It’s kids, it’s ballroom. It works.
Ten years ago director Marilyn Agrelo could not have imagined that her very first film would be about kids, or on dancing for that matter. “Oh, it wouldn’t have been edgy enough for my tastes,” she admits with a laugh.
Fortunately, like a ballroom dancer, Agrelo surrendered herself to some of the creative rhythms working around her, proving there’s a certain reward in taking up a dance that has nothing to do with the “dance” you’re dancing. The result is Mad Hot Ballroom (***1/2), one of the most dazzling, heartfelt—and downright fun—documentaries of the season.