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Oct 31st
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Theatre

A&E - Theater

Hairspray—Extra Firm Hold

Hairspray—Extra Firm Hold

Cabrillo Stage turns up the volume

Santa Cruz, we have a problem. The capacity of Cabrillo’s Crocker Theater is 523, and there are 13 performances of Cabrillo Stage’s smash hit production of “Hairspray” left on the calendar. You do the math—and then get yourself a ticket, stat.

Last weekend’s opening of the Tony Award- winning musical played to a full house, one that squealed with bobby sox enthusiasm, laughed at every gag, whether over the top or nuanced, and rose to their feet en masse—for a standing ovation, and to dance along with the talented cast during curtain call.

“Hairspray” is a coming-of-age story. In this cleverly written show, the story is set in 1962 and the setting is segregated Baltimore and its local televised teen sock hop, The Corny Collins Show. This show within a show (one of my favorite devices) features The Nicest Kids in Town, and once a month —Negro Day. This subtle hint in the second song of the show alerts us to the savvy subterfuge ahead.

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A&E - Theater

Hot For ‘Hairspray’

Hot For ‘Hairspray’

Cabrillo stage unveils its biggest musical yetz
Hairspray” finally hits Cabrillo Stage this week and along with it comes veteran director Janie Scott, actor Tony Panighetti and newcomer Monica Turner.

The Broadway hit—which was inspired by the original John Waters movie—revolves around freedom and civil rights. At its core is Tracy Turnblad (Turner), who wants only one thing in the world: to dance on The Corny Collins Show on TV. She also wants to overcome the prejudices that come with living in Baltimore in the early 1960s.

Fellow actor Panighetti expresses how the themes of the musical are extremely prevalent in today's culture: "American Idol is the big thing. It's about watching the underdog take over and inspire America. Glee is all about misfits. This has become a musical generation; [one] where everyone is rooting for the underdog."

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A&E - Theater

Turning Comedy out of Errors

Turning Comedy out of Errors

Stripped down Shakespeare tickles SC’s funny bone
This is Danny Scheie's seventh time directing “The Comedy of Errors,” but his second for Shakespeare Santa Cruz, which debuts on July 9 and runs until Aug. 28 at the Mainstage Theater.

Scheie has carried out nationally-renowned work as an actor, but directing “The Comedy of Errors” holds a special place for him. “For me, I love this play and part of the reason I love it is because I know it too well and it's sort of a true thing about Shakespeare that … we're always told he's infinite,” he says. “You can study him your whole life and learn something every time you see [a Shakespeare play], and I actually think that's true.”

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A&E - Theater

Time for ‘Three’

Time for ‘Three’

All for one, one for Shakespeare Santa Cruz
This year's Shakespeare Santa Cruz production of Alexander Dumas' epic masterpiece, “The Three Musketeers,” is set against a redwood forest backdrop—that sublime Sinsheimer-Stanley Festival Glen we have all come to appreciate. Directed by Art Menke, the play is sure to draw a crowd with its classic storyline and early run this summer.

The famous novel tells the story of D'Artagnan, a young man who dreams of becoming a musketeer. Set in 17th century Paris, D'Artagnan befriends three musketeers: Athos, Porthos, and Aramis. Together they go through various misadventures, one of the most famous being a rescue of the Queen of France amidst war. Kit Wilder, a veteran actor of “The Three Musketeers,” plays Porthos, the extrovert and larger-than-life musketeer.

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A&E - Theater

An Affair to Remember

An Affair to Remember

Stars shine in Cabrillo Stage's bittersweet 'Last Five Years'
The winning streak continues at Cabrillo Stage with its new production of "The Last Five Years," the second offering in the company's 30th Anniversary season. More of a song cycle than a conventional musical play, the show is a tightrope duet that takes its two performers through an entire romance, from joyous beginnings to bitter end. The songs won't be familiar to most audiences, and the staging is intense: two people onstage in the intimate Black Box Theater for an hour and a half, without an intermission. But as a showcase for two terrific Cabrillo Stage veterans, Andrew Ceglio and Ariel Buck, it's a knockout.

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A&E - Theater

Five and Counting

Five and Counting

Cabrillo Stage offers intimate musical, “The Last 5 Years"
The intimate Cabrillo Black Box Theater provides the perfect stage for the poignant production "The Last 5 Years." Written by Tony Award-winning songwriter, Jason Robert Brown, the musical first opened in the Northlight Theater in Illinois in 2001 where it sold a record number of tickets over the first weekend. Nearly 10 years later, the show premieres at Cabrillo Stage July 8 and runs until Aug. 14. Though its director, Mollye Maxner, is a first-timer with Cabrillo Stage, the play stars veterans Andrew Ceglio and Ariel Buck.

