A little over a year ago, I played the role of narrator in a show called “Jugtown U.S.A.” The show concept was simple: Play a retrospective of the hits of early Motown on jug band instruments. Musical parts were reorganized to accommodate instruments from the hillbilly wedding party scene in the movie Deliverance, were there actually such a scene. Drummer Olaf Shiappacasse played a finely arranged pile of debris, including a washboard, cardboard suitcases, hubcaps, and pie tins. Matt Bohn built and performed on a more playable interpretation of the washtub bass, substituting a galvanized washtub for the usual curvy body. Along the front of the stage, ready to play the parts of strings and brass, stood an array of jugs, partially filled beer bottles, kazoos, and megaphones.