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Feb 01st
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A&E

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Motion ... at the Mill

Motion ... at the Mill

New dance spaces and the Third Annual Ethnic Dance Festival mark an exciting time in the world of dance in Santa Cruz

Do you remember visiting Disneyland when you were a kid (or maybe with your kids) and taking a spin on the “It’s a Small World” ride? The little boats sail through all the cultures of the globe, as tiny robots representing the citizens of each country serenade visitors with the local dance, costume and culture. Sure it’s trite, and the cloying sweetness of the music may leave you wanting to abandon ship, but the idea of using dance as a way to unite the world’s cultures is one that should not be underestimated.

This weekend, the Third Annual Ethnic Dance Festival hits Santa Cruz by storm. A kind of live action version of “It’s a Small World,” dancers representing more than a dozen different cultures will assemble in Downtown Santa Cruz to offer classes and performances open to the public. This year, the festival has moved to Laurel Park behind Louden Nelson Center.

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Getting High

Getting High

Inner High Foods brings whole-food edibles and teas to the medicinal marijuana market

Two years ago, Jacqui Pearson* noticed that her father was wheezing and coughing—and he began to complain of shortness of breath. After a few medical tests, his doctor diagnosed him with chronic obstructive pulmonary disease (COPD). The third leading cause of death in the United States this progressive lung disease manifests itself as emphysema, chronic bronchitis or, most often, both. As the integrity of lung tissue is destroyed, it gets harder and harder for the patient to breathe. Usually, COPD is caused by smoking tobacco. But Pearson, now in his late fifties, has smoked less than one pack of cigarettes throughout his entire lifetime. The culprit for Pearson’s lung disease is a decades-long habit of smoking marijuana.

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Creation Happens

Creation Happens

Art duJour re-tools the art of learning—and paints it yellow

How may times have you said to yourself, “Santa Cruz would be great if only there was a place to learn about beekeeping, watch movies in the backyard, decorate my bicycle helmet and take in some splendid local artworks—all under one roof. And it should be yellow.”

Well, you’ve said that for the last time, bub, because now there is such a place, and they are calling it Art duJour.

“They” are Heather Young and Christine Currie, two moms (a teacher and a marketing consultant) who have managed to coax a common dream out of the ether and will it to materialize in our midst. That dream was to create a space and fuel the momentum for a nonprofit arts-education program for adults and children. And it was to be inspiring, community-oriented, and inviting.

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The Fabrica

The Fabrica

At the end of Pacific Avenue sits a DIY fashionista’s gathering place

Surrounded by used sewing machines, heaps of scrap fabric, spools of thread and buttons, Elaina Ramer instructs a visitor on how to mend the hem of her shirt in the middle of The Fabrica: a hole-in-the-wall sewing and textile arts workshop that opened in March of last year. Ramer, Ann Altstatt and Stefanie Wolf are the founders of The Fabrica, where locals can take sewing classes for free (though donations are welcome), and bring in sewing projects to work on, like a visitor in the early days—a man who wanted to sew a yurt, a portable, canvas-covered, wood lattice-framed dwelling structure traditionally used by Mongolian nomads.

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Manufacturing Hysteria

Manufacturing Hysteria

Author Jay Feldman sheds light on the darker side of American history
He compares it to the urban legend of frogs in boiling water. The story goes that if you put a frog into a pot of boiling water, it will immediately jump out. But if you introduce the frog into a pot of cold water and then heat the water by degrees, the frog won’t perceive the incremental increase in temperature. It will stay in there and boil to death.

True or not, the parallel between this analogy and Jay Feldman’s newly released book, “Manufacturing Hysteria,” is clear. Feldman’s comprehensive history of America’s political climate of scapegoating and surveillance starting with World War I and leading up through the 20th century gives a compelling account of how incremental encroachment of civil liberties has led us up to where we are today in post-9/11 America.

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Moving in Concert with Art at MAH

Moving in Concert with Art at MAH

The tears in this piece are rough, fast, vertical, stacked close together; surfaces are shiny skins on flat fields of naked paper. The blue comes in from the top left, seeming to drip down in sinewy strands of indigo, cerulean and ultramarine—different blue colors: the tears sometimes bulge into tear-shaped strips, a little fuzzy in the edges as if abraded by a too-wide passing frenzy. There are radical divergences, but for the most part the direction is all down, down until stopped by that whisper of scarlet.

