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Oct 08th
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Toy Story 3

film_toystoryWhat other movie franchise can take an 11-year hiatus and come back with the same cast, as fresh, funny, and irresistible as ever? Who else but the gang from Andy's room, the lovable toy heroes of the mighty Toy Story series that catapulted a hip little animation studio called Pixar onto the Hollywood A-list. Toy Story 3 reunites the whole gang, and not just to exploit the new 3-D technology. In TS3, the passage of time is a subtext in a typically whimsical, hilarious, and poignant adventure that celebrates the magical world of a child's imagination, and ponders the inevitability of growing up. The brilliant opening sequence re-introduces all the familiar toys in a thrilling chase scenario (a runaway train full of orphans; a giant pig-shaped alien spaceship) that turns out to be playing inside the head of little Andy, crawling around with his toys in an old home movie. But now Andy is packing up to go to college, and his toys—cowboy Woody (Tom Hanks), spaceman Buzz (Tim Allen), cowgirl Jessie (Joan Cusack), and the rest—spend most of their time in the toy box.

Andy means to take his beloved Woody to college with him, but through a series of mishaps, all the old toys are donated to a day-care center. Their joy at being played with again quickly sours once they're subjected to the most destructive tiny tots, trapped in a prison-like hierarchy run by an embittered old plush bear (Ned Beatty). The story unspools on three levels: the action plot, in which the toys engineer their great escape, a buoyant character comedy between the toys (including a gooey romance between Barbie (Jodi Benson) and a Ken with a dark side (Michael Keaton), stuck in a disco ’70 time warp of ascots and lamé, and a personality shift when Buzz is switched to Spanish-language mode and starts carrying on like Don Juan), and a deeply moving and wistful meditation on letting go and saying goodbye. (There's also a wry and chilling comment on our culture of disposability in a scary trip to the landfill where the gang find themselves just a pull-string away from the pulping machine and incinerator.) Veteran Pixar director Lee Unkrich maintains the delicate balance between action, comedy, and heart. This is one terrific sequel that lives up to its origins. (G) 103 minutes. (★★★★) | LJ
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Mercury Direct in Libra, Columbus Day, Libra New Moon

Mercury completes its retrograde Friday, poised stationary direct Friday evening at zero degrees Libra. Mercury begins its journey through Libra once again, completing its retrograde shadow Oct. 12. Things should be a bit less complicated by then. Daily life works better, plans move forward, large purchases can be made, and communication eases. Everything on hold during the retrograde is slowly released. Since we eliminated all thoughts and ideas no longer needed (the purpose of Mercury’s retrograde) during the retrograde, we can now gather new information—until the next retrograde occurs on Jan. 5, 2016 (1.3 degrees Aquarius), retrograding back to 15 degrees Capricorn on Jan. 25. It’s good to know beforehand when Mercury will retrograde next—Jan. 5, the day before Epiphany. On Monday is Columbus Day, when the sailor from Genoa arrived in the new lands (Americas), Oct. 12, 1492. This discovery by Columbus was the first encounter of Europeans with Native Americans. Other names for this day are “Discovery Day, Day of the Americas, Cultural Diversity Day, Indigenous People’s Day, and Dia de la Raza.” Italian communities especially celebrate this day. Oct. 12 is also Thanksgiving Day in Canada. Monday is also the (19 degrees) Libra new moon festival. Libra’s keynote while building the personality is, “Let choice be made.” Libra is the sign of making life choices. Often under great tension of opposing forces seeking harmony and balance. There is a battle between our lower (personality) and higher selves (soul). We are tested and called to cultivate right judgment and love. When we align with the will-to-good, right choice, then right judgment and love/wisdom come forth. Our tasks in Libra. 


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