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Jan 29th
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Theatre

A&E - Theater

Henry IV visits Santa Cruz

Henry IV visits Santa Cruz

The theater season ends with a spectacular version of ‘Henry IV, Part 1’
In an instant everything changes: the dusky convivial sounds of an expectant audience give way to the blare of trumpets and the martial din of running boots as a troop of young men pours onto the stage to circle it, stamping their wooden staffs with a shout. Enter the king.

Thus Shakespeare Santa Cruz and its audience join an unbroken line of four centuries to perform and hear the tale of a crown taken in rebellion, nearly lost in pride, then won in just battle; of a wastrel who becomes worthy of his noble heritage, and of a dazzling hothead who burns too bright.  Shakespeare’s most popular play during his lifetime, the story behind “Henry IV, Part 1” was as familiar to Elizabethans as the Kennedy story is to modern Americans.  But for today’s theatergoers, Shakespeare’s “History Plays” are burdened with obscure references whose significance eludes us.  As written, the opening scene of “Henry IV,” wherein the king and his confidants converse at length about incidents and characters we haven’t met and do not yet understand, threatens theatrical death upon arrival in the 21st century.

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A&E - Theater

The History of Henry

The History of Henry

Shakespeare Santa Cruz closes its summer season with a production of ‘Henry IV, Part I’
Shakespeare Santa Cruz Artistic Director Marco Barricelli and dramaturg Michael Warren can be found in a darkly lit office on the UC Santa Cruz campus conversing about Shakespeare. Both men are more than knowledgeable on the subject; most importantly, however, are their respective skills in transferring this knowledge to the milieu of the stage.

The conversation quickly turns to “Henry IV, Part I,” the final show in this summer’s Shakespeare Santa Cruz season. It’s a play Warren believes to be the most popular play of Shakespeare’s time. When asked why, he points to the fact that Shakespeare’s first folio alludes to the popularity of “Henry IV.”

Barricelli chimes in about the character of Falstaff in “Henry IV.” He explains that the play acquires its popularity from that character.

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A&E - Theater

Double Your Fun

Double Your Fun

SSC scores with Scheie's 'Comedy of Errors' reboot


Longtime local theatergoers may remember Danny Scheie's original staging of “The Comedy of Errors” as possibly the single funniest production ever mounted at Shakespeare Santa Cruz. Premiered in the 1988 season and encored in 1993, it made full use of the outdoor Festival Glen, including a bicycle-built-for-four that came roaring down the hillside, and a massive upstage wall with Laugh-In style open-and-shut windows that turned Shakespeare's frolicsome early comedy about two sets of twins, mistaken identities, and male-female relations into a literal slamming-door farce.

In celebration of SSC's 30th Anniversary season, Scheie returns with a lively reboot of “The Comedy of Errors.” Although scaled back for the indoor Mainstage with John Iacovelli's single, functional wall and a couple of chairs for a set, and eight intrepid performers handling some 20 speaking parts, this “Comedy” retains all of the laughs.

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A&E - Theater

Hairspray—Extra Firm Hold

Hairspray—Extra Firm Hold

Cabrillo Stage turns up the volume

Santa Cruz, we have a problem. The capacity of Cabrillo’s Crocker Theater is 523, and there are 13 performances of Cabrillo Stage’s smash hit production of “Hairspray” left on the calendar. You do the math—and then get yourself a ticket, stat.

Last weekend’s opening of the Tony Award- winning musical played to a full house, one that squealed with bobby sox enthusiasm, laughed at every gag, whether over the top or nuanced, and rose to their feet en masse—for a standing ovation, and to dance along with the talented cast during curtain call.

“Hairspray” is a coming-of-age story. In this cleverly written show, the story is set in 1962 and the setting is segregated Baltimore and its local televised teen sock hop, The Corny Collins Show. This show within a show (one of my favorite devices) features The Nicest Kids in Town, and once a month —Negro Day. This subtle hint in the second song of the show alerts us to the savvy subterfuge ahead.

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A&E - Theater

Hot For ‘Hairspray’

Hot For ‘Hairspray’

Cabrillo stage unveils its biggest musical yetz
Hairspray” finally hits Cabrillo Stage this week and along with it comes veteran director Janie Scott, actor Tony Panighetti and newcomer Monica Turner.

The Broadway hit—which was inspired by the original John Waters movie—revolves around freedom and civil rights. At its core is Tracy Turnblad (Turner), who wants only one thing in the world: to dance on The Corny Collins Show on TV. She also wants to overcome the prejudices that come with living in Baltimore in the early 1960s.

Fellow actor Panighetti expresses how the themes of the musical are extremely prevalent in today's culture: "American Idol is the big thing. It's about watching the underdog take over and inspire America. Glee is all about misfits. This has become a musical generation; [one] where everyone is rooting for the underdog."

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A&E - Theater

Turning Comedy out of Errors

Turning Comedy out of Errors

Stripped down Shakespeare tickles SC’s funny bone
This is Danny Scheie's seventh time directing “The Comedy of Errors,” but his second for Shakespeare Santa Cruz, which debuts on July 9 and runs until Aug. 28 at the Mainstage Theater.

