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Sep 15th
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THE GOOD HEART

film_THEGOODHEARTIt's hard to imagine what the good intentions were behind The Good Heart. There must have been some. This hybrid little oddity plays out as a stylized parable from an intensely personal viewpoint, that of Paris-born, Denmark-educated Icelandic filmmaker Dagur Kari. Shot in (American) English with an international cast, the film is set in an unidentified modern city and populated by characters who are metaphorical archetypes rather than recognizable humans. They have no past or future; they exist in the moment in a simplistic story that's more fable than drama. At its center is Jacques (Brian Cox), the crotchety, foul-mouthed owner of a seedy neighborhood bar. Unburdened by spouse, children, or friends, he's devoted to his few eccentric patrons, in his way, yet hasn't a good word to say to anybody on any occasion. At the local hospital, where he periodically turns up because of his bum ticker, even the nurses wish he would drop dead. During one of his hospital stays, he meets Lucas (Paul Dano), a young homeless man who lives in a cardboard box down by the docks. Jacques takes in sweet-tempered Lucas and teaches him to run the bar, so the regulars he refers to as "morons" will continue to have a refuge after Jacques himself is gone. From here, the story might have gone in several interesting directions. Instead, Kari introduces a female with a French accent (Isild Le Besco), literally, out of the blue. As cardboard as Lucas' box, her sole film_good_heart_ver2purpose is to disrupt Jacques' relationship with Lucas and the all-male sanctity of the bar. For something this determinedly artificial to qualify as parable, it would have to come to a larger point, but nothing that happens in Kari's controlled little Petri-dish of a story has any resonance or application in the larger world. The hardworking Cox's misanthropic irascibility is funny for awhile, then tiresome, and Dano can't do much with his passive, one-note character. Kari's attempt at an ironic plot twist is telegraphed halfway through the movie, if not sooner. And a brief image of animal cruelty with no bearing on the plot and dubious metaphorical intent leaves a sour taste the rest of the movie never redeems. (R) 95 minutes. (★)—L J Watch film trailer >>>
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Watch List

From Google to the government to data brokers, why your privacy is now a thing of the past

 

A Different Revolution

Aries Moon late Wednesday and Thursday. We think new thoughts and initiate new ideas. Sun in Virgo with Saturn in Scorpio help disciples to create orderly structures to anchor and bring forth new ideas. Stabilizing Taurus moon Friday and Saturday. We anchor new ideas into form and matter, like seeds planted in the soil. We tend them, waiting for green shoots to emerge. Like the gestating Virgo Sun Madonna, awaiting the birth of the holy child, the Soul, the new light at winter solstice. Mercury and Chiron converse about what hurts and what heals.Saturday is a complex day with Mercury (communication), Mars (action!) and Uranus (revolution). Mercury in Libra is opposite Uranus in Aries. Oppositions (recognizing something new appearing over there somewhere) eventually synthesize. Mercury in Libra calls for Right Action and Right Relations, especially with money. Uranus in Aries—the revolution this time must be different.  Also on Saturday, Mars enters Sagittarius. Where are we going, what are our goals, where’s justice, where’s the mountain, do we have good shoes? Sunday Venus trines Pluto—in-depth assessment of money, values and resources. Gemini moon Monday; we talk a lot, tending to tasks in gardens and neighborhoods. Cancer Moon Tuesday and Wednesday; we nurture and nourish. The stars and planets remind us.Note: William Meader, esoteric author & international teacher, will be speaking on “The Soul of Humanity Evolving Through Crisis” at Meditation Mount, 7pm, Friday, Sept. 12.

 

Final Cut

Cedar Street Video to close after 10 years at downtown location

 

Film, Times & Events: Week of September 12

Santa Cruz area movie theaters >
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