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Film - Reviews and Times

Film, Times & Events: Week of Nov. 24th

Film, Times & Events: Week of Nov. 24th

Films This Week
Check out the movies playing around town.
HAPPY THANKSGIVING
With: Reviews Twilight, The Decendants,
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Film - Reviews and Times

‘Twi’ and ‘Twi’ Again

‘Twi’ and ‘Twi’ Again

A deeper look into the ‘Twilight’ melodrama

Twi-hards are ecstatic. (The rest of us, not so much.) But now that the Twilight movie franchise is back with Bella Swan (Kristen Stewart), her dreamboat of an immortal, vamp Edward Cullen (Robert Pattinson), and the boy-werewolf she tossed away, Jacob Black (Taylor Lautner), it’s best to simply accept fate and embrace the timeline we’ve been given. (This isn’t Fringe, for crying out loud.) In Breaking Dawn, the first of Twilight’s two-part final opus, Melissa Rosenberg’s screenplay effectively delivers what tweens and teens seem to be craving: a shirtless Taylor Lautner (and that’s in the first five minutes!); plenty of teenage angst (oh, that Bella!) and a craving for more (the final moments of the film have generated buzz.) But even if you haven’t read the Stephenie Meyer novels, director Catherine Hardwicke creates an acceptable outing here that simply mirrors the times we live in. It’s not about the characters.

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Film - Reviews and Times

Don't Block the Rock

Don't Block the Rock

Worlds can't collide soon enough in apocalyptic 'Melancholia'

Get ready to duck! Lars von Trier is lobbing a gigantic ball of metaphor straight at ya in Melancholia, his highly lauded, deeply lugubrious allegorical drama about the end of the world. And it can't happen a moment too soon for the listless, unexplored, largely unlikeable characters who populate this bloated two-plus hour meditation on despair, the de-evolution of the human species, and one big, random act of natural retribution.

Nobody has ever accused Von Trier of predictability. In previous films, the persistently idiosyncratic Danish filmmaker has experimented mightily with form and content and how (or if) they interact—a melodramatic tragedy staged as a club-footed musical in “Dancer In the Dark;” a morality play about greed and revenge, Dogville, filmed on a bare soundstage, with tape marking off the imaginary interior and exterior spaces.

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Film - Reviews and Times

Immortals

Immortals

 

Nobody was more excited than I to hear that Tarsem Singh was directing a new movie based on Greek mythology. (He directed one of my favorite movies of the last decade, the rapturously gorgeous The Fall.) And nobody could be more appalled than I am at the result, Immortals, a grueling endurance test of blood, gore, murder, warmongering, torture, and more blood. Hey, I like a good, cheesy sword 'n' sandal epic as well as anybody, but in order to woo the Xbox generation, the idea here seems to be to depict every encounter of metal and flesh in unflinching detail. For a visual stylist like Tarsem, that means plotting the trajectory of every geyser and globule of splattering blood, and every severed fragment of anatomy as it fits into the grand composition
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Film - Reviews and Times

Film, Times & Events: Week of Nov. 17th

Film, Times & Events: Week of Nov. 17th

Films This Week
Check out the movies playing around town.
With: Reviews IMMORTALS, MELANCHOLIA,
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Film - Reviews and Times

Mad Love

Mad Love

Almodóvar unleashes harrowing, dazzling 'Skin I Live In'

Where are moments when Pedro Almodóvar's new movie, The Skin I Live In (La Piel Que Habito) will make you squirm. It has sex and violence—often at the same time—and some very strange relationships, perverse even by Almodóvar standards. In terms of storyline, it's a weird mix of Pygmalion and Frankenstein, with echoes of vintage mad-scientist horror movies from the '30s to the '50s. (You could even make a case for this film paying a sort of bizarre homage to my favorite grade-Z '50s horror movie, The Head That Wouldn't Die).

