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Jan 27th
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Theatre

A&E - Theater

Rascals and Royals

Rascals and Royals

Comedy and kingship rule in SSC’s funny, moving ‘Henry IV Part 2’

Sir John Falstaff rides again in “Henry IV Part 2,” the third production in Shakespeare Santa Cruz’s 2012 summer season. The sequel to last year’s popular “Henry IV Part 1,” returning director Scott Wentworth’s production offers plenty of drama—death and loss, kingship, statecraft, rebellion, family dynamics, and the passing of the crown from one generation to the next, along with a resonant meditation on aging that runs throughout the play.

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A&E - Theater

SSC Achieves Greatness

SSC Achieves Greatness

Mistaken identities and musketeers make ‘Twelfth Night’ and ‘The Man in the Iron Mask’ a rousing success

‘Twelfth Night’

Shakespeare Santa Cruz continues to brighten up our foggy coastal summers with imaginative live theater. The company launches its 31st season with “Twelfth Night,” one of Shakespeare's most enjoyable and accessible romantic comedies. Directed by SSC Artistic Director Marco Barricelli, this lively production floods the stage with knockabout farce, yet leaves enough breathing room for moments of poignant reflection on the ways romantic love can be found—and lost.

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A&E - Theater

Bon Voyage

Bon Voyage

Cabrillo Stage hits a homerun with ‘Anything Goes’

There are pros and cons to producing one of Broadway’s most adored musical comedies, littered with hits by one of the most quoted American Songbook composers of the 20th century. Among the pros? Everyone knows the songs. The cons? Everyone knows the songs. Fortunately for Santa Cruz theater fans, Cabrillo Stage deftly avoids the pitfalls of familiarity and presents Cole Porter’s endearing vehicle, “Anything Goes,” to great success.

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A&E - Theater

An Ear for Shakespeare

An Ear for Shakespeare

SSC’s star composer elevates the drama of ‘Henry IV Part II’ with music

When Rody Ortega is not composing music for Shakespeare Santa Cruz, he works as a commercial airline pilot. The sky is an important source of inspiration for Ortega, but he believes he can reach people on a deeper level through the arts. “Art can take you places an airplane can’t,” he says.

For the fourth summer in a row, Ortega has returned to UC Santa Cruz, where he will help elevate Shakespeare’s “The Man in the Iron Mask” and “Henry IV Part II” with music. The latter—which runs Aug. 7-26 at the Sinsheimer-Stanley Festival Glen at UCSC, and stars Charles Pasternak, V Craig Heidenreich and Richard Ziman—is the second segment of Shakespeare’s “Making of a King” trilogy.

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A&E - Theater

‘Anything’ is a Go

‘Anything’ is a Go

Big, bold and drenched in fun, ‘Anything Goes’ sets sail at Cabrillo Stage

Part Two of Cabrillo Stage’s triple summer threat promises to be a show-stopping voyage. The creative ship that is “Anything Goes” opens this week as part of Cabrillo’s plan to take a bite out of the Big Apple this season—“A Chorus Line” opened recently to rave reviews; “Escaping Queens,” written by local Joe Ortiz, opens in August.

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A&E - Theater

Found in Translation

Found in Translation

Program gives teens access to Shakespeare Santa Cruz’s ‘Twelfth Night’

Chances are you’ve encountered the work of William Shakespeare at some point during your academic career, perhaps as required reading in high school; he is, after all, the most famous writer in the English language. But for every student who is hooked at “To be or not to be,” there is another for whom the words on the page are no more comprehensible than a foreign language.

With that in mind, Shakespeare Santa Cruz is working to make his plays accessible to the community with the STAT (Shakespeare Teen Access Tickets) program, which is designed to get teens to experience live Shakespeare performances, including the company’s upcoming production of “Twelfth Night.”

