Re-imagined superhero saves a dying film franchise
Finally—an intelligent Batman that soars high. In a story that often moves against the typical currents that make up a major Hollywood blockbuster, director Christopher Nolan delivers a beautifully polished, wondrously executed Batman Begins. And with it, comes the rebirth of a franchise left for dead by the likes of George Clooney.
Out: the post-modern Batman weighed down by the theatrics of directors Tim Burton and Joel Schumacher. In: a plausible Batman that digs deep into the psychology of the man behind the mask and draws its inspiration from classics like The Man Who Would Be King, Blade Runner, the James Bond film On Her Majesty’s Secret Service and—surprisingly—Lawrence of Arabia. (Yes, you read that right.) What Burton’s Batman did for the campy ’60s TV show of the same name, Nolan does to Burton’s Batman (1989).