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Film - Reviews and Times

Anonymous

Anonymous This is one movie from action director Roland Emmerich in which nothing blows up—except the crackpot theory that Edward DeVere, 17th Earl of Oxford, wrote the canon of plays and sonnets historically attributed to William Shakespeare. This hothouse melodrama of Tudor intrigue, sex, and politics, scripted by John Orloff, is based on the controversial "Oxfordian" theories. It's all sheer humbuggery, but still an entertaining spectacle: the costumes are exquisite, there are breathtaking overhead shots Elizabethan London, and it's populated by a bunch of attractive young actors on their way up. Oxford (Rhys Ifans) has written in secret, ever since being fostered into the Puritan household of Queen Elizabeth's counselor, William Cecil, where poetry was forbidden. However, the dashing young Oxford (Jamie Campbell Bower) charmed the lusty, poetry-loving young queen (Joely Richardson).
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Film - Reviews and Times

Film, Times & Events: Week of Nov. 10th

Film, Times & Events: Week of Nov. 10th

Films This Week
Check out the movies playing around town.
With: Reviews,
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Film - Reviews and Times

Identity Crisis

Identity Crisis

Spookiness trumps substance in 'Martha Marcy May Marlene'

Identity can be a fragile thing. In Sean Durkin's Martha Marcy May Marlene, the heroine's sense of selfhood is as fractured as the film's title; a runaway from a cult and its hypnotic psycho leader, she's literally trying to find herself. Unfortunately, the film also suffers from a bit of an identity crisis. It wants to be a thriller, a character study, and even a domestic family drama, but it never quite hits its marks in any department. There's plenty of menace to go around, mostly told in flashbacks, but because the character remains as elusive to the filmmaker (and the viewer) as she is to herself, there's little to anchor audience interest in her story.

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Film - Reviews and Times

Film, Times & Events: Week of Nov. 3rd

Film, Times & Events: Week of Nov. 3rd

Films This Week
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With: Reviews MARTHA MARCY MAY MARLENE ,
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Gate Openers

Up-and-coming artists like Ryan Bingham are a great reason to show up early to the Santa Cruz American Music Festival

 

Gemini Sun, Pentecost, Shavuot—Enlightenment and Gladness

As the sun enters Gemini on Sunday, sign of speaking, communication, thinking, inter-relations, writing and understanding languages, the feast days of Pentecost & Shavuot (Catholic and Jewish festivals) occur. During Pentecost’s 50 days after Easter, tongues of fire appear above the heads of the disciples, providing them with the ability to understand all languages and all feelings hidden in the minds and hearts of humanity. It’s recorded that Pentecost began with a loud noise, which happened in an upper room (signifying the mind). The Christ (World Teacher) told his disciples (after his ascension) when encountering a man at a well carrying a water pot (signs for Age of Aquarius) to follow him to an upper room. There, the Holy Spirit (Ray 3 of Divine Intelligence) would overshadow them, expand their minds, give them courage and enable them to teach throughout the world, speaking all languages and thus able to minister to the true needs of a “seeking” humanity. Pentecost (50 days, pentagram, Ray 5, Venus, concrete and scientific knowledge, the Ray of Aquarius) sounds dramatic, impressive and scary: The loud noise, a thunderous rush of wind and then “tongues of fire” above the heads of each disciple (men and women). Fire has purpose. It purifies, disintegrates, purges, transforms and liberates (frees) us from the past. This was the Holy Spirit (Ray 3, love and wisdom) being received by the disciples, so they would teach in the world and inform humanity of the Messiah (Christ), who initiated the new age (Pisces) and gave humanity the new law (adding to the 10 Commandments of the Aries Age) to Love (Ray 2) one another. Note: Gemini is also Ray 2. Shavuot is the Jewish Festival of Gladness, the First Fruits Festival celebrating the giving of the 10 Commandments to Moses as the Aries Age was initiated. Thus, we have two developmental stages here, Jewish festival of the Old Testament. Pentecost of the New Testament. We have gladness, integrating both.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Off Her Meds

Kristin Wiig runs wild—and transcends her sketch comedy roots—as a truly strange character ‘Welcome to Me’
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Flats Bistro

Pizza with an artisan twist comes to Aptos Beach

 

What’s your take on Santa Cruz locals?

Santa Cruz locals are really friendly once you know them. I think a lot of them have a hard time leaving, and I would too. Ryan Carle, Santa Cruz, Biologist

 

Soquel Vineyards

If Soquel Vineyards partners Peter and Paul Bargetto and Jon Morgan were walking down the street wearing their winning wine competition medals, you’d hear them coming from a mile away. This year was particularly rewarding for the Bargettos and Morgan—they won two Double Gold Medals and five Gold Medals at January’s San Francisco Chronicle Wine Competition.

 

Enlightened Flavors

Squash & Blossom’s artisanal alternative-flour delights, beet kvass from Cafe Ivéta, and the Santa Cruz Baroque Festival