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Apr 21st
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From The Editor

ednote stevePlus Letters To the Editor

Though I grew up on Star Wars, I didn’t discover the true potential of science fiction until I read the mind-bending work of Philip K. Dick and J.G. Ballard in high school. These authors wrote about ideas in a way that ultimately had very little to do with “speculative fiction,” and everything to do with the questions that are at the core of our existence: What does it mean to be human? What is the true nature of reality? Is the Buddha in the park? (OK, that last one was just for VALIS fans.)

In college, someone gave me a copy of Ursula K. Le Guin’s The Dispossessed, which turned me on to a whole different set of possibilities for what science fiction could be. Her work was neither paranoid nor cynical, as Dick and Ballard so often were, and it asked revolutionary questions about society that I’d never seen any science fiction writer take on in the way that she did.

The influences that led Le Guin to these themes are a big part of what GT contributor John Malkin discusses with her in our cover story this week. Now in her 80s, Le Guin is fascinating both as an intellectual thinker and a creative person, and I have no doubt she’ll bring a unique perspective to the new Anthropocene Conference this week. (Don’t worry, Malkin explains what that is, too.)

Also recalling a time when science fiction seemed like a blueprint for revolution is the documentary Jodorowsky’s Dune, which Lisa Jensen reviews this week. Would Alejandro Jodorowsky have done any better with Frank Herbert’s groundbreaking epic than David Lynch did? Well, sure, but my 4-year-old would have, too. (Although her casting of the well-worn stuffed animal Favorite Kitty as Paul Atreides would no doubt be controversial.) Jensen asks a more interesting question: is watching a movie about the unmade movie perhaps better than the actual movie would have been?

Steve Palopoli | Editor-in-Chief


letters

 

Return of RvB
I wish to register my disagreement, in the strongest possible terms, with Veronica Garrett's vicious slander of Richard Von Busack ("Review of Reviewers," Letters, 04/10/14), the finest film critic the Santa Cruz area has ever known. Not only did he describe David Lynch's Inland Empire as playing the viewer's spine like a xylophone, he also accurately conveys the atmosphere and style of each film, letting the reader decide if he or she would enjoy the movie in question. I always found a Von Busack recommendation reliable; he also writes vividly and with insight. The gaping void left in these pages where Von Busack's words once shone is the gravest tragedy to strike Santa Cruz since Tuesday, 5:04 p.m., October 17, 1989.
—Graham McGrew | Santa Cruz
Not to worry, Graham, Richard’s first review in these pages can be found in the Film section this week
. — Editor

MSG Memories
Reading Jeff Dunn and Christina Waters on Buz Bezore brought back many memories of those heady days of Santa Cruz journalism at its yeastiest (although I don't really remember being a "golden boy," even for a week). I'd like to add shout-outs for two major figures in that halycon scene: Sundaz! editor maudit Patrick Fox; and cartoonist, Santa Cruz Independent stalwart, commissioner of the Media Softball league, DA candidate and colleague Tim Eagan.
—Michael S. Gant | Aptos

Blast from the Pasta
Geoffrey Dunn's tribute to Buz Bezore was spot-on. My mother (Mary Barnett, now in her ’90s) wrote for Buz's various ventures many times, and unlike other small-paper editors of the day Buz always paid as promised, even if the paper itself was failing. He loved "the story," loved Santa Cruz, and was all about accountability. He was never a tool of the left or other political group. His last few years were a tough journey and unfairly so, for someone who gave so much to this community. It was great to read and remember the salad days of independent newspapers in Santa Cruz. Yes, kids, there really was a publication called Free Spaghetti Dinner.
—Michael Fitzgerald | Ben Lomond

Online Comments

Re: PVUSD Traffic          
So glad I moved away from there when I did (in 2004). The ensuing traffic was easily foreseeable when that school was being built, long before it opened.
—Jack

Re: Best Local Issue           
Thanks, Good Times: It was quite surprising to find my photo once again in a public publication. It's a very good image of me so I can't complain. The one thing that worries me though is I'm quickly becoming the poster boy for homelessness in Santa Cruz and with that comes responsibility both good and bad. I've been an activist most of my life fighting for what I believe in including taking a deeper look at homelessness and finding ways to stop blaming and start thinking of people, all people as our community, and how we can bring value out of everyone. I don't believe in handouts, but also I don't think anyone should starve. What I do believe is having a way for people to find value in themselves. The only way that's going to happen is there needs to be opportunity for everyone. Many are willing to volunteer in exchange for food, housing and support. It takes work from everyone, and there's much to do that government aren't willing or capable of doing. It's really up to all of us to come together and find out.
—Daniel Madison


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photo contest

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THE GOLDEN HOUR The view at Twin Lakes Beach offers example #43252 of why it’s great to live in Santa Cruz. photo//AMY SPENCER. Submit This e-mail address is being protected from spambots. You need JavaScript enabled to view it "> This e-mail address is being protected from spambots. You need JavaScript enabled to view it . Include information (location, etc.) and your name. Photos may be cropped. Preferably, photos should be 4 inches by 4 inches and minimum 250 dpi.







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“The core of science fiction—its essence —has become crucial to our salvation, if we are to be saved at all.”

Isaac Asimov




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Forty Years of Good Times

When I came on board as the publisher of Good Times a year ago, the lease was up at the office where the paper had resided for nearly 20 years, and a move to new offices was imminent.

 

Pluto Retrograde, Aries New Moon, Lyrid Meteor Showers

As the Lyrid meteors, radiating from the star Vega in the Harp constellation, begin showering heaven and earth with light, Pluto, planet of transformation (or die) turns stationary retrograde (Thursday, April 16), 15 degrees Capricorn. Retrogrades have purpose, allowing humanity time to review, reassess, research and reinvent while returning to previous situations. Retrogrades are times of inner activity, seeds sown in bio-dynamically prepared soil. Pluto retrograde is the most serious and resolute of retrogrades—a pure tincture, or, as in homeopathy, a “constitutional” touching the essences of all that matters. Pluto offers deep insight into confusion or puzzlement and areas where transformation is still incomplete. It’s valuable to have one’s astrology chart to follow what area of life the major planets— especially Saturn, Uranus, Neptune and Pluto—are influencing. These outer planets have long-term and lasting effects on our psyche, inner/outer life events, how people see us and how we see and process our world. Pluto, retrograde for five months (until Sept. 24) offers deep earthquakes of change, awakens humanity to the task of building (Capricorn) the new culture and civilization, flailing our inner world about, deepening us until we transform and do things differently. Pluto is an unrelenting teacher. New moon (29 Aries) is Saturday, April 18. With the personality-building keynote, “Let form again be sought.” Mars anchors the new creative fires of Aries into our world. The New Group of World Servers participates together in the new moon festival, while also preparing for the Taurus Wesak, Buddha Full Moon Festival (May 3). Join us everyone.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of April 17

Santa Cruz area movie theaters >
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