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Aug 31st
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Theatre

A&E - Theater

Fab, Frothy and Fun

Fab, Frothy and Fun

Cabrillo Stage’s summer season opens with flashy, yet heartfelt ‘La Cage Aux Folles’

La Cage Aux Folles” debuted as a French play in 1973, was made into a film in 1978, and was adapted into a musical in the U.S. in 1983. In 1997, it was reproduced as a comedy film—sans the music—titled The Birdcage, starring Robin Williams, Nathan Lane and Gene Hackman. And on July 12, local audiences will have an opportunity to see the play re-imagined once again, this time by Cabrillo Stage.

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A&E - Theater

Far from Heaven

Far from Heaven

Veteran solo performer revisits childhood trauma in ambitious one-man show

When an 8-year-old Mark Kenward and his family moved from Normal, Il., to Nantucket, Mass., they did so with quintessentially great expectations. “My parents moved us to an island with all the dreams you would expect of people moving to an island,” remembers the now-adult Kenward over three decades later. “Dreams of spending summer afternoons on the beach, and just having this life that’s away from the chaos of the mainland.”

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A&E - Theater

In the Moment

In the Moment

Area theater troupes gear up for annual Santa Cruz Improv Fest

There’s one story that I must tell you, and I always quote this,” says Gerry Orton, who begins telling a story about Keith Johnstone, a pioneer of improvisational theater. “He was in San Francisco, and I was taking a workshop from him—this was several years ago—and on the evening of a performance while he was there, he was interviewed on stage by a teacher of improv. The teacher said, ‘Keith, why do you still do it after all these years? Why do you still travel the world and teach?’ And his answer was, ‘Because I still don’t understand it.’” Orton lets out a knowing laugh. “And that’s so true.”

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A&E - Theater

A Pinteresque Pairing

A Pinteresque Pairing

Two local theater companies collaborate to produce two one-act plays by the late playwright Harold Pinter

If what isn’t said speaks louder than what is said, then Harold Pinter’s work shouts volumes. And to explore the voluminous meaning between the late playwright’s lines, two local theater companies have banded together this season.

Jewel Theatre Company, in collaboration with Shakespeare Santa Cruz, presents two one-act plays by Pinter: “One for the Road” and “The Lover.” The show opens on Friday, April 26 at Center Stage in Santa Cruz. There will be one discount preview showing on Thursday, April 25.

Marco Barricelli, artistic director of Shakespeare Santa Cruz, is directing “One for the Road” and Julie James, artistic director of Jewel Theatre Company, is directing “The Lover”—marking the first time that the two companies have come together to collaborate on a production. Featured performers include James, Mike Ryan and Paul Whitworth.

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A&E - Theater

"Beach Blanket Babylon' (Still) Sizzles

Iconic San Francisco revue continues to improve with age

There are very few theatrical productions that make it to middle-age. Thankfully, “Beach Blanket Babylon,” which turns 39 this summer, is one of them. In fact, the revered San Francisco spectacle is the country’s longest-running revues.

That’s a terrific testament to the legacy that the late- Steve Silver left behind. Silver launched “BBB” back in the ’70s and the show immediately turned heads with its show-stopping musical parodies and clever plot—a whiny Snow White desperately searching for a Prince Charming. That may have been enough to lure audiences in initially, but Silver and his creative team went a step beyond, always updating the show by infusing it with a delicious gluttony of current events.

This is evident in the revue's latest incarnation—a nonstop powerhouse of sheer brilliance that majestically surfs the peculiar waves of pop culture, scoops up as many headline-grabbers as it can and feasts on their absurdities.

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A&E - Theater

Channeling Casals

Channeling Casals

Israeli musician Amit Peled brings famous cello to Aptos

Amit Peled has many blessings in his life. He’s an accomplished cellist and conductor, and has performed in top venues throughout the world. At 28, he became the youngest professor at Johns Hopkins University in Baltimore, where he and his wife are raising three children. And twice in his life, once when he was a boy and again as a man, his life’s path was altered by a man he never met: the preeminent cellist of the 20th century, the late Pablo Casals.

