Santa Cruz Good Times

Sunday
May 24th
Text size
  • Increase font size
  • Default font size
  • Decrease font size

VINCERE

film_VINCERELust, longing, betrayal, revenge, madness. These are the elements of grand opera, used to swoony effect by veteran Italian filmmaker Marco Bellochio in his arresting Vincere (Victory). His subject is the woman and child Benito Mussolini left behind while reinventing himself as Il Duce. Political content is acute throughout; the director draws parallels between Mussolini's opportunistic path from young Socialist troublemaker to Fascist dictator and the ruthlessness with which he abandons the woman who loves him. But the film plays out as a rapturous fever dream of love and loss told entirely from the viewpoint of Ida Dasler (played with simmering grace and erotic intensity by Giovanna Mezzogiorno). After a chance meeting and fiery kiss in a back alley during a 1907 protest march, Ida is drawn to the charismatic gall and grandeur of young Mussolini (Filippo Timi)—who challenges God to strike him dead to prove that God doesn't exist. Their hungry sex is a rite of communion to her, although he's always focused on something ahead. When he's fired from his newspaper job, she sells her belongings to finance his own paper. When she gets pregnant, he marries her in secret— chiefly because he has another wife and child. But as Mussolini climbs ever higher, "beyond morality," from peacenik to war hero to Fascist leader, Ida and their son become an embarrassment to him. Refusing to stop telling the truth about their relationship, or perjure herself with a lie, she finally lands where inconvenient women always end up—in the madhouse. But this plot summary can't convey the sheer operatic audacity of Bellochio's filmmaking: Carlo Crivelli's swirling, fortissimo musical score that accents every emotional peak, ornate visuals (a duel before belching industrial smokestacks), aria-like moments of passion, denunciation, despair. Authentic movie house headlines ("WAR!") set the overheated tone, along with newsreel footage of the real Il Duce (the only way Ida gets to him in the second half of the film). The stirring power of movies is another subtext, from the way Mussolini identifies with the suffering Christ in a Biblical epic, to Ida's reaction when little Jackie Coogan is ripped from the arms of Charlie Chaplin in The Kid. Yet for all its stylization, the film's power comes from the essential plight of Mezzogiorno's uncompromising Ida: "The man I adore has erased me." (R) 104 minutes. In Italian with English subtitles. (★★★) LJ

Comments (0)Add Comment

Write comment
smaller | bigger

busy
 

Share this on your social networks

Bookmark and Share

Share this

Bookmark and Share

 

Gate Openers

Up-and-coming artists like Ryan Bingham are a great reason to show up early to the Santa Cruz American Music Festival

 

Gemini Sun, Pentecost, Shavuot—Enlightenment and Gladness

As the sun enters Gemini on Sunday, sign of speaking, communication, thinking, inter-relations, writing and understanding languages, the feast days of Pentecost & Shavuot (Catholic and Jewish festivals) occur. During Pentecost’s 50 days after Easter, tongues of fire appear above the heads of the disciples, providing them with the ability to understand all languages and all feelings hidden in the minds and hearts of humanity. It’s recorded that Pentecost began with a loud noise, which happened in an upper room (signifying the mind). The Christ (World Teacher) told his disciples (after his ascension) when encountering a man at a well carrying a water pot (signs for Age of Aquarius) to follow him to an upper room. There, the Holy Spirit (Ray 3 of Divine Intelligence) would overshadow them, expand their minds, give them courage and enable them to teach throughout the world, speaking all languages and thus able to minister to the true needs of a “seeking” humanity. Pentecost (50 days, pentagram, Ray 5, Venus, concrete and scientific knowledge, the Ray of Aquarius) sounds dramatic, impressive and scary: The loud noise, a thunderous rush of wind and then “tongues of fire” above the heads of each disciple (men and women). Fire has purpose. It purifies, disintegrates, purges, transforms and liberates (frees) us from the past. This was the Holy Spirit (Ray 3, love and wisdom) being received by the disciples, so they would teach in the world and inform humanity of the Messiah (Christ), who initiated the new age (Pisces) and gave humanity the new law (adding to the 10 Commandments of the Aries Age) to Love (Ray 2) one another. Note: Gemini is also Ray 2. Shavuot is the Jewish Festival of Gladness, the First Fruits Festival celebrating the giving of the 10 Commandments to Moses as the Aries Age was initiated. Thus, we have two developmental stages here, Jewish festival of the Old Testament. Pentecost of the New Testament. We have gladness, integrating both.

 

The New Tech Nexus

Community leaders in science and technology unite to form web-based networking program

 

Off Her Meds

Kristin Wiig runs wild—and transcends her sketch comedy roots—as a truly strange character ‘Welcome to Me’
Sign up for Good Times weekly newsletter
Get the latest news, events

RSS Feed Burner

 Subscribe in a reader

Latest Comments

 

Flats Bistro

Pizza with an artisan twist comes to Aptos Beach

 

What’s your take on Santa Cruz locals?

Santa Cruz locals are really friendly once you know them. I think a lot of them have a hard time leaving, and I would too. Ryan Carle, Santa Cruz, Biologist

 

Soquel Vineyards

If Soquel Vineyards partners Peter and Paul Bargetto and Jon Morgan were walking down the street wearing their winning wine competition medals, you’d hear them coming from a mile away. This year was particularly rewarding for the Bargettos and Morgan—they won two Double Gold Medals and five Gold Medals at January’s San Francisco Chronicle Wine Competition.

 

Enlightened Flavors

Squash & Blossom’s artisanal alternative-flour delights, beet kvass from Cafe Ivéta, and the Santa Cruz Baroque Festival