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Laird's next move: waste managementTuesday, November 25 John Laird has been tight-lipped in recent weeks about his next job after being termed out of the California Assembly, but his office announced today that he will be... more... |
Park for free in downtown SC this holiday SeasonThursday, November 20 This holiday season, save your spare change from getting gobbled by the downtown parking meters and put it towards a steamy peppermint latte instead. The City of Santa Cruz... more... |
Parking tickets soon to be payable onlineWednesday, November 19 The City of Santa Cruz has a new Parking Citation Processing Software System that will allow people with parking tickets to pay or request administrative review of their citation... more... |
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Many of us are unwittingly in the same boat as this unfortunate seafarer, who, according to the story, searched the globe for the maker of that fine, funky music. If you have ever partied to Prince, James Brown, Parliament, the Red Hot Chili Peppers, etc., then you have probably at least tapped your toe to a Maceo Parker (native of Kinston, North Carolina) saxophone line; odds are very good that you moved quite a bit more than that. Parker’s played on just about everything: Brown’s Sex Machine, most of Prince’s newest material, even on an album by Rev. Billy C. Wirtz. He’s no slouch as a solo artist either, boasting over a dozen solo albums. His latest, 2007’s Roots and Grooves, is a two-disc live document. While both discs feature a big band and Parker’s soulful vocals, the difference between the two is night and day. The first is a tribute to the late soul legend Ray Charles. The arrangements of classics like “Margie” and “Busted” are incredibly colorful, the huge, bright horn section giving the songs a new depth. The second disc is pure funk, featuring mostly original Parker material, as well as an incredible, mind-bending display of musicianship on James Brown’s “Pass the Peas.” Parker, somewhat of a funk legend himself, seems just as comfortable fronting a big band as being sideman to popular music icons. “Man, it’s really easy,” he says. “Not only easy, it’s enjoyable. It’s kind of like being in the studio, you know, because everybody has their own taste. In the studio I can be like, ‘Hey, let’s bring the guitar up just a little bit,’ or, ‘That’s a little too loud for my taste,’ you know, it might be fine for the guy next door, but not for me. That’s a bit what it’s like for me, leading my own band.”
