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Apr 18th
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Theatre

A&E - Theater

Tangled Up in 'Blue'

Tangled Up in 'Blue'

Outstanding performance highlights Jewel Theatre's 'House of Blue Leaves'

There's a lot going on in the new Jewel Theatre production of John Guare's "The House of Blue Leaves." A visiting Pope, surprise appearances by a Hollywood filmmaker and a famous movie star, a gaggle of comic nuns, spontaneous piano duets, and a bomb-wielding malcontent all figure into the plot that director Susan Myer Silton has tumbling in and out of the play's single set with farcical speed. Not to mention the thematic cacophony of mid-life disappointment and shattering dreams.

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A&E - Theater

Full House

Full House

Jewel Theatre debuts “The House of Blue Leaves”
The Pope is coming to town. OK, not the real Pope, and not this town, but that’s the premise of a play debuting at Center Stage and produced by Jewel Theatre. “The House of Blue Leaves,” written by John Guare and directed by Susan Myer Silton, tells a compelling story about celebrity worship, not listening to other people, family and even humiliation.

The story unfolds in Queens, New York, on Oct. 4, 1965, when the Pope is coming to America. Our cast is a wild bunch of characters: There’s Artie, a zookeeper, who hopes to strike it rich as a songwriter. He’s married to a woman named Bananas. And yes, she really is fruity. She’s a homemaker whose son, Ronnie, just joined the Army. Meanwhile, Artie is having an affair with his neighbor, Bunny, who’s trying to push Artie to make contact with an old Hollywood friend. And on top of all that, Ronnie is planning to blow up the Pope.

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A&E - Theater

Dance of Life

Dance of Life

Tandy Beal & Company invites you on a journey to the other side of death

Let’s say you’re walking along the path near Seacliff Beach. You look fantastic. It’s a brilliantly sunny day, and you happily observe that the bounce in your step is in perfect synch with that song in your heart.

No. Scratch that. You’re walking down Pacific Avenue, and you’ve just stepped in gum. You’re being panhandled, and a creditor is ringing your cell phone.

Whatever.

In any event, that’s when it happens. A runaway bus. That heart attack you’ve been dreading. A wad of genetically modified yam gets lodged in your throat.

However it transpires, you’ve just managed to achieve the inevitable—you’re dead.

Now what?

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A&E - Theater

Henry IV visits Santa Cruz

Henry IV visits Santa Cruz

The theater season ends with a spectacular version of ‘Henry IV, Part 1’
In an instant everything changes: the dusky convivial sounds of an expectant audience give way to the blare of trumpets and the martial din of running boots as a troop of young men pours onto the stage to circle it, stamping their wooden staffs with a shout. Enter the king.

Thus Shakespeare Santa Cruz and its audience join an unbroken line of four centuries to perform and hear the tale of a crown taken in rebellion, nearly lost in pride, then won in just battle; of a wastrel who becomes worthy of his noble heritage, and of a dazzling hothead who burns too bright.  Shakespeare’s most popular play during his lifetime, the story behind “Henry IV, Part 1” was as familiar to Elizabethans as the Kennedy story is to modern Americans.  But for today’s theatergoers, Shakespeare’s “History Plays” are burdened with obscure references whose significance eludes us.  As written, the opening scene of “Henry IV,” wherein the king and his confidants converse at length about incidents and characters we haven’t met and do not yet understand, threatens theatrical death upon arrival in the 21st century.

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A&E - Theater

The History of Henry

The History of Henry

Shakespeare Santa Cruz closes its summer season with a production of ‘Henry IV, Part I’
Shakespeare Santa Cruz Artistic Director Marco Barricelli and dramaturg Michael Warren can be found in a darkly lit office on the UC Santa Cruz campus conversing about Shakespeare. Both men are more than knowledgeable on the subject; most importantly, however, are their respective skills in transferring this knowledge to the milieu of the stage.

The conversation quickly turns to “Henry IV, Part I,” the final show in this summer’s Shakespeare Santa Cruz season. It’s a play Warren believes to be the most popular play of Shakespeare’s time. When asked why, he points to the fact that Shakespeare’s first folio alludes to the popularity of “Henry IV.”

Barricelli chimes in about the character of Falstaff in “Henry IV.” He explains that the play acquires its popularity from that character.

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A&E - Theater

Double Your Fun

Double Your Fun

SSC scores with Scheie's 'Comedy of Errors' reboot


Longtime local theatergoers may remember Danny Scheie's original staging of “The Comedy of Errors” as possibly the single funniest production ever mounted at Shakespeare Santa Cruz. Premiered in the 1988 season and encored in 1993, it made full use of the outdoor Festival Glen, including a bicycle-built-for-four that came roaring down the hillside, and a massive upstage wall with Laugh-In style open-and-shut windows that turned Shakespeare's frolicsome early comedy about two sets of twins, mistaken identities, and male-female relations into a literal slamming-door farce.

In celebration of SSC's 30th Anniversary season, Scheie returns with a lively reboot of “The Comedy of Errors.” Although scaled back for the indoor Mainstage with John Iacovelli's single, functional wall and a couple of chairs for a set, and eight intrepid performers handling some 20 speaking parts, this “Comedy” retains all of the laughs.

