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Jul 31st
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Theatre

A&E - Theater

Two Left (Wing) Feet

Two Left (Wing) Feet

Choreography and social issues merge at Santa Cruz Dance’s ‘Looking Left’ festival

Peter Carpenter has a bone to pick with Ronald Reagan. It began, of all places, at a gay country bar in Los Angeles and eventually evolved into “My Fellow Americans,” an evening-length dance performance choreographed by Carpenter, which critiques the Reagan administration from an LGBT perspective. This weekend, Reagan’s politics, and plenty of other social issues, will be placed under the microscope at “Looking Left/Chicago,” a dance festival at Motion at the Mill, featuring pieces by Carpenter and several other talented dancers and choreographers.

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A&E - Theater

Dueling Divas

Dueling Divas

Queens struggle for power in JTC's ambitious 'Mary Stuart'

Two great divas from the local theater scene play two of the greatest divas in history in “Mary Stuart,” the inaugural offering of the Jewel Theatre Company's 2012-2013 season. This historical play dramatizes the conflict between Queen Elizabeth Tudor of England and her cousin, Mary Stuart, Queen of Scots, a volatile pair of queens brought to life con brio at Center Stage by JTC veterans Diana Torres Koss and Julie James.

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A&E - Theater

Rascals and Royals

Rascals and Royals

Comedy and kingship rule in SSC’s funny, moving ‘Henry IV Part 2’

Sir John Falstaff rides again in “Henry IV Part 2,” the third production in Shakespeare Santa Cruz’s 2012 summer season. The sequel to last year’s popular “Henry IV Part 1,” returning director Scott Wentworth’s production offers plenty of drama—death and loss, kingship, statecraft, rebellion, family dynamics, and the passing of the crown from one generation to the next, along with a resonant meditation on aging that runs throughout the play.

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A&E - Theater

SSC Achieves Greatness

SSC Achieves Greatness

Mistaken identities and musketeers make ‘Twelfth Night’ and ‘The Man in the Iron Mask’ a rousing success

‘Twelfth Night’

Shakespeare Santa Cruz continues to brighten up our foggy coastal summers with imaginative live theater. The company launches its 31st season with “Twelfth Night,” one of Shakespeare's most enjoyable and accessible romantic comedies. Directed by SSC Artistic Director Marco Barricelli, this lively production floods the stage with knockabout farce, yet leaves enough breathing room for moments of poignant reflection on the ways romantic love can be found—and lost.

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A&E - Theater

Bon Voyage

Bon Voyage

Cabrillo Stage hits a homerun with ‘Anything Goes’

There are pros and cons to producing one of Broadway’s most adored musical comedies, littered with hits by one of the most quoted American Songbook composers of the 20th century. Among the pros? Everyone knows the songs. The cons? Everyone knows the songs. Fortunately for Santa Cruz theater fans, Cabrillo Stage deftly avoids the pitfalls of familiarity and presents Cole Porter’s endearing vehicle, “Anything Goes,” to great success.

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A&E - Theater

An Ear for Shakespeare

An Ear for Shakespeare

SSC’s star composer elevates the drama of ‘Henry IV Part II’ with music

When Rody Ortega is not composing music for Shakespeare Santa Cruz, he works as a commercial airline pilot. The sky is an important source of inspiration for Ortega, but he believes he can reach people on a deeper level through the arts. “Art can take you places an airplane can’t,” he says.

For the fourth summer in a row, Ortega has returned to UC Santa Cruz, where he will help elevate Shakespeare’s “The Man in the Iron Mask” and “Henry IV Part II” with music. The latter—which runs Aug. 7-26 at the Sinsheimer-Stanley Festival Glen at UCSC, and stars Charles Pasternak, V Craig Heidenreich and Richard Ziman—is the second segment of Shakespeare’s “Making of a King” trilogy.

