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Feb 28th
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A&E

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Creation Happens

Creation Happens

Art duJour re-tools the art of learning—and paints it yellow

How may times have you said to yourself, “Santa Cruz would be great if only there was a place to learn about beekeeping, watch movies in the backyard, decorate my bicycle helmet and take in some splendid local artworks—all under one roof. And it should be yellow.”

Well, you’ve said that for the last time, bub, because now there is such a place, and they are calling it Art duJour.

“They” are Heather Young and Christine Currie, two moms (a teacher and a marketing consultant) who have managed to coax a common dream out of the ether and will it to materialize in our midst. That dream was to create a space and fuel the momentum for a nonprofit arts-education program for adults and children. And it was to be inspiring, community-oriented, and inviting.

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The Fabrica

The Fabrica

At the end of Pacific Avenue sits a DIY fashionista’s gathering place

Surrounded by used sewing machines, heaps of scrap fabric, spools of thread and buttons, Elaina Ramer instructs a visitor on how to mend the hem of her shirt in the middle of The Fabrica: a hole-in-the-wall sewing and textile arts workshop that opened in March of last year. Ramer, Ann Altstatt and Stefanie Wolf are the founders of The Fabrica, where locals can take sewing classes for free (though donations are welcome), and bring in sewing projects to work on, like a visitor in the early days—a man who wanted to sew a yurt, a portable, canvas-covered, wood lattice-framed dwelling structure traditionally used by Mongolian nomads.

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Manufacturing Hysteria

Manufacturing Hysteria

Author Jay Feldman sheds light on the darker side of American history
He compares it to the urban legend of frogs in boiling water. The story goes that if you put a frog into a pot of boiling water, it will immediately jump out. But if you introduce the frog into a pot of cold water and then heat the water by degrees, the frog won’t perceive the incremental increase in temperature. It will stay in there and boil to death.

True or not, the parallel between this analogy and Jay Feldman’s newly released book, “Manufacturing Hysteria,” is clear. Feldman’s comprehensive history of America’s political climate of scapegoating and surveillance starting with World War I and leading up through the 20th century gives a compelling account of how incremental encroachment of civil liberties has led us up to where we are today in post-9/11 America.

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Moving in Concert with Art at MAH

Moving in Concert with Art at MAH

The tears in this piece are rough, fast, vertical, stacked close together; surfaces are shiny skins on flat fields of naked paper. The blue comes in from the top left, seeming to drip down in sinewy strands of indigo, cerulean and ultramarine—different blue colors: the tears sometimes bulge into tear-shaped strips, a little fuzzy in the edges as if abraded by a too-wide passing frenzy. There are radical divergences, but for the most part the direction is all down, down until stopped by that whisper of scarlet.

Trying to let the body tell that story of movement—those tears, and the strips, and the edges and the dripping down and the act of tearing and the act of holding onto the paper … that what I was invited to do as I joined artist Andrew Purchin in preparation for his upcoming residency in one of the Museum of Art & History’s new programs, “Makers at the MAH.”  Purchin is a painter of movement and an avid dancer.  When MAH Executive Director Nina Simon invited him to spend a day painting in the lobby as a way to connect art making with art viewing, Purchin devised a way to make it all flow.

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Craftacular

Craftacular

Hart’s Fabric hosts a craft fair

They’re crafty, smart, savvy seamstresses. Meet the youthful trio that’s behind what will surely be a magnetic and rather spectacular upcoming event hosted by Hart’s Fabric—Craftacular Wonder Fair. They are: Megan Werdmuller von Elgg, Chelsea Gurnoe and Dana Harris, all Hart’s employees and part-time crafters. Decked out in handmade clothing, they meet up with me for a serious conversation about handmade goods and the upcoming Craftacular Wonder Fair that they are curating. The event will be held from 11 a.m. to 5 p.m. on Sunday, Aug. 28 in the back parking lot of Hart’s. There, 17 local vendors will sell their wares—clothing, jewelry, knit projects, sewn goods, print pieces and paintings. For crafty types, it’s definitely going to be craftactular.

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Complex Fashionista

Complex Fashionista

Do fashion-savvy moms dopplegang their daughters?
Mimicry is powerful—it activates neurons involved in perception and behavior. It strengthens bonds when babies light up to a parent’s smile. And according to consumer behavior research, it drives women to buy those too-tight jeans and ankle-breaking stilettos worn by fashion icons.

