‘Let the Right One In’ a moody, poignant Swedish vampire thriller
What better place for a vampire than the almost eternal night of a Swedish winter? Welcome to Let The Right One In, a dark, achingly sweet, deeply subversive genre-busting thriller from Swedish filmmaker Tomas Alfredson. The flip side to the eagerly awaited Twilight, due out later this month, Alfredson’s film hews to the same basic idea as the Stephanie Meyer cult novel: young loner meets dazzling new friend with scary but alluring powers. But there’s far less romance and more runaway id in Alfredson’s story, dealing as it does with the fragile tween years; no longer children, its protagonists are hovering on the precipitous cusp of everything.