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A&E - Theater

Good Bet

Good Bet

Performances highlight JTC’s revival of ‘Horse Dreamer’

Now in its eighth season, Jewel Theatre Company continues to produce quality professional theatre right in the heart of Downtown Santa Cruz. Spearheaded by Artistic Director Julie James, and making use of an ever-expanding gene pool of directors, performers and stage technicians, the company keeps local audiences intrigued with its lineup of often challenging, unexpected material. Case in point is the new JTC production of “Geography of a Horse Dreamer,” a lesser-know drama by the iconic Sam Shepard that considers the plight of the artist in a world of commerce, the vagaries of luck, and (as usual, for Shepard) the spectacle of men behaving badly.

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A&E - Theater

Terrific Tens

Terrific Tens

18th annual 8 Tens @ Eight one of the best ever

The philosophy behind Santa Cruz Actors' Theatre's annual short play festival, 8 Tens @ Eight, has always been what I call the Bus Theory: if one play doesn't get you where you want to go, there'll be another one along in 10 minutes. What's great about this year's festival is the quality of the plays overall is so high. Not one of this year's eight 10-minute plays ever runs completely out of gas; all are well-written, well-acted, and cleverly staged, and most have a story arc that delivers the viewer to a valid destination.

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A&E - Theater

Embracing Strength

Embracing Strength

New performance piece at Motion at the Mill explores how limitations can create opportunity

The first thing you should know about “Your Body is Not a Shark” is that it is not about triumphing against impossible odds. “This isn’t a piece about Joan [Jeanrenaud] and Denise [Leto] and their conditions, nor is it a piece about heroically overcoming these things,” says choreographer Cid Pearlman, referring to her collaborators on the performance piece, who grapple with multiple sclerosis and laryngeal dystonia, respectively. “It’s a piece that’s about the possibilities for generating creativity within limitation—we want to be careful not to create a false heroic narrative.”

“Your Body is Not a Shark” encompasses dance, live music, and sound collage, and runs Jan. 17-20 at Motion at the Mill. Examining the creative process through the prism of physical limitation and difference, the production is choreographed by Pearlman, with an original score composed by Joan Jeanrenaud, text by poet Denise Leto, and musical direction by Maya Barsacq.

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A&E - Theater

O Unholy Night

O Unholy Night

Cabrillo Stage shakes up the season with a Marx Brothers-inspired holiday hootenanny

Breaking with traditional Christmas sentimentality, the musical farce “A Night at the Nutcracker,” takes its inspiration from classic Marx Brothers’ comedies, and imagines what might happen if, behind the scenes of “The Nutcracker Ballet,” a villainous thief plotted to make off with the money for the show, and the Marx Brothers—Groucho, Chico and Harpo—arrived to save the day. 

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The Meaning of ‘LIFE’

With a new documentary film about his work, and huge exhibits on both coasts, acclaimed Santa Cruz nature photographer Frans Lanting is having a landmark year. But his crusade for conservation doesn’t leave much time for looking back

 

Seasons of Opportunity

Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of August 28

Santa Cruz area movie theaters >
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Land of Plenty

Farm to Fork benefit dinner for UCSC’s Agroecology Center, plus a zippy salsa from Teresa’s Salsa that loves every food it meets

 

If you knew you had one week to live, what would you do?

Make peace with myself, which would allow me to be at peace with others. Diane Fisher, Santa Cruz, Network Engineer

 

Comanche Cellars

Michael Simons, owner and winemaker of Comanche Cellars, once had a trusted steed called Comanche, which was part of his paper route and his rodeo circuit, from the tender age of 10. In memory of this beautiful horse, he named his winery Comanche, and Comanche’s shoes grace the label of each handcrafted bottle.

 

Cantine Winepub

Aptos wine and tapas spot keeps it casual