Yet unlike family and friends—who compliment, borrow and sometimes steal our favorite clothes—celebrity role models don’t mimic in return. In fact, the actors who grace best dressed lists probably wouldn’t say “hi” if they passed you on the street, much less “nice jeans, where did you get them?”

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Rivendell Revived

Rivendell Revived

Diversity, expert touch is the key to its success
I can mend anything,” says Patricia Moore. She holds a small weaving into the light streaming through a door behind her. The weaving is old, from Thailand. Moore is the proprietress of Rivendell, a store and gallery that spills onto an artful patio in front of the Santa Cruz Art Center at 1001 Center St.  Her back door opens onto Squid Row, the colorful alley in Downtown Santa Cruz where, in the 164-year old Enterprise Iron Works building, Moore and her business partner, Wayne Brennan, established Rivendell more than 18 years ago.

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Take One: A Screenwriting Competition

Take One: A Screenwriting Competition


Spread the word—GT has teamed up with *IMPACT (a local production company) and the Santa Cruz Film Festival to host Take One: A Screenwriting Competition.

 

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Sir Mix-A-Lot

Sir Mix-A-Lot

The king of controversy, Gregg Gillis (a.k.a. Girl Talk), schools Cruzans on copyright law, sex onstage, and living a double life

Gregg Gillis is an awful lot like Clark Kent. Back when he first took on the alias, Girl Talk—long before he became one of the biggest (and most controversial) names in the electropop music scene—he was living a double life.

A mild-mannered biomedical engineering graduate student, Gillis went to school and later held a 9 to 5 job as an engineer. What his classmates and coworkers didn’t know, however, was that he was booking tours over the summer and during winter break, and later hopping on red-eye flights to Europe for the weekend to perform, then returning to reality Monday morning.

“By the time I got a job, I didn’t tell anyone about Girl Talk. It’s hard to explain. Most of the people I was working with were 10-15 years older than me. And I don’t really consider myself a DJ—I jump on top of people. So it never really came up,” says Gillis. “By the time I was getting booked all the time and wanted to bring it up, I couldn’t, because it would seem like I was a compulsive liar or something.”

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An Afternoon at the Smart Museum

An Afternoon at the Smart Museum

A legion of dark-haired, jeans-clad, slender teenaged people with attentive attitudes walked past me as I stood over the “Touch Table,” pulling apart and re-attaching objects using miter, dovetail and lap joints.

A few of the young visitors from Nigata, Japan, took my place around the “Touch Table” after I moved on, and, laughing, attached the objects in unintended ways. Meanwhile, I listened to a video of woodworker Michael Singer explaining his technique for joining irregular shapes while I perused a case of tools displayed below. An unfinished chair, a prototype by Om Anand, held a small sign explaining what a prototype is, challenging the viewer to find the finished chair and to notice the changes.

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Green Swell

Local surfboard company greens up the industry with an eco-conscious business model

 

Two Fish Bound by a Golden Cord

Until March 20, (Spring Equinox), Earth and her kingdoms (mineral, plant, animal, human) experience the influence of Pisces, sign of the World Savior. Whereas the task of Aquarius is as world server, the Pisces task is saving the world—tasks given to the two fishes. Pisces never really enters matter, and as the last sign of the zodiac includes all the signs. During Pisces, having gathered all the gifts of the previous 11 signs, it is a good time to prepare for new initiating plans when Aries (sign of beginnings) begins. No wonder Pisces, like Scorpio, is so difficult (both are ruled by Pluto, planet of death, new life, regeneration, transformations). Both signs (with Scorpio drowning in dark and deep waters) find life on Earth a hardship, disorienting (from the spiritual perspective), at times feeling betrayed. Life is a paradox, especially for Pisces. Each zodiacal sign represents and distributes a different phase and facet (12) of the Soul’s diamond light, Pisces is the “Light of Life itself, ending forever the darkness of matter.” It takes two fish to complete this work (creating eventually an extraordinary human being). One fish turned toward the material world (in order to understand matter), the other fish toward the heavenly world. Around the two fish is a silvery cord binding them together. The two fish are forever bound until all of humanity is redeemed (lifted up into the Light). This is the dedication of all world saviors (Buddha, Christ, the NGWS). Thus the sacrifice and suffering experienced by Pisces. Knowing these things about Pisces, let us help them all we can. Sometimes all of humanity is Pisces.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Seal Change

Celtic selkie lore comes alive in dazzling ‘Song of the Sea’
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