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Feb 10th
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Theatre

A&E - Theater

Channeling Casals

Channeling Casals

Israeli musician Amit Peled brings famous cello to Aptos

Amit Peled has many blessings in his life. He’s an accomplished cellist and conductor, and has performed in top venues throughout the world. At 28, he became the youngest professor at Johns Hopkins University in Baltimore, where he and his wife are raising three children. And twice in his life, once when he was a boy and again as a man, his life’s path was altered by a man he never met: the preeminent cellist of the 20th century, the late Pablo Casals.

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A&E - Theater

Good Bet

Good Bet

Performances highlight JTC’s revival of ‘Horse Dreamer’

Now in its eighth season, Jewel Theatre Company continues to produce quality professional theatre right in the heart of Downtown Santa Cruz. Spearheaded by Artistic Director Julie James, and making use of an ever-expanding gene pool of directors, performers and stage technicians, the company keeps local audiences intrigued with its lineup of often challenging, unexpected material. Case in point is the new JTC production of “Geography of a Horse Dreamer,” a lesser-know drama by the iconic Sam Shepard that considers the plight of the artist in a world of commerce, the vagaries of luck, and (as usual, for Shepard) the spectacle of men behaving badly.

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A&E - Theater

Terrific Tens

Terrific Tens

18th annual 8 Tens @ Eight one of the best ever

The philosophy behind Santa Cruz Actors' Theatre's annual short play festival, 8 Tens @ Eight, has always been what I call the Bus Theory: if one play doesn't get you where you want to go, there'll be another one along in 10 minutes. What's great about this year's festival is the quality of the plays overall is so high. Not one of this year's eight 10-minute plays ever runs completely out of gas; all are well-written, well-acted, and cleverly staged, and most have a story arc that delivers the viewer to a valid destination.

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A&E - Theater

Embracing Strength

Embracing Strength

New performance piece at Motion at the Mill explores how limitations can create opportunity

The first thing you should know about “Your Body is Not a Shark” is that it is not about triumphing against impossible odds. “This isn’t a piece about Joan [Jeanrenaud] and Denise [Leto] and their conditions, nor is it a piece about heroically overcoming these things,” says choreographer Cid Pearlman, referring to her collaborators on the performance piece, who grapple with multiple sclerosis and laryngeal dystonia, respectively. “It’s a piece that’s about the possibilities for generating creativity within limitation—we want to be careful not to create a false heroic narrative.”

“Your Body is Not a Shark” encompasses dance, live music, and sound collage, and runs Jan. 17-20 at Motion at the Mill. Examining the creative process through the prism of physical limitation and difference, the production is choreographed by Pearlman, with an original score composed by Joan Jeanrenaud, text by poet Denise Leto, and musical direction by Maya Barsacq.

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A&E - Theater

O Unholy Night

O Unholy Night

Cabrillo Stage shakes up the season with a Marx Brothers-inspired holiday hootenanny

Breaking with traditional Christmas sentimentality, the musical farce “A Night at the Nutcracker,” takes its inspiration from classic Marx Brothers’ comedies, and imagines what might happen if, behind the scenes of “The Nutcracker Ballet,” a villainous thief plotted to make off with the money for the show, and the Marx Brothers—Groucho, Chico and Harpo—arrived to save the day. 

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A&E - Theater

The Quack Pack

The Quack Pack

Shakespeare Santa Cruz’s ‘Ugly Duckling’ revamp promises to entertain and inspire

Anyone who has ever felt left out, or survived high school for that matter, will appreciate Shakespeare Santa Cruz’s holiday show, “Honk!” The charming and heartfelt production is based on Hans Christian Andersen’s classic fairy tale, “The Ugly Duckling.”

“Essentially it’s a great allegory for bullying,” says actress Megan Smith, who stars as Ida, the duckling’s mother. “Being a person who is different from the dominant culture, how it affects your home and social life, and how to deal with that.”