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A&E - Theater

They Walk The Line

They Walk The Line

Cabrillo Stage delivers a vivid, heartfelt 'Chorus Line'

Talk about a singular sensation. When “A Chorus Line” debuted in 1975, it broke all the rules for what a Broadway musical is supposed to be. There are no elaborate sets or scene changes; it all takes place on a bare rehearsal stage with one mirrored wall. Playing out in more or less real time, with no intermission, the storyline—you couldn’t call it a plot, exactly—concerns a score of young dancers auditioning for the chorus of a Broadway show. Costumes? The kind of practice clothes every dancer has in his or her wardrobe. It also presents various gay and ethnically diverse characters in frankly sympathetic terms.

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A&E - Theater

Identity Crisis

Identity Crisis

Behind SSC’s ‘The Man in the Iron Mask’

Los Angeles-based actor Charles Pasternak describes his role in Scott Wentworth’s new play as schizophrenic. Not only does he play the part of King Louis XIV, but he also plays the part of Louis’ identical twin brother, Phillipe, the title character in “The Man in the Iron Mask.”

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A&E - Theater

In Step

In Step

‘A Chorus Line’ kicks off Cabrillo Stage season with a bang

The 1970s contributed much to our common slang, the vernacular we use to tell a story or set a mood. Musically, we were bequeathed the ominous repeating bass notes that could only mean a shark attack (Jaws), and on the other end of the spectrum we inherited the also-repeating two-note refrain that could only mean a chorus line, which, oddly enough, came from “A Chorus Line.” Theater fans—start rehearsing your unison bravos now, because Cabrillo Stage is opening its 2012 summer season with a production of this Tony Award-winning musical under the capable hands (and feet) of director and choreographer Janie Scott.

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A&E - Theater

Femmes Fatales

Femmes Fatales

The Santa Cruz Sirens are set to cast a spell over the Fringe Festival

Greek mythology has painted the Sirens as seductive female creatures who lured unsuspecting sailors to shipwrecks and death at a rocky shore by captivating them with the sweetness of their song. Taking inspiration and a moniker from those commanding femmes fatales, artistic director Laina Copley formed the Santa Cruz Sirens Neo-burlesque troupe in April. “Our interpretation of the Sirens doesn’t intend to destroy the audience,” assures Copley, “but our goal is to expose them to different expressions of sexuality.”

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Force of Nature

Santa Cruz’s Carlie Statsky brings her love of the natural world to the hyper-personal art of wedding photography

 

Mercury Retrograde in Aquarius

The magical time of Mercury’s retrograde cycle is here once again, until Feb. 11, and then some. The Mercury retro cycle actually lasts eight weeks when we consider its retrograde shadow, giving us six months a year for review. We know the rules of Mercury retro: Be careful with everything; cars, driving, money, resources, friends, friendships, groups, interactions, thinking, talking, communications. Avoid big purchases, important meetings and important repairs. Mercury retrograde times are for review, reassessment and rest. Our minds are overloaded from the last Mercury retro. Our minds need to assess what we’ve done since October—eliminating what is not needed, keeping what’s important, preparing for new information in the next three months (till mid-May). Mercury in Aquarius retrograde … we reinvent ourselves, seek the unusual, we don’t hide, we’re just careful. We live in two worlds; outer appearances and inner reckonings, with both sides of our brain activated. Yet, like the light of the Gemini twins, one light waxes (inner world), the other (outer realities) wanes. Like Virgo, we see what’s been overlooked—assessing, ordering and organizing information. It’s an entirely inner process. When speaking we may utter only half of the sentence. We’re in the underworld, closer to Spirit, eyes unseeing, senses alerted, re-doing things over and over till we sometimes collapse. Because we’re in other realms, we’re wobbly, make mistakes, and don’t really know what we want. It’s not a time for decisions. Not yet. It’s a time of review. And completing things. Mercury retro: integration, slowing down, resolution, rapprochement.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of January 23

Santa Cruz area movie theaters >
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Bye Bye Benten!

Benten closing, plus Award-winning gin, a massive burrito and chocolate review

 

Trout Gulch Vineyards

Scanning the shelves of Deluxe Foods of Aptos, which carries an impressive selection of local and imported wines, I picked up a bottle of Trout Gulch Vineyards Chardonnay 2012, described as “a local favorite” by the busy market.

 

Cremer House

What’s old is cutting-edge again in Felton

 

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