Santa Cruz Good Times

Sunday
Aug 30th
Text size
  • Increase font size
  • Default font size
  • Decrease font size

After The Fall

film_aliceBurton follows Carroll down the rabbit hole in a funny, engaging 'Alice in Wonderland'
The better you know the Alice books of Lewis Carroll, the more you'll appreciate Tim Burton's winsome and nutty remix, Alice In Wonderland. Instead of rehashing of the familiar children's story, Burton and scriptwriter Linda Woolverton borrow elements from both classic Carroll books, "Alice In Wonderland," and "Through The Looking Glass," then dare to imagine an entirely new story populated by Carroll's enduring fantasy characters.

Burton and collaborator Woolverton (she wrote the marvelous script for Disney's Beauty And the Beast) understand what makes the books so much fun—deadpan, Seinfeld-like conversations about the minutiae of life, the usefulness (or not) of language, silly plays on words, and the stubborn pragmatism of resourceful little Alice in a world gone cheerfully mad. Staying true to this antic, anarchic spirit, they fashion a funny, girl-empowering saga that is often Carroll's equal in drollery.

In this story, Alice (Mia Wasikowska) is a slightly rebellious Victorian-era 19-year-old. Shanghaied to a surprise engagement party for her arranged betrothal to a pompous rich boy, Alice scoots off into the hedgerows in pursuit of a rabbit in a waistcoat and tumbles down the rabbit hole (a virtuoso sequence in which she caroms off the most amazing and amusing clutter). When she finally lands in the familiar locked room with one tiny door to the outside world and a drink and a cake to alter her size, unseen observers remark, "You think she'd remember all this from before!"

Alice has visited Wonderland (here called the Underland) as a child, but she doesn't remember much and thought it was only a dream. Now, as she encounters the personae of the Underland— the "Tweedles" (Dum and Dee), the White Rabbit—she still thinks she's dreaming while they debate whether or not she's the right Alice. By the time she's ushered to the eternally in-progress Tea Party, the Mad Hatter (Johnny Depp) rolls out a scroll (decorated with the artwork of famous Carroll illustrator John Tenniel) and explains that she's the subject of a prophecy. On  the Frabjous Day, Alice is destined to slay the monster Jabberwocky and free Underland from the tyranny of the Red Queen.

In the first Alice book, royalty and their minions were based on playing cards like the Queen of Hearts. The second book was patterned after a chess game, with red and white queens, kings and knights. The film's imperious Red Queen (a delicious comic performance by Helena Bonham Carter) is more Queen of Hearts. Red heart motifs dominate her court, scrollwork, even her hair-do; her soldiers are stylized, armor-plated red cards. Shouting "Off with their heads!," she maintains her power through a ferocious black knight enforcer called Stayne (Crispin Glover).

Her sister, the White Queen (an uneasily platinum-blonde Anne Hathaway), beloved by the people, is confined to her checkerboard estate with her loyal court and chess-piece soldiers. In her quest to restore the White Queen to power, Alice's staunchest ally is the Hatter; sublimely silly and soulful as only Depp can be, he's part court jester, and part spirit guide. When Alice balks at her task, he says she was "much more…muchier" as a child. "You've lost your muchness," he tells her, in an exchange Carroll would love.

Depp and Carter get to act their parts with only a few CGI flourishes (like the Red Queen's hilariously bulbous head). Other characters are completely digital (but no less effective), like the Caterpillar (voiced with lubricous verve by Alan Rickman) and the cheeky Cheshire Cat (Stephen Fry). A jail cell scene between the Hatter and "Chess" the cat is a marvel of magical fx, comic timing, and wistful emotion.

Some visuals do suggest Tenniel by way of Sleepy Hollow, but Burton mostly saves his Gothic-noir sensibility for depicting the Red Queen's slash-film_alice_in_wonderlandand-burn policies. And even a somewhat gruesome moment when tiny Alice clambers over severed heads in the Red Queen's moat to sneak into her palace has a weirdly poetic quality. ("Lost my muchness, have I?" she cracks.) Alice's quest toward selfhood ("I make the path!"), and her knack for turning fearsome enemies into allies along the way, combine with the film's  ravishing look and  clever script for a buoyant heroine's journey well worth taking.

ALICE IN WONDERLAND ★★★★

With Johnny Depp, Helena Bonham Carter, Crispin Glover, and Mia W. Written by Linda Woolverton. From the novels by Lewis Carroll. Directed by Tim Burton. A Walt Disney release. Rated PG. 108 minutes.
Watch movie trailer >>>

 

Comments (0)Add Comment

Write comment
smaller | bigger

busy
 

Share this on your social networks

Bookmark and Share

Share this

Bookmark and Share

 

The Meaning of ‘LIFE’

With a new documentary film about his work, and huge exhibits on both coasts, acclaimed Santa Cruz nature photographer Frans Lanting is having a landmark year. But his crusade for conservation doesn’t leave much time for looking back

 

Seasons of Opportunity

Everything in our world has a specific time (a season) in which to accomplish a specific work—a “season” that begins (opportunity) and ends (time’s up). I can feel the season is changing. The leaves turning colors, the air cooler, sunbeams casting shadows in different places. It feels like a seasonal change has begun in the northern hemisphere. Christmas is in four months, and 2015 is swiftly speeding by. Soon it will be autumn and time for the many Festivals of Light. Each season offers new opportunities. Then the season ends and new seasons take its place. Humanity, too, is given “seasons” of opportunity. We are in one of those opportunities now, to bring something new (Uranus) into our world, especially in the United States. Times of opportunity can be seen in the astrology chart. In the U.S. chart, Uranus (change) joins Chiron (wound/healing). This symbolizes a need to heal the wounds of humanity. Uranus offers new archetypes, new ways of doing things. The Uranus/Chiron (Aries/Pisces) message is, “The people of the U.S. are suffering. New actions are needed to bring healing and well-being to humanity. So the U.S. can fulfill its spiritual task of standing within the light and leading humanity within and toward the light.” Thursday, Aquarius Moon, Mercury enters Libra. The message, “To bring forth the new order in the world, begin with acts of Goodwill.” Goodwill produces right relations with everyone and everything. The result is a world of progressive well-being and peacefulness (which is neither passive nor the opposite of war). Saturday is the full moon, the solar light of Virgo streaming into the Earth. Our waiting now begins, for the birth of new light at winter solstice. The mother (hiding the light of the soul, the holy child), identifying the feminine principle, says, “I am the mother and the child. I, God (Father), I Matter (Mother), We are One.”

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Film, Times & Events: Week of August 28

Santa Cruz area movie theaters >
Sign up for Good Times weekly newsletter
Get the latest news, events

RSS Feed Burner

 Subscribe in a reader

Latest Comments

 

Land of Plenty

Farm to Fork benefit dinner for UCSC’s Agroecology Center, plus a zippy salsa from Teresa’s Salsa that loves every food it meets

 

If you knew you had one week to live, what would you do?

Make peace with myself, which would allow me to be at peace with others. Diane Fisher, Santa Cruz, Network Engineer

 

Comanche Cellars

Michael Simons, owner and winemaker of Comanche Cellars, once had a trusted steed called Comanche, which was part of his paper route and his rodeo circuit, from the tender age of 10. In memory of this beautiful horse, he named his winery Comanche, and Comanche’s shoes grace the label of each handcrafted bottle.

 

Cantine Winepub

Aptos wine and tapas spot keeps it casual