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Aug 31st
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Film - Reviews and Times

Film, Times & Events: Week of Sept. 20th

Film, Times & Events: Week of Sept. 20th

Films This Week
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Film - Reviews and Times

Spin Cycle

Spin Cycle

Awesome visual tone poem 'Samsara' tries too hard for profundity

Starting out as a cinematographer on Koyannisqatsi, the original trippy head movie, Ron Fricke has devoted his career to plotless, dialogue-free visual meditations on Nature and Life. Twenty years ago, he made his feature directing debut with Baraka, an uneven, if at times breathtaking, visual tone poem on who we are and how we live in the world.

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Film - Reviews and Times

Film, Times & Events: Week of Sept. 13th

Film, Times & Events: Week of Sept. 13th

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Sorry, Wrong Number

Sorry, Wrong Number

Phone-prank cautionary tale ‘Compliance’ loses touch with reality 

Is it a tough, but important and timely drama on the “only following orders” mentality, or a gratuitous wallow in abasement and abuse? Audiences at Sundance this year were split over Compliance, the sophomore feature from Craig Zobel; half of them walked out early, the rest stayed to the end and cheered. But the truth of this film’s effectiveness lies somewhere in between these extremes—just as the facts of the case histories on which the story is supposedly based (“INSPIRED BY TRUE EVENTS” scream the opening credits) no doubt lie somewhat to windward of the way they are presented onscreen.

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Film - Reviews and Times

Film, Times & Events: Week of Sep. 6th

Film, Times & Events: Week of Sep. 6th

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Friend Chip

Friend Chip

Man and machine bond in sly, poignant 'Robot & Frank'

From the review trailer, you'd think Robot & Frank was a madcap comedy about an aging ex-jewel thief and his new robotic accomplice in crime. Yes, these elements do figure into the plot, but that's not all there is to the story. Beneath the laughs—and there are plenty of them, thanks to yet another knockout performance from Frank Langella in the central role—this sly debut feature from director Jake Schreier is a surprisingly poignant meditation on age, friendship, family, and the role of memory in defining who we are.

Scripted by Christopher D. Ford, the film revolves around Frank (Langella), a cantankerous old git rambling around his empty nest of a family home in upstate New York, sometime in "the near future." He's long since divorced; his son, Hunter (James Marsden), busy with his own life and family, can only get up to see him once a week, and his globe-trotting daughter, Madison (Liv Tyler), is always calling from some exotic locale via Skype (or its futuristic equivalent).

All that breaks up his days are trips to the village library, whose librarian, Jennifer (Susan Sarandon) greets him as her "one and only patron," and tries to find him titles he hasn't already read a dozen times from the dwindling supply of non-digitized stock.

Frank has started to forget things; he can never remember his favorite village cafe is long gone, or that his son has been out of Princeton for 15 years. Concerned, Hunter brings him a "health care aid" in the form of a personal robot. About 4 feet tall (it looks like a mini storm trooper made of white metal with an empty black visor for a "face") the robot is programmed to cook healthy meals, and engage Frank in projects that will keep his mind active. Frank is having none of it, of course, but Hunter warns ominously if he doesn't go along with the plan, "you'll wind up in the Memory Center."

Frank hates the food and resents the intrusion into his life, yet finds he doesn't mind having someone to talk to, or at least listen to his own rants. (Robot's patient, if not quite emotional, voice is provided by Peter Sarsgaard.) For his part, Robot reveals that if he fails at his job, he'll have his memory circuits wiped clean and reprogrammed—a fate with which Frank can sympathize all too well. When Frank also discovers that Robot has no automatic moral override when it comes to unethical tasks—like picking locks and stealing—he comes up with a project the two of them can do together.