Trying to let the body tell that story of movement—those tears, and the strips, and the edges and the dripping down and the act of tearing and the act of holding onto the paper … that what I was invited to do as I joined artist Andrew Purchin in preparation for his upcoming residency in one of the Museum of Art & History’s new programs, “Makers at the MAH.”  Purchin is a painter of movement and an avid dancer.  When MAH Executive Director Nina Simon invited him to spend a day painting in the lobby as a way to connect art making with art viewing, Purchin devised a way to make it all flow.

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Craftacular

Craftacular

Hart’s Fabric hosts a craft fair

They’re crafty, smart, savvy seamstresses. Meet the youthful trio that’s behind what will surely be a magnetic and rather spectacular upcoming event hosted by Hart’s Fabric—Craftacular Wonder Fair. They are: Megan Werdmuller von Elgg, Chelsea Gurnoe and Dana Harris, all Hart’s employees and part-time crafters. Decked out in handmade clothing, they meet up with me for a serious conversation about handmade goods and the upcoming Craftacular Wonder Fair that they are curating. The event will be held from 11 a.m. to 5 p.m. on Sunday, Aug. 28 in the back parking lot of Hart’s. There, 17 local vendors will sell their wares—clothing, jewelry, knit projects, sewn goods, print pieces and paintings. For crafty types, it’s definitely going to be craftactular.

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Complex Fashionista

Complex Fashionista

Do fashion-savvy moms dopplegang their daughters?
Mimicry is powerful—it activates neurons involved in perception and behavior. It strengthens bonds when babies light up to a parent’s smile. And according to consumer behavior research, it drives women to buy those too-tight jeans and ankle-breaking stilettos worn by fashion icons.

Yet unlike family and friends—who compliment, borrow and sometimes steal our favorite clothes—celebrity role models don’t mimic in return. In fact, the actors who grace best dressed lists probably wouldn’t say “hi” if they passed you on the street, much less “nice jeans, where did you get them?”

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Rivendell Revived

Rivendell Revived

Diversity, expert touch is the key to its success
I can mend anything,” says Patricia Moore. She holds a small weaving into the light streaming through a door behind her. The weaving is old, from Thailand. Moore is the proprietress of Rivendell, a store and gallery that spills onto an artful patio in front of the Santa Cruz Art Center at 1001 Center St.  Her back door opens onto Squid Row, the colorful alley in Downtown Santa Cruz where, in the 164-year old Enterprise Iron Works building, Moore and her business partner, Wayne Brennan, established Rivendell more than 18 years ago.

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Take One: A Screenwriting Competition

Take One: A Screenwriting Competition


Spread the word—GT has teamed up with *IMPACT (a local production company) and the Santa Cruz Film Festival to host Take One: A Screenwriting Competition.

 

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Page 22 of 39

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Throwing It All Away

Everybody’s for recycling, right? So why are we all doing it wrong? Our reporter gets down and dirty to uncover 10 secrets that will finally make the recycling process make sense

 

Aquarius Calling, Humanity Rising

Aquarius (11th sign after Aries) is the sign of service—serving one another, building community. Aquarius is fixed air, stabilizing new ideas in the world. When new ideas reach the masses the ideas become ideals within the hearts and minds of humanity. Air signs (Gemini, Libra and Aquarius) are mental. They think, ponder, study, research, gather and distribute information. For air signs, education and learning, communicating, writing, being social, tending to money, participating in groups and creating sustainable communities are most important. One of the present messages Aquarius is putting forth to the New Group of World Servers is the creation of the New Education (thus thinking) for humanity—one based not on commodities (banking/corporate values) but on virtues. Humanity and Aquarius Aquarius is the sign of humanity itself. We are now at the beginnings of the Age of Aquarius, the Age of Humanity (rising). The “rising” is the Aquarian vision of equality, unity, the distribution and sharing of all resources and of individual (Leo) creative gifts for the purpose of humanity’s (Aquarius) uplifting. This is the message in the Solar Festival of Aquarius (at the full moon) on Tuesday, Feb. 3. We join in these visions by reciting the World Prayer of Direction, the Great Invocation.Tuesday’s solar festival follows Monday’s Groundhog Day, or Imbolc (ancient Celtic fire festival) the halfway mark between winter solstice and spring Equinox). The New Group of World Servers (NGWS) during these two days are preparing for the upcoming Three Spring Solar Festivals: 1. Aries Resurrection/Easter Festival (April); 2. Taurus Buddha/Wesak Festival (May); and 3. Gemini’s Festival of Humanity (June). Aquarius and the new and full moons together are the primary astrological influences behind all of humanity’s endeavors. The NGWS are to teach these things, calling and uplifting humanity. Join us everyone. (301)

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Job Insecurity

Woman fights for her job in thoughtful, life-sized ‘Two Days One Night’
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