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Jun 30th
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Buried Child

film_preciousDemoralized teen finds herself in masterful ‘Precious’

Any politician poised to slash a social services budget should first be required to watch Precious. Lee Daniels’ masterful film shows how the tiniest flicker of compassion, in tandem with a functioning social program, can transform a life of complete degradation into something triumphant. While putting an unforgettable human face on what might otherwise be just another depressing inner-city statistic, the film persuades us that a small community of caring individuals can change a life, even against impossible odds.

The face of the movie belongs to newcomer Gabourey Sidibe, who gives an astounding, adjective-defying performance in the title role. A wary, mountainous, hard-luck Harlem teenager, Sidibe’s Precious has learned to hide her spirit beneath protective layers of flesh and silence. But Sidibe reveals the vibrant, questing self inside the character with grace and a fierce authenticity. This is acting of transcendent loveliness, not to be missed.

The character Precious first came to life in the 1996 novel, “Push,” by the poet-turned-fiction writer who goes by the name Sapphire. Adapted for the screen by Geoffrey Fletcher, the story revolves around a most unlikely heroine, Clareece “Precious” Jones (Sidibe). The year is 1987, and 16-year-old Precious is still in junior high; good in math, but unable to read, she coasts along on passing grades because she never says anything in class and doesn’t cause any trouble. She’s also pregnant for the second time by her father, her mother’s lowlife boyfriend (although the girl is already so hefty, it’s hard to notice her condition).

Precious’ home life is a nightmare. Her abusive father is no longer around (glimpsed only in harrowing flashbacks), but her toxic mother, Mary (an incendiary performance by Mo’Nique), is a black hole of rage and contempt, sucking all life and spirit out of her daughter’s existence. Mom never leaves the apartment; she’s planted in front of the TV 24/7, hurling non-stop vitriol (and the occasional bottle or flower-pot) at the daughter she treats like a slave. Although Precious’ firstborn lives elsewhere with Mary’s mother, Mary orchestrates a monthly charade for the welfare agent so she can receive checks as the baby’s guardian. The rest of the time, when she’s not calling Precious fat, stupid, and ugly, Mary eggs her on to quit school and go on welfare.

Small wonder Precious has so little to say about herself to a welfare caseworker (a drab, droll turn by Mariah Carey) or her school officials. But one counselor has the wit to transfer her files to an alternative school with an “Each One Teach One” program, and while Mary won’t let the meddling white woman in her house, Precious memorizes the address and goes to check it out the next day. It’s not so much at first sight: a half dozen teenage girls trying to earn their GEDs with a savvy, compassionate teacher, Ms. Rain (Paula Patton). But for Precious, it proves to be the first step into a new life.

Director Daniels stages the action like the most gripping thriller, full of jeopardy and portent. Every tense minute Precious spends in her momma’s apartment is more freighted with dread and far scarier than anything you’ll see in Paranormal Activity. During the more intense scenes, we’re allowed to breathe as Precious escapes into a fantasy world culled from glitzy TV images, where she imagines herself a glamorous movie star at a premiere, a sexy rock diva, or the leader of a spangled gospel choir. In one gutsy shot, she fixes her hair in the mirror one morning and sees a pretty, slender white girl with long blonde hair peering back.

For all her outward silence, Precious narrates her own story with wry verve and an ingenuous sense of poetry. (When Ms. Rain and a friend are discussing events in the larger world, Precious notes—not without admiration—”They talk like TV channels I don’t watch.”). When this inner Precious begins to assert herself in her own daily life, the movie soars. (Encouraged by her teacher, Precious says that talking in class “makes me feel like I’m here.”) It’s a quietly profound moment in this uncompromising, inventive, and rewarding film.

PRECIOUS ★ ★ ★ ★ With Gabourey Sidibe, Mo’Nique, and Paula Patton. Written by Geoffrey Fletcher. From the novel, “Push,” by Sapphire. Directed by Lee Daniels. A Lionsgate release. Rated R. 109 minutes. Watch movie trailer >>>

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Wednesday, June 24, Chiron turns stationary retrograde (we turn inward) at 21.33 degrees Pisces. We usually speak of “retrograde” when referring to Mercury. But all planets retrograde. Next month in July, Venus retrogrades. What is Chiron retrograde? Chiron represents the wound within all of us. Wounds have purpose. They sensitize us; make us aware of pain and suffering. Through our wounds we develop compassion. Through compassion we become whole (holy) again. Chiron helps develop these states of consciousness. Everyone carries a wound. Everyone carries family wounds (family astrology tracks the astrological “DNA” through generations). Chiron wounds are deep within. We’re often not aware of them until Chiron retrogrades. Then the wounds (through pain, hurt, sadness, suffering) become apparent. They seem to break us open emotionally, psychologically. Painful events from the past are remembered. They are brought to the present for healing. Through experiencing, talking about and deeply feeling what is hurting us, healing takes place. We begin to understand and bring healing to others. All week, Jupiter and Venus move closer together in the sky. They meet in Leo at the full moon, Cancer solar festival, on Wednesday, July 1. The Cancer keynote is, “I build a lighted house and therein dwell.” The soul’s light has finally penetrated the “womb” of matter. The New Group of World Servers is to radiate this light. At the end of each sign are keywords to use and remember during the Chiron retrograde.

 

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Film, Times & Events: Week of June 26

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