"The Last 5 Years" is a musical that explores the five-year relationship of two career-driven individuals: Jamie Wellerstein, the novelist, played by Ceglio, and Cathy Hyatt, the struggling actress, played by Buck. The show's structure is non-linear as the story begins with two timelines simultaneously: the start of Jamie and Cathy’s relationship from Jamie's perspective, and the end of the relationship from Cathy's. As one of them moves forward through time and the other one backward, the two characters interact for only one song during their wedding in the middle of the show.

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A&E - Theater

Full Disclosure

Full Disclosure

Cabrillo Stage's fun, raucous 'Full Monty' delivers the goods
As a property, “The Full Monty” is not for the fainthearted. A live stage musical based on the 1997 film of the same name about laid-off factory workers who produce a full frontal male strip act to raise some cash and reclaim their manhood, it's peppered with profanity, features various degrees of nudity, and demands plenty of singing, dancing and chutzpah from its actors. Any company that dares to put this show on the boards had better have the goods to back it up.

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A&E - Theater

Full Exposure

Full ExposureThe curtain rises for ‘The Full Monty’
The musical “The Full Monty,”  based on the Academy Award nominated film of the same name, lights up Cabrillo Stage at Crocker Theater June 23 through July 17. The show brings to the stage what will most likely be one of the more sexy, comedic musicals of the summer.
“The Full Monty” tells the story of six unemployed steelworkers who are down on their luck trying to get a job in the impoverished town of Buffalo, New York. After they notice how excited their wives are for a Chippendale show down the street, the friends decide that they could get some money by putting on their own show, maybe even a better one at that.
As equity actor Kyle Payne, who plays Jerry Lukowski and whose real-life wife plays his character's divorced wife in the show, points out very seriously, “It’s pretty funny.” The show finds its comedic center through out-of-work men trying to reinforce their manhood. The characters in the musical not only try to find respect from each other but also from themselves.
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A&E - Theater

Whitworth’s Wild Ride

Whitworth’s Wild Ride

‘Krapp’s Last Tape’ is a light in the darkness of the mind
The expression on Paul Whitworth's face becomes comically distorted as he desperately searches his brain to find the term for the Japanese art of flower arrangement.

A few moments pass in silence, as his café con leche continues to cool on the table. Suddenly, he’s on his feet and wagging his index finger enthusiastically, “maybe this fellow knows.” In the direction of his pointed finger, Whitworth approaches the table of an old friend. The two warmly greet, but unfortunately, no answers are unearthed. He returns a bit disappointed, when a woman sitting at a neighboring table informs Whitworth that the term he is searching for is "Ikebana."

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A&E - Theater

Captivating Cirque

Captivating Cirque

Breathtaking ‘Quidam’ Delves Into Deeper Emotions

When you think about a Cirque du Soleil show, it’s all about that big tent, the stunning acts and the fascinating modern circus-like revelry. Well that, and so much more, but as “Quidam,” one of Cirque’s longest running shows, hits the Bay Area this week, we may be in for a surprise.
And a pleasant one at that.

A slight veer off the track of most Cirque shows, “Quidam” doesn’t take us into an “imaginary realm” of quirky yet fascinating and often larger-than- life characters. It’s more of an examination of our own world. Reality—really? Yes. Here, we experience a land inhabited by people with real-life concerns.

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Jawing

Monterey Bay scientists are working to crack the mysteries of—and dispel the myths about—great whites. But in the highly contentious world of shark experts, there’s a fin line between love and hate

 

Altars of Remembrance, Forgiveness & Rapprochement

We’re in Scorpio now—things mysterious, ageless, hidden, sometimes scary. Friday is Halloween; Saturday, All Saints Day; Sunday, All Soul’s Day. Sunday morning at 2 a.m. (after midnight), Daylight Savings Time ends. Clocks are turned back. Tuesday is the General Election. Our vote is our voice. Each vote matters. Applying freedom of choice—Libra’s teachings. It’s time to build Halloween, All Saints and All Souls altars—with marigolds, pumpkins, sugar skeletons, copal (incense), pomegranates, persimmons, candy corn and cookies, orange and black. It’s so Saturn (now in Scorpio). Saturn is the dweller on the threshold (like St. Peter at the gates of heaven). Saturn can look like a Halloween creature—a gargoyle—a fantastic dragon-like creature protecting sacred sites. The dweller (Saturn) stands at the door or threshold of sacred mysteries, wisdom temples, inner sanctums of churches, offering protection, scaring evil away. The last day of October and first two days of November, when veils between worlds thin and spirits roam about, are times of remembrance, forgiveness, reconciliation and rapprochement. These actions liberate us. At death, when reviewing our lives and the consequences of our actions if we have forgiven, then we are free, less encumbered with grief and sadness. We place forgiveness on our altars. Happy Halloween, everyone! It’s good to dress up as what we’re afraid of. Or whom we would mentor. Then we become one with them. Note to readers: by Thanksgiving I will need a place to live (with purpose). Please contact me if you know of a place where I can rest for awhile. Teach and build community. [email protected] I will be leaving my mother’s home for the last time.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Not Cool

Even Bill Murray’s hipster cred can’t elevate ‘St. Vincent’
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