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Aug 28th
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WHEN IN ROME

film_romeOnce upon a time, Josh Duhamel had a featured role in a popular soap opera which earned him a legion of female fans. Kristen Bell also has her share of devotees after recurring roles in three cult TV series. These combined crossover viewers will be the principal audience for When In Rome, the silly, but harmless romantic comedy in which Bell and Duhamel co-star. Written by David Diamond and David Weissman for director Mark Steven Johnson, it's a typical story of impossibly beautiful people destined to be together who nevertheless keep throwing roadblocks in the path of love. Bell stars as Beth, a junior art curator in New York City (at the Guggenheim, no less), who's given up on love. At her kid sister's wedding in Rome to a man she's only known for two weeks ("That's not even enough time for a credit check!"), Beth seems to hit it off with best man and fellow New Yorker, Nick (Duhamel), until she (mistakenly) thinks she's been played. At a so-called "Fountain of Love," into which tourists pitch coins in hopes of finding amore, Beth, Grinch-like, purloins some coins.

Back in New York, she's suddenly pursued by the lovelorn folks (all male, as it turns out) whose coins she stole: an ebullient Italian artist (Will Arnett), a goofy street magician with delusions of awesomeness (Jon Heder), a narcissistic male model (Dax Shepard), a gnomish sausage manufacturer who calls himself a "curator … of encased meat" (Danny DeVito)—and Nick. Sorting out true love from the spellbound kind film_when_in_rometakes awhile, but along the way there's some cute dialogue ("I don't know whether to look at you or my own reflection, that's how beautiful you are," the model tells Beth), sight-gags (including a midget Italian "clown car"), and references to other movies, especially the goodbye scene in The Wizard of Oz. (Although a Napoleon Dynamite gag featuring Heder and former co-star Efren Ramirez, and the Slumdog Millionaire dance finale feel completely gratuitous.) Other comedy bits are beyond stupid (a dinner date in a pitch-black restaurant is crashed by all four of Beth's suitors in night goggles), while director Johnson, best known for comic-book action movies, depends too much on tedious slapstick. Still, powered by Bell's perkiness and Duhamel's likeable ease, this movie is like a fizzy Asti Spumante: sweet and insubstantial. (PG-13) 91 minutes. (★★1/2)—LJ
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Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

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