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Theatre

A&E - Theater

SSC Achieves Greatness

SSC Achieves Greatness

Mistaken identities and musketeers make ‘Twelfth Night’ and ‘The Man in the Iron Mask’ a rousing success

‘Twelfth Night’

Shakespeare Santa Cruz continues to brighten up our foggy coastal summers with imaginative live theater. The company launches its 31st season with “Twelfth Night,” one of Shakespeare's most enjoyable and accessible romantic comedies. Directed by SSC Artistic Director Marco Barricelli, this lively production floods the stage with knockabout farce, yet leaves enough breathing room for moments of poignant reflection on the ways romantic love can be found—and lost.

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A&E - Theater

Bon Voyage

Bon Voyage

Cabrillo Stage hits a homerun with ‘Anything Goes’

There are pros and cons to producing one of Broadway’s most adored musical comedies, littered with hits by one of the most quoted American Songbook composers of the 20th century. Among the pros? Everyone knows the songs. The cons? Everyone knows the songs. Fortunately for Santa Cruz theater fans, Cabrillo Stage deftly avoids the pitfalls of familiarity and presents Cole Porter’s endearing vehicle, “Anything Goes,” to great success.

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A&E - Theater

An Ear for Shakespeare

An Ear for Shakespeare

SSC’s star composer elevates the drama of ‘Henry IV Part II’ with music

When Rody Ortega is not composing music for Shakespeare Santa Cruz, he works as a commercial airline pilot. The sky is an important source of inspiration for Ortega, but he believes he can reach people on a deeper level through the arts. “Art can take you places an airplane can’t,” he says.

For the fourth summer in a row, Ortega has returned to UC Santa Cruz, where he will help elevate Shakespeare’s “The Man in the Iron Mask” and “Henry IV Part II” with music. The latter—which runs Aug. 7-26 at the Sinsheimer-Stanley Festival Glen at UCSC, and stars Charles Pasternak, V Craig Heidenreich and Richard Ziman—is the second segment of Shakespeare’s “Making of a King” trilogy.

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A&E - Theater

‘Anything’ is a Go

‘Anything’ is a Go

Big, bold and drenched in fun, ‘Anything Goes’ sets sail at Cabrillo Stage

Part Two of Cabrillo Stage’s triple summer threat promises to be a show-stopping voyage. The creative ship that is “Anything Goes” opens this week as part of Cabrillo’s plan to take a bite out of the Big Apple this season—“A Chorus Line” opened recently to rave reviews; “Escaping Queens,” written by local Joe Ortiz, opens in August.

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A&E - Theater

Found in Translation

Found in Translation

Program gives teens access to Shakespeare Santa Cruz’s ‘Twelfth Night’

Chances are you’ve encountered the work of William Shakespeare at some point during your academic career, perhaps as required reading in high school; he is, after all, the most famous writer in the English language. But for every student who is hooked at “To be or not to be,” there is another for whom the words on the page are no more comprehensible than a foreign language.

With that in mind, Shakespeare Santa Cruz is working to make his plays accessible to the community with the STAT (Shakespeare Teen Access Tickets) program, which is designed to get teens to experience live Shakespeare performances, including the company’s upcoming production of “Twelfth Night.”

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A&E - Theater

They Walk The Line

They Walk The Line

Cabrillo Stage delivers a vivid, heartfelt 'Chorus Line'

Talk about a singular sensation. When “A Chorus Line” debuted in 1975, it broke all the rules for what a Broadway musical is supposed to be. There are no elaborate sets or scene changes; it all takes place on a bare rehearsal stage with one mirrored wall. Playing out in more or less real time, with no intermission, the storyline—you couldn’t call it a plot, exactly—concerns a score of young dancers auditioning for the chorus of a Broadway show. Costumes? The kind of practice clothes every dancer has in his or her wardrobe. It also presents various gay and ethnically diverse characters in frankly sympathetic terms.

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A&E - Theater

Identity Crisis

Identity Crisis

Behind SSC’s ‘The Man in the Iron Mask’

Los Angeles-based actor Charles Pasternak describes his role in Scott Wentworth’s new play as schizophrenic. Not only does he play the part of King Louis XIV, but he also plays the part of Louis’ identical twin brother, Phillipe, the title character in “The Man in the Iron Mask.”

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A&E - Theater

In Step

In Step

‘A Chorus Line’ kicks off Cabrillo Stage season with a bang

The 1970s contributed much to our common slang, the vernacular we use to tell a story or set a mood. Musically, we were bequeathed the ominous repeating bass notes that could only mean a shark attack (Jaws), and on the other end of the spectrum we inherited the also-repeating two-note refrain that could only mean a chorus line, which, oddly enough, came from “A Chorus Line.” Theater fans—start rehearsing your unison bravos now, because Cabrillo Stage is opening its 2012 summer season with a production of this Tony Award-winning musical under the capable hands (and feet) of director and choreographer Janie Scott.

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A&E - Theater

Femmes Fatales

Femmes Fatales

The Santa Cruz Sirens are set to cast a spell over the Fringe Festival

Greek mythology has painted the Sirens as seductive female creatures who lured unsuspecting sailors to shipwrecks and death at a rocky shore by captivating them with the sweetness of their song. Taking inspiration and a moniker from those commanding femmes fatales, artistic director Laina Copley formed the Santa Cruz Sirens Neo-burlesque troupe in April. “Our interpretation of the Sirens doesn’t intend to destroy the audience,” assures Copley, “but our goal is to expose them to different expressions of sexuality.”

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A&E - Theater

Helping Henry Miller

Helping Henry Miller

Why Big Sur’s iconic memorial library needs local support. Several upcoming events promise to turn heads

Many of history’s most unique creative and political beasts have lived in Northern California. Certainly civil rights leader Harvey Milk sits near the top of the list. Lawrence Ferlinghetti, who birthed the revered City Lights Bookstore, quickly comes to mind, too.

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Pop Life

The pop-up dining trend is freeing culinary imaginations and creating a guerilla version of event dining around Santa Cruz

 

Over Hills and Plains, Riding a White Horse, Bow and Arrows in Hand

Saturday, early morning, the sun enters and radiates the light of Sagittarius. Three hours later, the Sagittarius new moon (0.07 degrees) occurs. “Let food be sought,” is the personality-building keynote. “Food” means experiences; all kinds, levels and types. It also means real food. Sag’s secret is their love of food. Many, if not musicians, are chefs. Some are both. The energies shift from Scorpio’s deep and transformative waters to the “hills and plains of Sagittarius.” Sag is the rider on a white horse, eyes focused on the mountain peaks of Capricorn (Initiation) ahead. Like Scorpio, Sagittarius is also the “disciple.” Adventure, luck, optimism, joy and the beginnings of gratitude are the hallmarks of Sagittarius. Sag is also one of the signs of silence. The battle lines were drawn in Libra and we were asked to choose where we stood. The Nine Tests were given in Scorpio and we emerged “warriors triumphant.” Now in Sag, we are to be the One-Pointed Disciple, riding over the plains on a white horse, bow and arrows in hand, eyes focused on the Path of Return ahead. Sagittarians are one-pointed (symbol of the arrow). Sag asks, “What is my life’s purpose?” This is their quest, from valleys, plains, meadows and hills, eyes aimed always at the mountaintop. Sag emerges from Scorpio’s deep waters, conflict and tests into the open air. Sag’s quest is humanity’s quest. Sag’s quest, however, is always accompanied by music and good food.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of November 21

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