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A&E - Theater

‘Anything’ is a Go

‘Anything’ is a Go

Big, bold and drenched in fun, ‘Anything Goes’ sets sail at Cabrillo Stage

Part Two of Cabrillo Stage’s triple summer threat promises to be a show-stopping voyage. The creative ship that is “Anything Goes” opens this week as part of Cabrillo’s plan to take a bite out of the Big Apple this season—“A Chorus Line” opened recently to rave reviews; “Escaping Queens,” written by local Joe Ortiz, opens in August.

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A&E - Theater

Found in Translation

Found in Translation

Program gives teens access to Shakespeare Santa Cruz’s ‘Twelfth Night’

Chances are you’ve encountered the work of William Shakespeare at some point during your academic career, perhaps as required reading in high school; he is, after all, the most famous writer in the English language. But for every student who is hooked at “To be or not to be,” there is another for whom the words on the page are no more comprehensible than a foreign language.

With that in mind, Shakespeare Santa Cruz is working to make his plays accessible to the community with the STAT (Shakespeare Teen Access Tickets) program, which is designed to get teens to experience live Shakespeare performances, including the company’s upcoming production of “Twelfth Night.”

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A&E - Theater

They Walk The Line

They Walk The Line

Cabrillo Stage delivers a vivid, heartfelt 'Chorus Line'

Talk about a singular sensation. When “A Chorus Line” debuted in 1975, it broke all the rules for what a Broadway musical is supposed to be. There are no elaborate sets or scene changes; it all takes place on a bare rehearsal stage with one mirrored wall. Playing out in more or less real time, with no intermission, the storyline—you couldn’t call it a plot, exactly—concerns a score of young dancers auditioning for the chorus of a Broadway show. Costumes? The kind of practice clothes every dancer has in his or her wardrobe. It also presents various gay and ethnically diverse characters in frankly sympathetic terms.

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A&E - Theater

Identity Crisis

Identity Crisis

Behind SSC’s ‘The Man in the Iron Mask’

Los Angeles-based actor Charles Pasternak describes his role in Scott Wentworth’s new play as schizophrenic. Not only does he play the part of King Louis XIV, but he also plays the part of Louis’ identical twin brother, Phillipe, the title character in “The Man in the Iron Mask.”

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Health Screening

Santa Cruz wellness expert releases app to improve workplace well-being

 

Leo Sun; Full Moon, Venus Retro in Leo; Saturn Direct

It’s a complex week of planetary movements, challenges, demands and callings. We’re in the time of the Leo Sun. Leo—fixed fire, gold, the heart, generous, strong, noble, the king/queen—needs appreciation and praise from everyone in order to move forward. During Leo we gain a greater sense of self-identification by recognizing our creativity. It’s therefore a perfect time for Venus retrograding in Leo. In Venus retrograde we review and re-assess values. Venus retro in Leo concerns our self as valuable, acknowledging talents, gifts, abilities and offerings. Friday, Venus re-enters Leo (29 degrees, a critical degree) continuing the retrograde to 14 degrees Leo on Sept. 6. Friday (Full Moon) is also the (8 degrees) Leo solar festival, Festival of the Future. Leo is the heart of the sun, the heart of all that matters. When attuned to this heart, we have understanding and inclusivity. The heart of the Lion is Mitra (think “Maitreya,” the coming World Teacher). Leo prepares humanity to receive divine love from subtle sources and later to radiate that love to the kingdoms. Sirius, Ray 2, where love originates, streams through Regulus (heart of Leo), into the heart of the sun (Ray 2) and into all hearts. The heart of Leo is Regulus. Joining Venus, the love underlying all of creation appears. Saturday is Sun/Neptune (confusion or devotion) with late night Saturn turning stationary direct. Ideas, plans and structures held long in abeyance (since March 14) slowly move forward. (Read more on Leo and the week at nightlightnews.org and Risa D’Angeles’ Facebook page, accessed through my website.)

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of July 31

Santa Cruz area movie theaters >
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Bargetto Winery

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Margaritaville

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