Scheie has carried out nationally-renowned work as an actor, but directing “The Comedy of Errors” holds a special place for him. “For me, I love this play and part of the reason I love it is because I know it too well and it's sort of a true thing about Shakespeare that … we're always told he's infinite,” he says. “You can study him your whole life and learn something every time you see [a Shakespeare play], and I actually think that's true.”

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A&E - Theater

Time for ‘Three’

Time for ‘Three’

All for one, one for Shakespeare Santa Cruz
This year's Shakespeare Santa Cruz production of Alexander Dumas' epic masterpiece, “The Three Musketeers,” is set against a redwood forest backdrop—that sublime Sinsheimer-Stanley Festival Glen we have all come to appreciate. Directed by Art Menke, the play is sure to draw a crowd with its classic storyline and early run this summer.

The famous novel tells the story of D'Artagnan, a young man who dreams of becoming a musketeer. Set in 17th century Paris, D'Artagnan befriends three musketeers: Athos, Porthos, and Aramis. Together they go through various misadventures, one of the most famous being a rescue of the Queen of France amidst war. Kit Wilder, a veteran actor of “The Three Musketeers,” plays Porthos, the extrovert and larger-than-life musketeer.

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A&E - Theater

An Affair to Remember

An Affair to Remember

Stars shine in Cabrillo Stage's bittersweet 'Last Five Years'
The winning streak continues at Cabrillo Stage with its new production of "The Last Five Years," the second offering in the company's 30th Anniversary season. More of a song cycle than a conventional musical play, the show is a tightrope duet that takes its two performers through an entire romance, from joyous beginnings to bitter end. The songs won't be familiar to most audiences, and the staging is intense: two people onstage in the intimate Black Box Theater for an hour and a half, without an intermission. But as a showcase for two terrific Cabrillo Stage veterans, Andrew Ceglio and Ariel Buck, it's a knockout.

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A&E - Theater

Five and Counting

Five and Counting

Cabrillo Stage offers intimate musical, “The Last 5 Years"
The intimate Cabrillo Black Box Theater provides the perfect stage for the poignant production "The Last 5 Years." Written by Tony Award-winning songwriter, Jason Robert Brown, the musical first opened in the Northlight Theater in Illinois in 2001 where it sold a record number of tickets over the first weekend. Nearly 10 years later, the show premieres at Cabrillo Stage July 8 and runs until Aug. 14. Though its director, Mollye Maxner, is a first-timer with Cabrillo Stage, the play stars veterans Andrew Ceglio and Ariel Buck.

"The Last 5 Years" is a musical that explores the five-year relationship of two career-driven individuals: Jamie Wellerstein, the novelist, played by Ceglio, and Cathy Hyatt, the struggling actress, played by Buck. The show's structure is non-linear as the story begins with two timelines simultaneously: the start of Jamie and Cathy’s relationship from Jamie's perspective, and the end of the relationship from Cathy's. As one of them moves forward through time and the other one backward, the two characters interact for only one song during their wedding in the middle of the show.

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A&E - Theater

Full Disclosure

Full Disclosure

Cabrillo Stage's fun, raucous 'Full Monty' delivers the goods
As a property, “The Full Monty” is not for the fainthearted. A live stage musical based on the 1997 film of the same name about laid-off factory workers who produce a full frontal male strip act to raise some cash and reclaim their manhood, it's peppered with profanity, features various degrees of nudity, and demands plenty of singing, dancing and chutzpah from its actors. Any company that dares to put this show on the boards had better have the goods to back it up.

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Throwing It All Away

Everybody’s for recycling, right? So why are we all doing it wrong? Our reporter gets down and dirty to uncover 10 secrets that will finally make the recycling process make sense

 

Aquarius Calling, Humanity Rising

Aquarius (11th sign after Aries) is the sign of service—serving one another, building community. Aquarius is fixed air, stabilizing new ideas in the world. When new ideas reach the masses the ideas become ideals within the hearts and minds of humanity. Air signs (Gemini, Libra and Aquarius) are mental. They think, ponder, study, research, gather and distribute information. For air signs, education and learning, communicating, writing, being social, tending to money, participating in groups and creating sustainable communities are most important. One of the present messages Aquarius is putting forth to the New Group of World Servers is the creation of the New Education (thus thinking) for humanity—one based not on commodities (banking/corporate values) but on virtues. Humanity and Aquarius Aquarius is the sign of humanity itself. We are now at the beginnings of the Age of Aquarius, the Age of Humanity (rising). The “rising” is the Aquarian vision of equality, unity, the distribution and sharing of all resources and of individual (Leo) creative gifts for the purpose of humanity’s (Aquarius) uplifting. This is the message in the Solar Festival of Aquarius (at the full moon) on Tuesday, Feb. 3. We join in these visions by reciting the World Prayer of Direction, the Great Invocation.Tuesday’s solar festival follows Monday’s Groundhog Day, or Imbolc (ancient Celtic fire festival) the halfway mark between winter solstice and spring Equinox). The New Group of World Servers (NGWS) during these two days are preparing for the upcoming Three Spring Solar Festivals: 1. Aries Resurrection/Easter Festival (April); 2. Taurus Buddha/Wesak Festival (May); and 3. Gemini’s Festival of Humanity (June). Aquarius and the new and full moons together are the primary astrological influences behind all of humanity’s endeavors. The NGWS are to teach these things, calling and uplifting humanity. Join us everyone. (301)

 

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