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Oct 24th
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The Temple Master

The Temple Master

David Best brings it back with this year’s The Temple of Juno

Have you ever wondered what it’s like as an artist—especially one who creates enormous sculptures and architectural feats, as does David Best, the man behind many of Burning Man’s temples—to see your masterpieces burnt into oblivion? “It’s kind of like those jokes—I built this temple and all I got is this lousy T-shirt,” jokes Best. But although the half dozen temples he has built for Black Rock City have all, inevitably, turned to ash, he actually says he would have it no other way. “The memory of those will last longer than a piece of art,” he says.

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Blogs - CultureBeat

Playa Style

Playa Style

Geoffrey Nelson on the art of Burning Man costuming

Geoffrey Nelson’s artist loft at the Tannery Arts Center in Santa Cruz is brimming with eye-catching Burning Man costumes. Mannequins in elaborate getups stand around in the bright, open space, hinting at the troves of funky clothes hiding in the home’s many closets (including the kitchen pantry) that are stuffed with Black Rock City digs.

Nelson shares his clothing creativity with fellow Burners—veterans and “newbies,” alike—in annual costume workshops.

He wasn’t born a costume aficionado, however. “My first time, I thought wearing a hair clip was really radical,” he laughs. “I walked around with this hair clip on top of my head.” But after 12 years of going to Burning Man, Nelson has his playa style down: like his theme camp, Mo’s Mini Martinis and Erotica, it draws heavily on a Bedouin aesthetic, which harkens back to childhood years he spent living in Morocco and is fitting for the festival’s desert environment.

While his daytime outfits capture a mellow Arabic influence, his nighttime getups are big, bold and colorful. He has an impressive collection of marching band uniforms, as well as traditional Masonic garb. “The Masons are getting rid of all of their traditional, ritual clothes, so I buy them on eBay for around $20,” he explains. He enlivens these already striking outfits with “EL” wire (a long-lasting, durable wire that glows brightly) to make it pop in the desert darkness.

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Blogs - CultureBeat

Around Town Photos

Around Town Photos

In this week's installment of Around Town, GT's photography intern Sal Ingram captured the action at the 38th annual Santa Cruz Pride parade and festival and the fourth annual Santa Cruz Beach Soccer Championships on Sunday, June 3.

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Blogs - CultureBeat

Take One Screenwriting Competition Films

Take One Screenwriting Competition Films

Watch the winning films from the Take One Screenwriting Competition

If you recall, back in August 2011, Good Times teamed up with local production company *IMPACT and the Santa Cruz Film Festival to host Take One: A Screenwriting Competition. The rules were simple: Submit a short script of any genre (two pages maximum) for a one- to two-minute movie.

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Blogs - CultureBeat

Santa Cruz Film Festival Diary, Day 10

Santa Cruz Film Festival Diary, Day 10

Closing Night: Signing off from the 11th annual

Kurt Kuenne’s Shuffle and Mary Liz Thomson’s Who Bombed Judi Bari? were the notable winners on closing night of this year’s Santa Cruz Film Festival, taking the prize for Best Narrative Feature and the Morton Marcus Best Documentary Feature respectively, as voted by audiences. The former is a film I quite enjoyed and makes for a worthy winner, even if I might have cast my vote in another direction. Meanwhile, the latter is one I unfortunately missed; as much as I would have liked to see (and write about) every single film in the festival, I am but one man.

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Blogs - CultureBeat

Santa Cruz Film Festival Diary, Day 9

Santa Cruz Film Festival Diary, Day 9

Philips Patton’s ‘Santa Cruzin’’ and Daniel Schechter’s ‘Supporting Characters’

The penultimate day of this year’s edition of the Santa Cruz Film Festival would eventually yield the strongest narrative feature I’ve seen in the festival—Supporting Characters—but before that happened, I had to patiently wait out Philips Patton’s harmless but aimless Santa Cruzin’.

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Blogs - CultureBeat

Around Town Photos

Around Town Photos

Hundreds gathered at OPERS East Field at UC Santa Cruz on Saturday,  May 12 to participate in the kickoff of Colleges Against Cancer's fourth annual Relay For Life event. Attendees were encouraged to celebrate the lives of those with cancer, remember those who have lost their battle with the disease, and fight back.

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Blogs - CultureBeat

Santa Cruz Film Festival Diary, Day 7

Santa Cruz Film Festival Diary, Day 7

Sam Jaeger’s ‘Take Me Home’

It’s difficult to say which film—short or feature—that I saw on Wednesday afternoon at The Nickelodeon, garnered more laughs from me, but while those chuckles are a minor badge of honor for the feature, Take Me Home, I’m not sure the short film, Alone Together, was aiming to tickle the funny bone.

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Blogs - CultureBeat

Santa Cruz Film Festival Diary, Day 6

Santa Cruz Film Festival Diary, Day 6

Frances Causey & Donald Goldmacher’s ‘Heist: Who Stole the American Dream?’ and Turner Clay’s ‘State of Emergency’

On Tuesday—for the second time during the course of the Santa Cruz Film Festival—I caught up with a film that had eluded me at the Mill Valley Film Festival last fall, yet another reminder of just how much one inevitably misses at all these shindigs. In fact, it was at Mill Valley that Frances Causey and Donald Goldmacher’s Heist: Who Stole the American Dream? made its world premiere; at The Nickelodeon, the documentary screened to an audience that it hardly needed to convince.

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Blogs - CultureBeat

Santa Cruz Film Festival Diary, Day 5

Santa Cruz Film Festival Diary, Day 5

Q&A with ‘Franky, Frankly’ writer-director Matthew Anderson

Instead of seeing any new films at the Santa Cruz Film Festival on Monday, I spent part of the day chatting with Santa Cruz native Matthew Anderson, writer-director of the short film Franky, Frankly, which appeared in the Only in Santa Cruz shorts program on Saturday. The film remains, for me, the highlight of the festival so far. Our conversation follows:

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Santa Cruz Restaurant Week

A huge part of Santa Cruz Restaurant Week has always been about offering a great dining experience for an affordable price. For some locals, the $25 flat-rate cost has provided the opportunity (or the excuse!) to try new spots, and indulge in Santa Cruz fine dining in a way they might have thought too pricey before.

 

Scorpio Sun, New Moon Eclipse, Mercury Direct

The Sun enters Scorpio’s mysteries Thursday under a new moon and partial solar eclipse (something essential has come to an end, its purpose completed). In Scorpio we harbor secrets, are devoted to something deep, dark and hidden. Sometimes it’s ourselves. We can bring great suspect to our assessment of others. Scorpio is the scorpion, the serpent and the eagle—three levels of development. As the serpent we take shelter in our beliefs. Sometimes we bite (or sting). The eagle vanquishes old beliefs through its sharp intellect, soaring high in the air, seeking to understand through perspective. Understanding releases us from the bondage of fear. The eagle is like the mother soothing feelings of mistrust, offering protection. Knowledge does this, too.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Light Humor

College comedy questions a post-racial America in ‘Dear White People’
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Back Porch

Austin Kaye on backyard dinners and why it’s his favorite time of year to be a chef

 

What’s the most outrageous situation you ever saw at a restaurant?

Damani Thomas, Santa Cruz, Chef/Owner

 

Wine Lust

The Spanish Godello grape, plus arancinis, tender butter lettuce and pork schnitzel at Soif

 

What artist or artists participating in the encore weekend of Open Studios should not be missed?

Santa Cruz | Teacher