Frank's targets are the rich and trendy young couples moving in to gentrify the neighborhood—beginning with his beloved library. Director Schreier (ex-keyboardist for indie rockers Francis and the Lights) has fun satirizing the pop culture of tomorrow; the incoming library honchos think books are cool, in a retro-hip kind of way, although they question the previous generation's "quaint relationship to printed media." As actual books disappear from the shelves, Jennifer explains, "It's all about augmented reality now." (Still in an ironic nod to the classics of yore, her robotic boss is called "Mr. Darcy.")

But the underlying story of family relations and friendship are just as quietly compelling. When anti-machine activist Madison comes to stay with her dad for a few days, and de-activates Robot, Frank blurts out in protest, "But he's my friend!" As the law closes in, Frank doesn't have the heart to take Robot's advice and erase his memory circuits to destroy the evidence against himself; he can't bear to lose the connection between them. And there's a lovely little epiphany toward the end that brings the family story full circle.

Langella is as marvelous as ever, which is saying a lot. His Frank is gruff, caustic and funny, yet often eloquent in his unspoken vulnerability. He's not only interesting to spend time with, it's extremely smart of the filmmakers to unfold the story entirely from Frank's not-always-reliable viewpoint, which makes for some very touching and surprising revelations along the way. And stick around for the closing credits, where a montage of real-life robotic droids in action reminds us that the future is just around the corner.


ROBOT & FRANK

★★★ (out of four)

With Frank Langella, James Marsden, Liv Tyler and Susan Sarandon. Written by Christopher D. Ford. Directed by Jake Schreier. A Samuel Goldwyn Films release. Rated PG-13. 90 minutes.

Film - Reviews and Times

Film, Times & Events: Week of Aug. 30

Film, Times & Events: Week of Aug. 30

Films This Week
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Film - Reviews and Times

French Knot

French Knot

Romance vs family in funny Franco-American '2 Days In New York'

French actress/auteur Julie Delpy is a one-woman art film industry. A cult favorite after collaborating with director Richard Linklater and co-star Ethan Hawke on the improv romances Before Sunset and Before Sunrise, she's since branched out to write and direct her own indie films. The most successful was the cross-cultural romantic comedy, 2 Days In Paris, from 2007, in which Delpy played a transplanted Frenchwoman bringing her New Yorker boyfriend home to Paris to meet her wacky family. As a filmmaker, Delpy displayed wit and style, but the film was ruined by a club-footed performance by Adam Goldberg as her obnoxious boyfriend.

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Film - Reviews and Times

Film, Times & Events: Week of Aug. 23rd

Film, Times & Events: Week of Aug. 23rd

Films This Week
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Unwedded Bliss

Unwedded Bliss

Breaking up is hard to believe in otherwise funny, engaging ‘Celeste and Jesse Forever’

It's a premise you could only find in the movies. A couple of hip, young thirtysomethings, Celeste and Jesse, are longtime best buds; they go everywhere together, lapse into jokey accents and game-playing, consistently crack each other up—and after six years of marriage, they're in the process of getting a divorce.

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The Meaning of ‘LIFE’

With a new documentary film about his work, and huge exhibits on both coasts, acclaimed Santa Cruz nature photographer Frans Lanting is having a landmark year. But his crusade for conservation doesn’t leave much time for looking back

 

Seasons of Opportunity

Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of August 28

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Land of Plenty

Farm to Fork benefit dinner for UCSC’s Agroecology Center, plus a zippy salsa from Teresa’s Salsa that loves every food it meets

 

If you knew you had one week to live, what would you do?

Make peace with myself, which would allow me to be at peace with others. Diane Fisher, Santa Cruz, Network Engineer

 

Comanche Cellars

Michael Simons, owner and winemaker of Comanche Cellars, once had a trusted steed called Comanche, which was part of his paper route and his rodeo circuit, from the tender age of 10. In memory of this beautiful horse, he named his winery Comanche, and Comanche’s shoes grace the label of each handcrafted bottle.

 

Cantine Winepub

Aptos wine and tapas spot keeps it casual