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Feb 10th
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Reviews and Times

Film - Reviews and Times

Identity Thefts

Identity Thefts

Mood-altering pills power nifty thriller 'Side Effects'

Obfuscation is the name of the game in Steven Soderbergh's intricate new thriller Side Effects. The kind of tense drama for which the words "taut" and "twisty" are usually strung together in a sentence, this dark tale of sex, lies, and pharmaceutical skullduggery is a masterpiece of misdirection, artfully calibrated so that the viewer—like the film's overly medicated characters—often has no idea what may or may not be going on. In retrospect, even the preview trailer (which has been playing around town for weeks) fools around with our expectations, so that the film itself is still full of nifty surprises.

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Film - Reviews and Times

Film, Times & Events: Week of Feb. 14th, 2013

Film, Times & Events: Week of Feb. 14th, 2013

Films This Week
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Film - Reviews and Times

Film, Times & Events: Week of Feb. 7th, 2013

Film, Times & Events: Week of Feb. 7th, 2013

Films This Week
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Film - Reviews and Times

Pros Poetry

Pros Poetry

Veteran stars worth the ride in entertaining 'Stand Up Guys' 

You can't teach an old dog new tricks, and why should you, when the old tricks work as well as they do in Stand Up Guys? The pleasure of watching three veteran actors do what they do best is its own reward in this wistful crime comedy from director Fisher Stevens. Plotwise, it may look like nothing special, but the combined one-two-three punch of co-stars Al Pacino, Christopher Walken and Alan Arkin turn it into an entertaining, funny, and surprisingly moving morality play on aging, friendship, and what it means to do the right thing.

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Film - Reviews and Times

The Long Goodbye

The Long Goodbye

Iconic stars, fearless performances, in brave aging drama ‘Amour'


You don't go to a Michael Haneke film to find comfort and joy. His is a chilly, clear-eyed worldview of human nature and consequences that turns an apparent genre thriller like Cache into a study of moral imperatives, or a historical drama like The White Ribbon into a haunted horror movie of deep-seated psychoses. As usual, Haneke's excellent new film, Amour, is not for the faint-hearted; it may look like a domestic drama about a long-married couple rattling around their tiny Paris apartment, but it packs a wallop as Haneke confronts his most ferocious and devastating themes to date—the inevitability of aging, and the nature of commitment.

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Film - Reviews and Times

Film, Times & Events: Week of Jan. 31st

Film, Times & Events: Week of Jan. 31st

Films This Week
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Film - Reviews and Times

Cape Fearless

Cape Fearless

Wounded souls navigate life, each other, in dynamic ‘Rust and Bone’

French-born filmmaker Jacques Audiard is best known for his stylish thrillers. His last film was the Oscar nominee A Prophet, a jazzy, yet often brutal crime melodrama about a young Muslim man coming of age inside a French prison. But Audiard’s engrossing new film, Rust and Bone, is a departure. While it percolates with suspense, even dread, it’s not exactly a thriller, and the love story that slowly wends its way to the surface avoids the trappings of conventional romance for something darker, deeper, and ultimately more satisfying.

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Film - Reviews and Times

Film, Times & Events: Week of Jan. 24th

Film, Times & Events: Week of Jan. 24th

Films This Week
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Film - Reviews and Times

Dark Knights

Dark Knights

Cowboy mentality mars intense military procedural 'Zero Dark Thirty'

How much torture should we, the people, condone by our government in pursuit of political ends? That's the implicit question at the core of Kathryn Bigelow's highly-touted Zero Dark Thirty, an exhaustive drama about the CIA's 10-year hunt for al-Qaida terrorist leader Osama bin Laden. But a more pertinent question might by how much torture should we, the audience, endure onscreen in the name of entertainment?

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Film - Reviews and Times

Film, Times & Events: Week of Jan. 17th, 13

Film, Times & Events: Week of Jan. 17th, 13

Films This Week
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On the Run

Is there hope for California’s salmon?

 

Chinese New Year of the Red Fire Monkey

Monday, Feb. 8, is Aquarius new moon (19 degrees) and Chinese New Year of the Red Fire Monkey (an imaginative, intelligent and vigilant creature). Monkey is bright, quick, lively, quite naughty, clever, inquiring, sensible, and reliable. Monkey loves to help others. Often they are teachers, writers and linguists. They are very talented, like renaissance people. Leonardo Da Vinci was born in the year of Monkey. Monkey contains metal (relation to gold) and water (wisdom, danger). 2016 will be a year of finances. For a return on one’s money, invest in monkey’s ideas. Metal is related to wind (change). Therefore events in 2016 will change very quickly. We must ponder with care before making financial, business and relationship changes. Fortune’s path may not be smooth in 2016. Finances and business as usual will be challenged. Although we develop practical goals, the outcomes are different than hoped for. We must be cautious with investments and business partnership. It is most important to cultivate a balanced and harmonious daily life, seeking ways to release tension, pressure and stress to improve health and calmness. Monkey is lively, flexible, quick-witted, and versatile. Their gentle, honest, enchanting yet resourceful nature results often in everlasting love. Monkeys are freedom loving. Without freedom, Monkey becomes dull, sad and very unhappy. During the Spring and Autumn Period (770 - 476 BC), the Chinese official title of Marquis (noble person) was pronounced ‘Hou,’ the same as the pronunciation of ‘monkey’ in Chinese. Monkey was thereby bestowed with auspicious (favorable, fortunate) meaning. Monkey years are: 1920, 1932, 1944, 1956, 1968, 1980, 1992, 2004, 2016.  

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of February 5

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