of the 20th century, the late Pablo Casals.

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A&E - Theater

Good Bet

Good Bet

Performances highlight JTC’s revival of ‘Horse Dreamer’

Now in its eighth season, Jewel Theatre Company continues to produce quality professional theatre right in the heart of Downtown Santa Cruz. Spearheaded by Artistic Director Julie James, and making use of an ever-expanding gene pool of directors, performers and stage technicians, the company keeps local audiences intrigued with its lineup of often challenging, unexpected material. Case in point is the new JTC production of “Geography of a Horse Dreamer,” a lesser-know drama by the iconic Sam Shepard that considers the plight of the artist in a world of commerce, the vagaries of luck, and (as usual, for Shepard) the spectacle of men behaving badly.

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Jawing

Monterey Bay scientists are working to crack the mysteries of—and dispel the myths about—great whites. But in the highly contentious world of shark experts, there’s a fin line between love and hate

 

Altars of Remembrance, Forgiveness & Rapprochement

We’re in Scorpio now—things mysterious, ageless, hidden, sometimes scary. Friday is Halloween; Saturday, All Saints Day; Sunday, All Soul’s Day. Sunday morning at 2 a.m. (after midnight), Daylight Savings Time ends. Clocks are turned back. Tuesday is the General Election. Our vote is our voice. Each vote matters. Applying freedom of choice—Libra’s teachings. It’s time to build Halloween, All Saints and All Souls altars—with marigolds, pumpkins, sugar skeletons, copal (incense), pomegranates, persimmons, candy corn and cookies, orange and black. It’s so Saturn (now in Scorpio). Saturn is the dweller on the threshold (like St. Peter at the gates of heaven). Saturn can look like a Halloween creature—a gargoyle—a fantastic dragon-like creature protecting sacred sites. The dweller (Saturn) stands at the door or threshold of sacred mysteries, wisdom temples, inner sanctums of churches, offering protection, scaring evil away. The last day of October and first two days of November, when veils between worlds thin and spirits roam about, are times of remembrance, forgiveness, reconciliation and rapprochement. These actions liberate us. At death, when reviewing our lives and the consequences of our actions if we have forgiven, then we are free, less encumbered with grief and sadness. We place forgiveness on our altars. Happy Halloween, everyone! It’s good to dress up as what we’re afraid of. Or whom we would mentor. Then we become one with them. Note to readers: by Thanksgiving I will need a place to live (with purpose). Please contact me if you know of a place where I can rest for awhile. Teach and build community. [email protected] I will be leaving my mother’s home for the last time.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Not Cool

Even Bill Murray’s hipster cred can’t elevate ‘St. Vincent’
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Turning Point

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