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A&E - Theater

Laughing Through The Tears

Laughing Through The Tears

Cabrillo’s ‘Black Snow’ puts protagonist through series of unfortunate events; hilarity ensues

Reality and satire are the same,” said dissenting Soviet writer Vladimir Voinovich in reference to his country.

“I thought that was a great quote,” says David Ohanesian, dramaturg at Cabrillo College Theater Arts. “It made me think about today in the United States, and I was thinking about how many of us get our news and our sense of American life through satiric comedies these days—and how it almost makes it easier to swallow the indignities.”

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A&E - Theater

Two Left (Wing) Feet

Two Left (Wing) Feet

Choreography and social issues merge at Santa Cruz Dance’s ‘Looking Left’ festival

Peter Carpenter has a bone to pick with Ronald Reagan. It began, of all places, at a gay country bar in Los Angeles and eventually evolved into “My Fellow Americans,” an evening-length dance performance choreographed by Carpenter, which critiques the Reagan administration from an LGBT perspective. This weekend, Reagan’s politics, and plenty of other social issues, will be placed under the microscope at “Looking Left/Chicago,” a dance festival at Motion at the Mill, featuring pieces by Carpenter and several other talented dancers and choreographers.

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A&E - Theater

Dueling Divas

Dueling Divas

Queens struggle for power in JTC's ambitious 'Mary Stuart'

Two great divas from the local theater scene play two of the greatest divas in history in “Mary Stuart,” the inaugural offering of the Jewel Theatre Company's 2012-2013 season. This historical play dramatizes the conflict between Queen Elizabeth Tudor of England and her cousin, Mary Stuart, Queen of Scots, a volatile pair of queens brought to life con brio at Center Stage by JTC veterans Diana Torres Koss and Julie James.

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A&E - Theater

Rascals and Royals

Rascals and Royals

Comedy and kingship rule in SSC’s funny, moving ‘Henry IV Part 2’

Sir John Falstaff rides again in “Henry IV Part 2,” the third production in Shakespeare Santa Cruz’s 2012 summer season. The sequel to last year’s popular “Henry IV Part 1,” returning director Scott Wentworth’s production offers plenty of drama—death and loss, kingship, statecraft, rebellion, family dynamics, and the passing of the crown from one generation to the next, along with a resonant meditation on aging that runs throughout the play.

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On the Run

Is there hope for California’s salmon?

 

Chinese New Year of the Red Fire Monkey

Monday, Feb. 8, is Aquarius new moon (19 degrees) and Chinese New Year of the Red Fire Monkey (an imaginative, intelligent and vigilant creature). Monkey is bright, quick, lively, quite naughty, clever, inquiring, sensible, and reliable. Monkey loves to help others. Often they are teachers, writers and linguists. They are very talented, like renaissance people. Leonardo Da Vinci was born in the year of Monkey. Monkey contains metal (relation to gold) and water (wisdom, danger). 2016 will be a year of finances. For a return on one’s money, invest in monkey’s ideas. Metal is related to wind (change). Therefore events in 2016 will change very quickly. We must ponder with care before making financial, business and relationship changes. Fortune’s path may not be smooth in 2016. Finances and business as usual will be challenged. Although we develop practical goals, the outcomes are different than hoped for. We must be cautious with investments and business partnership. It is most important to cultivate a balanced and harmonious daily life, seeking ways to release tension, pressure and stress to improve health and calmness. Monkey is lively, flexible, quick-witted, and versatile. Their gentle, honest, enchanting yet resourceful nature results often in everlasting love. Monkeys are freedom loving. Without freedom, Monkey becomes dull, sad and very unhappy. During the Spring and Autumn Period (770 - 476 BC), the Chinese official title of Marquis (noble person) was pronounced ‘Hou,’ the same as the pronunciation of ‘monkey’ in Chinese. Monkey was thereby bestowed with auspicious (favorable, fortunate) meaning. Monkey years are: 1920, 1932, 1944, 1956, 1968, 1980, 1992, 2004, 2016.  

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of February 5

Santa Cruz area movie theaters >
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