Writer falls for his fictional creation in smart, funny 'Ruby Sparks'
There's always a Pygmalion factor involved in the creative process. What author doesn't fall in love with his or her characters now and then? Imagine Margaret Mitchell grinning fondly at each of Rhett Butler's caustic wisecracks, or Anne Rice sighing over Lestat's every erotic bite.
Former Santa Cruzan Valerie Faris and husband Jonathan Dayton on the evolution of ‘Ruby Sparks’
In the summer of 2006, directors Jonathan Dayton and Valerie Faris found themselves basking in the buzz of Little Miss Sunshine, the inventive film they co-directed, which was met with glowing reviews. Six years later, the creative couple, who have been married 22 years now, might have another hit to celebrate with Ruby Sparks (*** out of four), a quirky yet charming romp featuring another real-life couple in the lead roles—Paul Dano (Little Miss Sunshine, Cowboys and Aliens, Being Flynn) and Zoe Kazan (TV’s Bored To Death).
Bubble bursts for 1 percent family in fascinating 'Queen’
Riches To Rags Bubble bursts for 1 percent family in fascinating 'Queen’ by Lisa Jensen It's like the trashiest "reality" TV show ever. But there's no prize for the best or the biggest in The Queen of Versailles, Lauren Greenfield's train-wreck fascinating documentary on the wages of conspicuous consumption. It's ostentation for its own sake when one of the richest men in America and his trophy wife attempt to build themselves a palace—only to find themselves on a collision course with an economic reality they helped to create. Call it a cautionary tale, or call it karma, but it makes for a compulsively watchable, if chilling, glimpse into the bizarre private fantasy lives of the 1 percent.
Nolan's bat opera concludes with complicated, yet satisfying 'Dark Knight Rises'
The debate over whether violent movies inspire real-life violence rages on in the wake of the mass murders last week at a midnight screening of The Dark Knight Rises.
Marital drama stumbles in atmospheric 'Take This Waltz'
Is there something innately unsatisfying about long-term married love? Does familiarity breed contempt or content? These are some of the issues raised in Take This Waltz, the second feature film directed by Canadian actress Sarah Polley. (The first was the poised, heartbreaking Away From Her.)