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Aug 31st
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VINCERE

film_VINCERELust, longing, betrayal, revenge, madness. These are the elements of grand opera, used to swoony effect by veteran Italian filmmaker Marco Bellochio in his arresting Vincere (Victory). His subject is the woman and child Benito Mussolini left behind while reinventing himself as Il Duce. Political content is acute throughout; the director draws parallels between Mussolini's opportunistic path from young Socialist troublemaker to Fascist dictator and the ruthlessness with which he abandons the woman who loves him. But the film plays out as a rapturous fever dream of love and loss told entirely from the viewpoint of Ida Dasler (played with simmering grace and erotic intensity by Giovanna Mezzogiorno). After a chance meeting and fiery kiss in a back alley during a 1907 protest march, Ida is drawn to the charismatic gall and grandeur of young Mussolini (Filippo Timi)—who challenges God to strike him dead to prove that God doesn't exist. Their hungry sex is a rite of communion to her, although he's always focused on something ahead. When he's fired from his newspaper job, she sells her belongings to finance his own paper. When she gets pregnant, he marries her in secret— chiefly because he has another wife and child. But as Mussolini climbs ever higher, "beyond morality," from peacenik to war hero to Fascist leader, Ida and their son become an embarrassment to him. Refusing to stop telling the truth about their relationship, or perjure herself with a lie, she finally lands where inconvenient women always end up—in the madhouse. But this plot summary can't convey the sheer operatic audacity of Bellochio's filmmaking: Carlo Crivelli's swirling, fortissimo musical score that accents every emotional peak, ornate visuals (a duel before belching industrial smokestacks), aria-like moments of passion, denunciation, despair. Authentic movie house headlines ("WAR!") set the overheated tone, along with newsreel footage of the real Il Duce (the only way Ida gets to him in the second half of the film). The stirring power of movies is another subtext, from the way Mussolini identifies with the suffering Christ in a Biblical epic, to Ida's reaction when little Jackie Coogan is ripped from the arms of Charlie Chaplin in The Kid. Yet for all its stylization, the film's power comes from the essential plight of Mezzogiorno's uncompromising Ida: "The man I adore has erased me." (R) 104 minutes. In Italian with English subtitles. (★★★) LJ

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The Meaning of ‘LIFE’

With a new documentary film about his work, and huge exhibits on both coasts, acclaimed Santa Cruz nature photographer Frans Lanting is having a landmark year. But his crusade for conservation doesn’t leave much time for looking back

 

Seasons of Opportunity

Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of August 28

Santa Cruz area movie theaters >
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