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Dec 20th
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Theatre

A&E - Theater

The History of Henry

The History of Henry

Shakespeare Santa Cruz closes its summer season with a production of ‘Henry IV, Part I’
Shakespeare Santa Cruz Artistic Director Marco Barricelli and dramaturg Michael Warren can be found in a darkly lit office on the UC Santa Cruz campus conversing about Shakespeare. Both men are more than knowledgeable on the subject; most importantly, however, are their respective skills in transferring this knowledge to the milieu of the stage.

The conversation quickly turns to “Henry IV, Part I,” the final show in this summer’s Shakespeare Santa Cruz season. It’s a play Warren believes to be the most popular play of Shakespeare’s time. When asked why, he points to the fact that Shakespeare’s first folio alludes to the popularity of “Henry IV.”

Barricelli chimes in about the character of Falstaff in “Henry IV.” He explains that the play acquires its popularity from that character.

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A&E - Theater

Double Your Fun

Double Your Fun

SSC scores with Scheie's 'Comedy of Errors' reboot


Longtime local theatergoers may remember Danny Scheie's original staging of “The Comedy of Errors” as possibly the single funniest production ever mounted at Shakespeare Santa Cruz. Premiered in the 1988 season and encored in 1993, it made full use of the outdoor Festival Glen, including a bicycle-built-for-four that came roaring down the hillside, and a massive upstage wall with Laugh-In style open-and-shut windows that turned Shakespeare's frolicsome early comedy about two sets of twins, mistaken identities, and male-female relations into a literal slamming-door farce.

In celebration of SSC's 30th Anniversary season, Scheie returns with a lively reboot of “The Comedy of Errors.” Although scaled back for the indoor Mainstage with John Iacovelli's single, functional wall and a couple of chairs for a set, and eight intrepid performers handling some 20 speaking parts, this “Comedy” retains all of the laughs.

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A&E - Theater

Hairspray—Extra Firm Hold

Hairspray—Extra Firm Hold

Cabrillo Stage turns up the volume

Santa Cruz, we have a problem. The capacity of Cabrillo’s Crocker Theater is 523, and there are 13 performances of Cabrillo Stage’s smash hit production of “Hairspray” left on the calendar. You do the math—and then get yourself a ticket, stat.

Last weekend’s opening of the Tony Award- winning musical played to a full house, one that squealed with bobby sox enthusiasm, laughed at every gag, whether over the top or nuanced, and rose to their feet en masse—for a standing ovation, and to dance along with the talented cast during curtain call.

“Hairspray” is a coming-of-age story. In this cleverly written show, the story is set in 1962 and the setting is segregated Baltimore and its local televised teen sock hop, The Corny Collins Show. This show within a show (one of my favorite devices) features The Nicest Kids in Town, and once a month —Negro Day. This subtle hint in the second song of the show alerts us to the savvy subterfuge ahead.

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A&E - Theater

Hot For ‘Hairspray’

Hot For ‘Hairspray’

Cabrillo stage unveils its biggest musical yetz
Hairspray” finally hits Cabrillo Stage this week and along with it comes veteran director Janie Scott, actor Tony Panighetti and newcomer Monica Turner.

The Broadway hit—which was inspired by the original John Waters movie—revolves around freedom and civil rights. At its core is Tracy Turnblad (Turner), who wants only one thing in the world: to dance on The Corny Collins Show on TV. She also wants to overcome the prejudices that come with living in Baltimore in the early 1960s.

Fellow actor Panighetti expresses how the themes of the musical are extremely prevalent in today's culture: "American Idol is the big thing. It's about watching the underdog take over and inspire America. Glee is all about misfits. This has become a musical generation; [one] where everyone is rooting for the underdog."

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A&E - Theater

Turning Comedy out of Errors

Turning Comedy out of Errors

Stripped down Shakespeare tickles SC’s funny bone
This is Danny Scheie's seventh time directing “The Comedy of Errors,” but his second for Shakespeare Santa Cruz, which debuts on July 9 and runs until Aug. 28 at the Mainstage Theater.

Scheie has carried out nationally-renowned work as an actor, but directing “The Comedy of Errors” holds a special place for him. “For me, I love this play and part of the reason I love it is because I know it too well and it's sort of a true thing about Shakespeare that … we're always told he's infinite,” he says. “You can study him your whole life and learn something every time you see [a Shakespeare play], and I actually think that's true.”

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A&E - Theater

Time for ‘Three’

Time for ‘Three’

All for one, one for Shakespeare Santa Cruz
This year's Shakespeare Santa Cruz production of Alexander Dumas' epic masterpiece, “The Three Musketeers,” is set against a redwood forest backdrop—that sublime Sinsheimer-Stanley Festival Glen we have all come to appreciate. Directed by Art Menke, the play is sure to draw a crowd with its classic storyline and early run this summer.

The famous novel tells the story of D'Artagnan, a young man who dreams of becoming a musketeer. Set in 17th century Paris, D'Artagnan befriends three musketeers: Athos, Porthos, and Aramis. Together they go through various misadventures, one of the most famous being a rescue of the Queen of France amidst war. Kit Wilder, a veteran actor of “The Three Musketeers,” plays Porthos, the extrovert and larger-than-life musketeer.

