French filmmaker Jean-Pierre Jeunet stole hearts with Amelie, and made them soar with A Very Long Engagement. His lovably goofy new comedy, Micmacs, has an unexpected comic hero—a man with a bullet in his brain—and a very serious subtext: devastating weapons of war and the arms dealers who profit from them. (In French slang, "micmacs" refers to shifty dealmaking.) At the emotional and narrative heart of the movie is Bazil, played by Danny Boon, a graceful and winsome screen clown who doesn't need dialogue or subtitles to communicate with an audience. When Bazil was a child, his soldier father was blown up trying to diffuse an anti-personnel land mine in North Africa. The grown-up Bazil, a Paris video store clerk, is watching Bogie and Bacall in The Big Sleep in the shop one night (reciting all the dialogue in French); a cops-and-robbers chase goes by outside, and a stray bullet lodges in Bazil's head. He survives (after a coin-toss in the ER to determine if the operation is worth it), but loses his job and apartment. Winding up on the streets, he's taken in by a "family" of resourceful folk who live in a junkyard, building everything they need out of scrap parts.