Santa Cruz Good Times

Friday
Aug 28th
Text size
  • Increase font size
  • Default font size
  • Decrease font size

The Real Thing

fm beginIn its search for musical authenticity, ’Begin Again’ hits the right notes

John Carney’s follow up to his 2006 hit Once played at Toronto 2013 under the fatal title Can a Song Save Your Life?, and has been retitled Begin Again. It is slight and caramel-hearted, but it made me a new fan of items I thought I was over: New York, popular music and Keira Knightley. And unlike Once, Begin Again isn’t in love with hopeless pathos. Nothing here is as fulsome as that street- singer’s chipped-up guitar in Once— Glen Hansard was so sincere that his guitar was disintegrating.

Begin Again starts in a pair of loops, with the two main characters brought together on pretty much the worst nights of their lives. The wooly old A&R man Dan (Mark Ruffalo) is at the end of a day spent drinking away his career, and being ejected by the record label he co-founded with his partner (the droll, cool Mos Def).

Dan has an afternoon date with his contemptuous adolescent daughter Violet. She’s arguably the most clichéd part of the film. Yet Hailee Steinfeld of True Grit (tall, sturdy and 17 now) gives Violet such filial anger that it’s already clear the actress is not going to reprise Kim Darby’s career trajectory.

Dropping Violet off, Dan has a quick confrontation with ex-wife (Catherine Keener); then some more whiskey and a stagger into a nightclub. There, Greta (Knightley) has been pressured into taking the stage for one number with her guitar. Dan fuzzes into a drunken fantasy, enacted with the fine old Busby Berkeley idea of the instruments coming to life on their own and accompanying Greta. Producer and singer have a quick, wary meeting, and Greta decides to take him as her manager.

Greta herself is a visiting Londoner dropped fast and from a great height; she was the consort and collaborator of Dave, a world-famous rocker, played by Adam Levine of Maroon 5. She’s sleeping on a couch, she has no ambition, and she’s so out of the world of performing that she doesn’t even seem to think her looks would help sell her music. Dan and Greta work from the ground up; they decide to use a portable studio and New York ambient locations to make their own demo.

You’re lucky in 2014 to see a film with one determined woman in it, and Begin Again has three, counting Keener, Steinfeld and Knightley. As always, Knightley is brittle and posh. Maybe she’s experiencing global warming, though. Carney captures an aspect of appealing crumbliness in Knightley as she hits 30. Stardom in a musical can depend on something as small as whether a person looks good with their mouth open, singing. Knightley does. The too-perfect planes of her face shine in the brightness of a spotlight.

Maybe the public that hates musicals hates them because of the gap between what we’re hearing and what we’re supposed to be hearing. But like Jersey Boys, Begin Again doesn’t go inflationary about how wowed we’re supposed to be. During the scrappy recording sessions, shot in well-chosen Brooklyn and Manhattan locations, rooftops and alleys, what we hear is a sound, not the sound.
Knightley acquits herself on sometimes in-one-ear-and-out- the-other tunes. Levine also keeps turning up, in increasingly ludicrous facial hair. He has a strong tenor recalling Todd Rundgren, but unlike Rundgren, Levine’s material is almost surgically antiseptic.

Again, this is often deliberate. Begin Again, with its roots-seeking new title, is a critique of overproduction. It’s a measure of Dave’s characterlessness that he shellacks his music; he’s so self-serious he titled his album On the Road. Director Carney is enough of a musician to know the difference between audio oatmeal—the kind of music that 95 out of 100 people wouldn’t have any strong opinion about—and something distinctive.

Knightley and Begin Again had me at the late-night scene where she drunk dials Dave with a song she’s written titled “Like a Fool.” There is drama in the chords and in the situation, and Knightley sells the tune beautifully. It’s the first time that I thought anything could beat “Everything Is Awesome” at the Oscars next year.


BEGIN AGAIN With Keira Knightley, Mark Ruffalo and Catherine Keener. Written and directed by John Carney. Rated R. 104 min. Opens Fri at the Nick.

Comments (0)Add Comment

Write comment
smaller | bigger

busy
 

Share this on your social networks

Bookmark and Share

Share this

Bookmark and Share

 

The Meaning of ‘LIFE’

With a new documentary film about his work, and huge exhibits on both coasts, acclaimed Santa Cruz nature photographer Frans Lanting is having a landmark year. But his crusade for conservation doesn’t leave much time for looking back

 

Seasons of Opportunity

Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

His Dinner With David

Author + reporter = brainy talk in ‘End of the Tour’
Sign up for Good Times weekly newsletter
Get the latest news, events

RSS Feed Burner

 Subscribe in a reader

Latest Comments

 

Land of Plenty

Farm to Fork benefit dinner for UCSC’s Agroecology Center, plus a zippy salsa from Teresa’s Salsa that loves every food it meets

 

If you knew you had one week to live, what would you do?

Make peace with myself, which would allow me to be at peace with others. Diane Fisher, Santa Cruz, Network Engineer

 

Comanche Cellars

Michael Simons, owner and winemaker of Comanche Cellars, once had a trusted steed called Comanche, which was part of his paper route and his rodeo circuit, from the tender age of 10. In memory of this beautiful horse, he named his winery Comanche, and Comanche’s shoes grace the label of each handcrafted bottle.

 

Cantine Winepub

Aptos wine and tapas spot keeps it casual