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Film - Reviews and Times

My Week With Marilyn

My Week With Marilyn

The 2012 Best Actress Oscar race begins with this miraculous performance by Michelle Williams as Marilyn Monroe. We have yet to see Meryl Streep as Margaret Thatcher in Iron Lady, or Glenn Close in male drag in Albert Nobbs, but even those esteemed actresses will be hard-pressed to equal the alchemy with which the always intelligent and gutsy Williams transforms herself into that most dreamy, luscious, needy, and yet valiant of all Hollywood screen goddesses. Directed with grace and economy by TV veteran Simon Curtis, from a smart, touching script by Adrian Hodges, the film is adapted from the memoir,

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Film - Reviews and Times

Film, Times & Events: Week of Dec. 1st

Film, Times & Events: Week of Dec. 1st

Films This Week
Check out the movies playing around town.
With: Reviews MY WEEK WITH MARILYN, HUGO,
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Film - Reviews and Times

In the Family Way

In the Family Way

Clooney heads great cast in wry, touching 'Descendants'

s we know here in Santa Cruz, no one is "immune to life"—not even in Paradise. This is well understood by Matt King, a Hawaiian-born lawyer and father on the island of Oahu facing a particularly thorny patch of life in The Descendants, Alexander Payne's incisive, entertaining, tender and life-sized family drama. Shot on location in the luscious Hawaiian islands of Oahu and Kauai, it's a tale of a family in crisis, a culture in flux, and the issue of legacy between the generations, told with wry humor and honest emotion.

Adapted by scriptwriters Nat Faxon and Jim Rash, from the novel by Hawaiian author Kaui Hart Hemmings, The Descendants revolves around the King family.

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Film - Reviews and Times

Film, Times & Events: Week of Nov. 24th

Film, Times & Events: Week of Nov. 24th

Films This Week
Check out the movies playing around town.
HAPPY THANKSGIVING
With: Reviews Twilight, The Decendants,
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Film - Reviews and Times

‘Twi’ and ‘Twi’ Again

‘Twi’ and ‘Twi’ Again

A deeper look into the ‘Twilight’ melodrama

Twi-hards are ecstatic. (The rest of us, not so much.) But now that the Twilight movie franchise is back with Bella Swan (Kristen Stewart), her dreamboat of an immortal, vamp Edward Cullen (Robert Pattinson), and the boy-werewolf she tossed away, Jacob Black (Taylor Lautner), it’s best to simply accept fate and embrace the timeline we’ve been given. (This isn’t Fringe, for crying out loud.) In Breaking Dawn, the first of Twilight’s two-part final opus, Melissa Rosenberg’s screenplay effectively delivers what tweens and teens seem to be craving: a shirtless Taylor Lautner (and that’s in the first five minutes!); plenty of teenage angst (oh, that Bella!) and a craving for more (the final moments of the film have generated buzz.) But even if you haven’t read the Stephenie Meyer novels, director Catherine Hardwicke creates an acceptable outing here that simply mirrors the times we live in. It’s not about the characters.

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Film - Reviews and Times

Don't Block the Rock

Don't Block the Rock

Worlds can't collide soon enough in apocalyptic 'Melancholia'

Get ready to duck! Lars von Trier is lobbing a gigantic ball of metaphor straight at ya in Melancholia, his highly lauded, deeply lugubrious allegorical drama about the end of the world. And it can't happen a moment too soon for the listless, unexplored, largely unlikeable characters who populate this bloated two-plus hour meditation on despair, the de-evolution of the human species, and one big, random act of natural retribution.

Nobody has ever accused Von Trier of predictability. In previous films, the persistently idiosyncratic Danish filmmaker has experimented mightily with form and content and how (or if) they interact—a melodramatic tragedy staged as a club-footed musical in “Dancer In the Dark;” a morality play about greed and revenge, Dogville, filmed on a bare soundstage, with tape marking off the imaginary interior and exterior spaces.

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Film - Reviews and Times

Immortals

Immortals

 

Nobody was more excited than I to hear that Tarsem Singh was directing a new movie based on Greek mythology. (He directed one of my favorite movies of the last decade, the rapturously gorgeous The Fall.) And nobody could be more appalled than I am at the result, Immortals, a grueling endurance test of blood, gore, murder, warmongering, torture, and more blood. Hey, I like a good, cheesy sword 'n' sandal epic as well as anybody, but in order to woo the Xbox generation, the idea here seems to be to depict every encounter of metal and flesh in unflinching detail. For a visual stylist like Tarsem, that means plotting the trajectory of every geyser and globule of splattering blood, and every severed fragment of anatomy as it fits into the grand composition
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Film - Reviews and Times

Film, Times & Events: Week of Nov. 17th

Film, Times & Events: Week of Nov. 17th

Films This Week
Check out the movies playing around town.
With: Reviews IMMORTALS, MELANCHOLIA,
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Film - Reviews and Times

Mad Love

Mad Love

Almodóvar unleashes harrowing, dazzling 'Skin I Live In'

Where are moments when Pedro Almodóvar's new movie, The Skin I Live In (La Piel Que Habito) will make you squirm. It has sex and violence—often at the same time—and some very strange relationships, perverse even by Almodóvar standards. In terms of storyline, it's a weird mix of Pygmalion and Frankenstein, with echoes of vintage mad-scientist horror movies from the '30s to the '50s. (You could even make a case for this film paying a sort of bizarre homage to my favorite grade-Z '50s horror movie, The Head That Wouldn't Die).

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Film - Reviews and Times

Anonymous

Anonymous This is one movie from action director Roland Emmerich in which nothing blows up—except the crackpot theory that Edward DeVere, 17th Earl of Oxford, wrote the canon of plays and sonnets historically attributed to William Shakespeare. This hothouse melodrama of Tudor intrigue, sex, and politics, scripted by John Orloff, is based on the controversial "Oxfordian" theories. It's all sheer humbuggery, but still an entertaining spectacle: the costumes are exquisite, there are breathtaking overhead shots Elizabethan London, and it's populated by a bunch of attractive young actors on their way up. Oxford (Rhys Ifans) has written in secret, ever since being fostered into the Puritan household of Queen Elizabeth's counselor, William Cecil, where poetry was forbidden. However, the dashing young Oxford (Jamie Campbell Bower) charmed the lusty, poetry-loving young queen (Joely Richardson).
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Walking With a Ghost

How ‘ghosting’ has become a dating norm and why it needs to stop

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of February 5

Santa Cruz area movie theaters >

 

On the Run

Is there hope for California’s salmon?
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Pub Watch

Mega gastro pub-in-progress at the Old Sash Mill, plus the best pasta dish downtown

 

How would you stop people from littering?

Teach them from the time that they’re small that it’s not an appropriate behavior. Juliet Jones, Santa Cruz, Claims Adjuster

 

Dancing Creek Winery

New Zinfandel Port is a ruby beauty

 

Wine and Chocolate

West Cliff Wines gets its game on, plus a brand new chocolate cafe on Center Street