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A&E - Theater

An Affair to Remember

An Affair to Remember

Stars shine in Cabrillo Stage's bittersweet 'Last Five Years'
The winning streak continues at Cabrillo Stage with its new production of "The Last Five Years," the second offering in the company's 30th Anniversary season. More of a song cycle than a conventional musical play, the show is a tightrope duet that takes its two performers through an entire romance, from joyous beginnings to bitter end. The songs won't be familiar to most audiences, and the staging is intense: two people onstage in the intimate Black Box Theater for an hour and a half, without an intermission. But as a showcase for two terrific Cabrillo Stage veterans, Andrew Ceglio and Ariel Buck, it's a knockout.

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A&E - Theater

Five and Counting

Five and Counting

Cabrillo Stage offers intimate musical, “The Last 5 Years"
The intimate Cabrillo Black Box Theater provides the perfect stage for the poignant production "The Last 5 Years." Written by Tony Award-winning songwriter, Jason Robert Brown, the musical first opened in the Northlight Theater in Illinois in 2001 where it sold a record number of tickets over the first weekend. Nearly 10 years later, the show premieres at Cabrillo Stage July 8 and runs until Aug. 14. Though its director, Mollye Maxner, is a first-timer with Cabrillo Stage, the play stars veterans Andrew Ceglio and Ariel Buck.

"The Last 5 Years" is a musical that explores the five-year relationship of two career-driven individuals: Jamie Wellerstein, the novelist, played by Ceglio, and Cathy Hyatt, the struggling actress, played by Buck. The show's structure is non-linear as the story begins with two timelines simultaneously: the start of Jamie and Cathy’s relationship from Jamie's perspective, and the end of the relationship from Cathy's. As one of them moves forward through time and the other one backward, the two characters interact for only one song during their wedding in the middle of the show.

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A&E - Theater

Full Disclosure

Full Disclosure

Cabrillo Stage's fun, raucous 'Full Monty' delivers the goods
As a property, “The Full Monty” is not for the fainthearted. A live stage musical based on the 1997 film of the same name about laid-off factory workers who produce a full frontal male strip act to raise some cash and reclaim their manhood, it's peppered with profanity, features various degrees of nudity, and demands plenty of singing, dancing and chutzpah from its actors. Any company that dares to put this show on the boards had better have the goods to back it up.

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A&E - Theater

Full Exposure

Full ExposureThe curtain rises for ‘The Full Monty’
The musical “The Full Monty,”  based on the Academy Award nominated film of the same name, lights up Cabrillo Stage at Crocker Theater June 23 through July 17. The show brings to the stage what will most likely be one of the more sexy, comedic musicals of the summer.
“The Full Monty” tells the story of six unemployed steelworkers who are down on their luck trying to get a job in the impoverished town of Buffalo, New York. After they notice how excited their wives are for a Chippendale show down the street, the friends decide that they could get some money by putting on their own show, maybe even a better one at that.
As equity actor Kyle Payne, who plays Jerry Lukowski and whose real-life wife plays his character's divorced wife in the show, points out very seriously, “It’s pretty funny.” The show finds its comedic center through out-of-work men trying to reinforce their manhood. The characters in the musical not only try to find respect from each other but also from themselves.
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Is This a Dream?

A beginner’s guide to understanding and exploring the uncanny world of lucid dreams

 

Giving and Giving, Then Giving Some More

2014 is almost over. Wednesday, Dec. 17, the Jewish Festival of Light, Hanukkah, begins. We are in our last week of Sag and last two weeks of December. Sunday, Dec. 21 is winter Solstice, as the sun enters Capricorn (3:30 p.m. for the west coast). Soon after, the Capricorn new moon occurs (5:36 p.m. for the west coast)—the last new moon of 2014. Sunday morning Uranus in Aries (revolution, revelation) is stationary direct (retro since July 22). Uranus/Aries create things new and needed to anchor the new culture and civilization (Aquarius). We will see revolutionary change in 2015. Capricorn new moon, building-the-personality seed thought, is, “Let ambition rule and let the door to initiation and freedom stand wide (open).” Capricorn is a gate—where matter returns to spirit. But the gate is unseen until the Ajna Center (third eye), Diamond Light of Direction, opens. Winter solstice is the longest day of darkness of the year. The sun’s rays resting at the Tropic of Capricorn (southern hemisphere) symbolize the Christ (soul’s) light piercing the heart of the Earth, remaining there for three days, till Holy Night (midnight Thursday morning). Then the sun’s light begins to rise. It is the birth of the new light (holy child) for the world. A deep calm and stillness pervades the world.The entire planet is revivified, re-spiritualized. All hearts beating reflect this Light. And so throughout the Earth there’s a radiant “impress” (impressions, pictures) given to humanity of the World Mother and her Child. The star Sirius (love/direction) and the constellation Virgo the mother shines above. For gift giving, give to those in need. Give and give and then give some more. This creates the new template of giving and sharing for the new world.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Stocking Stuffers

The men behind the women of the Kinsey Sicks Dragapella Beautyshop Quartet explain their own special brand of ‘dragtivism,’ and their holiday show at the Rio
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Fortino Winery’s Intriguing Charbono

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