Santa Cruz Good Times

Monday
Jan 26th
Text size
  • Increase font size
  • Default font size
  • Decrease font size

Shorts Circuit

ROOM ON A BROOMSmall films, big results, in ‘Oscar Nominated Short Films 2014’

Where are the next generation of filmmakers and animators coming from? Most are getting their start in short films, a less expensive, yet no less creative way of breaking into the movie biz. It used to be that the five live-action and five animated short films nominated for the Oscar each year were viewable only by Academy voters or at film festivals, but more recently, the 10 nominees have been collected into two anthology programs and offered for theatrical release to the general public. This year’s Oscar Nominated Short Films 2014 arrive in two complete and separate programs in advance of the Academy Awards telecast on March 2.           

The Live Action program offers an eclectic mix of comedy, suspense, and poignancy from around the world. The most crowd-pleasing will be The Voorman Problem (U.K., 13 minutes), in which director Mark Gill distills a brief section out of the David Mitchell novel, “number9dream,” into an hilarious encounter between an incoming prison psychiatrist (Martin Freeman, of The Hobbit and Sherlock) and a straightjacketed inmate (a deadpan Tom Hollander) who calmly explains that he’s God. His arguments are unsettlingly persuasive.

Helium (Denmark, 23 minutes) is director Anders Walter’s tender fable about a scruffy hospital janitor who bonds with a dying little boy. When the child complains the heaven they all tell him he’s going to sounds boring, the janitor spins tales—charmingly visualized onscreen—about an alternate place beyond Heaven where private islands and castles are borne in the sky by the intricate dirigibles and helium balloons the boy loves.

Things get serious in the harrowing That Wasn’t Me (Aquel no era yo) (Spain, 24 minutes). Set in a war-torn African nation, where rebel commandos preach that guns equal “respect,” Esteban Crespo’s drama of consequences and redemption concerns a fateful encounter between Spanish aid workers and boy soldiers, with unexpected results. No less suspenseful is Xavier Legrand’s Just Before Losing Everything (Avant Que De Tout Perdre) (France, 30 minutes) in which a woman faces ever more nerve-racking obstacles on the day she attempts to extricate herself and her two kids from her abusive husband. Finally, Do I Have To Do Everything? (Finland, 7 minutes) is Selma Vilhunen’s lighthearted joke about a frantic woman trying to get her husband and two little daughters to the church on time for a wedding.

All the entries in this year’s Animated program are splendid in their own, weird way. Mr. Hublot (France, 12 minutes) is Laurent Witz’s delirious stop-motion steampunk fantasy in which the intricate and amazing mechanical found-junk sculptures of Belgian artist Stephane Halleux come to life in a sweet tale about a reclusive humanoid who befriends an eager Robot Pet. Do not blink for an instant, every frame of film is crammed with so many astounding images and clever ideas.

Sheer gorgeousness is the hallmark of Shuhei Morita’s color-rich Possessions (Japan, 14 minutes), in which a Samurai-era mender of broken things shelters from a storm in an abandoned mountain shrine and finds himself tested by the prankster spirits of the forgotten objects inside. Far more monochromatic, and yet wistfully poetic is Daniel Sousa’s Feral (USA, 13 minutes), about a wild boy found in the woods attempting to make an uneasy peace with the civilized world.

Perhaps the most buoyant fun of the lot is Room On the Broom (U.K., 26 minutes). Max Land and Jan Lachauer direct this fanciful stop-motion storybook tale about a kind-hearted witch (voice of Gillian Anderson) who keeps inviting outcast interlopers (a dog, a bird, and a fastidious frog) to ride on her broom—to the annoyance of her ginger cat. Happily, they all pull together in the end in this sweet-natured story narrated in rhyming couplets by Simon Pegg.

Get A Horse (USA, 6 minutes), has already been playing in theaters with Disney’s Frozen. Director Lauren MacMullan’s story of Mickey and Minnie Mouse out on a hayride, menaced by the villainous Peg-leg Pete, is a new production done in the style of a vintage 1930s black-and-white Disney cartoon (right down to Mickey’s voice provided by Walt Disney himself, pieced together from the studio’s sound archives). A nifty twist of spanking new technology alters the course of the adventure and the viewers’ perception—a seamless blending that celebrates the past and future of the animator’s art.

OSCAR NOMINATED SHORT FILMS 2014 (Not rated)

Live Action Program: 113 minutes. (★★★)

Animated Program: 110 minutes (★★★1/2)

Comments (0)Add Comment

Write comment
smaller | bigger

busy
 

Share this on your social networks

Bookmark and Share

Share this

Bookmark and Share

 

Force of Nature

Santa Cruz’s Carlie Statsky brings her love of the natural world to the hyper-personal art of wedding photography

 

Mercury Retrograde in Aquarius

The magical time of Mercury’s retrograde cycle is here once again, until Feb. 11, and then some. The Mercury retro cycle actually lasts eight weeks when we consider its retrograde shadow, giving us six months a year for review. We know the rules of Mercury retro: Be careful with everything; cars, driving, money, resources, friends, friendships, groups, interactions, thinking, talking, communications. Avoid big purchases, important meetings and important repairs. Mercury retrograde times are for review, reassessment and rest. Our minds are overloaded from the last Mercury retro. Our minds need to assess what we’ve done since October—eliminating what is not needed, keeping what’s important, preparing for new information in the next three months (till mid-May). Mercury in Aquarius retrograde … we reinvent ourselves, seek the unusual, we don’t hide, we’re just careful. We live in two worlds; outer appearances and inner reckonings, with both sides of our brain activated. Yet, like the light of the Gemini twins, one light waxes (inner world), the other (outer realities) wanes. Like Virgo, we see what’s been overlooked—assessing, ordering and organizing information. It’s an entirely inner process. When speaking we may utter only half of the sentence. We’re in the underworld, closer to Spirit, eyes unseeing, senses alerted, re-doing things over and over till we sometimes collapse. Because we’re in other realms, we’re wobbly, make mistakes, and don’t really know what we want. It’s not a time for decisions. Not yet. It’s a time of review. And completing things. Mercury retro: integration, slowing down, resolution, rapprochement.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of January 23

Santa Cruz area movie theaters >
Sign up for Good Times weekly newsletter
Get the latest news, events

RSS Feed Burner

 Subscribe in a reader

Latest Comments

 

Bye Bye Benten!

Benten closing, plus Award-winning gin, a massive burrito and chocolate review

 

Trout Gulch Vineyards

Scanning the shelves of Deluxe Foods of Aptos, which carries an impressive selection of local and imported wines, I picked up a bottle of Trout Gulch Vineyards Chardonnay 2012, described as “a local favorite” by the busy market.

 

Cremer House

What’s old is cutting-edge again in Felton

 

How are you going to make a tangible difference in your community this year?

Spread more kindness and compassion.