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A&E - Theater

Hairspray—Extra Firm Hold

Hairspray—Extra Firm Hold

Cabrillo Stage turns up the volume

Santa Cruz, we have a problem. The capacity of Cabrillo’s Crocker Theater is 523, and there are 13 performances of Cabrillo Stage’s smash hit production of “Hairspray” left on the calendar. You do the math—and then get yourself a ticket, stat.

Last weekend’s opening of the Tony Award- winning musical played to a full house, one that squealed with bobby sox enthusiasm, laughed at every gag, whether over the top or nuanced, and rose to their feet en masse—for a standing ovation, and to dance along with the talented cast during curtain call.

“Hairspray” is a coming-of-age story. In this cleverly written show, the story is set in 1962 and the setting is segregated Baltimore and its local televised teen sock hop, The Corny Collins Show. This show within a show (one of my favorite devices) features The Nicest Kids in Town, and once a month —Negro Day. This subtle hint in the second song of the show alerts us to the savvy subterfuge ahead.

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A&E - Theater

Hot For ‘Hairspray’

Hot For ‘Hairspray’

Cabrillo stage unveils its biggest musical yetz
Hairspray” finally hits Cabrillo Stage this week and along with it comes veteran director Janie Scott, actor Tony Panighetti and newcomer Monica Turner.

The Broadway hit—which was inspired by the original John Waters movie—revolves around freedom and civil rights. At its core is Tracy Turnblad (Turner), who wants only one thing in the world: to dance on The Corny Collins Show on TV. She also wants to overcome the prejudices that come with living in Baltimore in the early 1960s.

Fellow actor Panighetti expresses how the themes of the musical are extremely prevalent in today's culture: "American Idol is the big thing. It's about watching the underdog take over and inspire America. Glee is all about misfits. This has become a musical generation; [one] where everyone is rooting for the underdog."

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A&E - Theater

Turning Comedy out of Errors

Turning Comedy out of Errors

Stripped down Shakespeare tickles SC’s funny bone
This is Danny Scheie's seventh time directing “The Comedy of Errors,” but his second for Shakespeare Santa Cruz, which debuts on July 9 and runs until Aug. 28 at the Mainstage Theater.

Scheie has carried out nationally-renowned work as an actor, but directing “The Comedy of Errors” holds a special place for him. “For me, I love this play and part of the reason I love it is because I know it too well and it's sort of a true thing about Shakespeare that … we're always told he's infinite,” he says. “You can study him your whole life and learn something every time you see [a Shakespeare play], and I actually think that's true.”

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A&E - Theater

Time for ‘Three’

Time for ‘Three’

All for one, one for Shakespeare Santa Cruz
This year's Shakespeare Santa Cruz production of Alexander Dumas' epic masterpiece, “The Three Musketeers,” is set against a redwood forest backdrop—that sublime Sinsheimer-Stanley Festival Glen we have all come to appreciate. Directed by Art Menke, the play is sure to draw a crowd with its classic storyline and early run this summer.

The famous novel tells the story of D'Artagnan, a young man who dreams of becoming a musketeer. Set in 17th century Paris, D'Artagnan befriends three musketeers: Athos, Porthos, and Aramis. Together they go through various misadventures, one of the most famous being a rescue of the Queen of France amidst war. Kit Wilder, a veteran actor of “The Three Musketeers,” plays Porthos, the extrovert and larger-than-life musketeer.

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Smells Like Team Spirit

The organizers of TEDx Santa Cruz don’t just talk about this year’s theme, ‘radical collaboration’—they live it

 

Pluto Retrograde, Aries New Moon, Lyrid Meteor Showers

As the Lyrid meteors, radiating from the star Vega in the Harp constellation, begin showering heaven and earth with light, Pluto, planet of transformation (or die) turns stationary retrograde (Thursday, April 16), 15 degrees Capricorn. Retrogrades have purpose, allowing humanity time to review, reassess, research and reinvent while returning to previous situations. Retrogrades are times of inner activity, seeds sown in bio-dynamically prepared soil. Pluto retrograde is the most serious and resolute of retrogrades—a pure tincture, or, as in homeopathy, a “constitutional” touching the essences of all that matters. Pluto offers deep insight into confusion or puzzlement and areas where transformation is still incomplete. It’s valuable to have one’s astrology chart to follow what area of life the major planets— especially Saturn, Uranus, Neptune and Pluto—are influencing. These outer planets have long-term and lasting effects on our psyche, inner/outer life events, how people see us and how we see and process our world. Pluto, retrograde for five months (until Sept. 24) offers deep earthquakes of change, awakens humanity to the task of building (Capricorn) the new culture and civilization, flailing our inner world about, deepening us until we transform and do things differently. Pluto is an unrelenting teacher. New moon (29 Aries) is Saturday, April 18. With the personality-building keynote, “Let form again be sought.” Mars anchors the new creative fires of Aries into our world. The New Group of World Servers participates together in the new moon festival, while also preparing for the Taurus Wesak, Buddha Full Moon Festival (May 3). Join us everyone.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of April 17

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